Endurance test: Houses close to the Hoe in Plymouth. Photo: Getty
Show Hide image

Will Self: Plymouth is for me ever associated with a certain outwardly bound derring-do

As I sat in the cavernous and entirely empty dining room, delicately abstracting flesh-flakes from my perfectly poached cod, my only desire was that I could stay longer. Much longer.

Plymouth should, I think, be twinned with Hull: both are oddly remote-feeling cities for our right, tight little island. Hull, unlike Plymouth, at least has a motorway connection, but the Devonian capital must have felt like ultima Thule last winter when the mainline rail connection was severed in the storms. The cab driver who took me from the reconnected station to my hotel descanted on the depredations of wartime bombing, and how the brutalist/modernist and now postmodernist rebuilding of Plymouth has never compensated for the dreadful damage caused by wartime bombing. I must say I’m beginning to find this excuse – which can be heard in South­ampton and Coventry et al as well – a little grating; I mean, it’s been nearly 70 years since VE Day, surely time enough to effect civic beautifying.

Mind you, the only extended stay I’ve ever had in Plymouth was in the mid-1970s and mostly spent underwater. A friend of my brother’s, Bob Farrell, was a marine archaeologist who at that time was diving on a wreck in Plymouth harbour. Out of the goodness of his large heart he enrolled me, aged 15, in the fortnight-long British Sub-Aqua Club course at Fort Bovisand. All the other diving trainees were in their twenties or older, but I manned up, and despite it being April, spent many frigid hours squatting on the seabed laboriously completing emergency drills with my appointed buddy. (You have to be able to remove all of your kit and replace it while sharing a single scuba apparatus.) One day we drove to a leisure centre and passed the afternoon sitting on the bottom of a particularly deep swimming pool – but beyond this I can remember very little of the locale.

Still: remoteness, Francis Drake bowling on the Hoe, me diving in the harbour – you get the picture; Plymouth is for me ever associated with a certain outwardly bound derring-do. The cabbie dropped me at the Duke of Cornwall, an imposing late-Victorian edifice with the top-heavy lines of an Atlantic steamer redesigned by a disciple of Augustus Pugin. Despite being under the auspices of a large chain, the hotel didn’t seem to have had much by way of a refurb’ since at least the mid-1980s: unseasonable palms lurked in the tiled vestibule, and the original bell board was still on the wall by the lift, complete with buttons for signalling to the Writing Room and the Manager’s Sitting Room. As I checked in I sensed the deep, looming vacuity of the establishment: an ambience somewhere between the Overlook Hotel and Last Year at Marienbad. And as I sat in the cavernous and entirely empty dining room, delicately abstracting flesh-flakes from my perfectly poached cod, my only desire was that I could stay longer. Much longer.

A desire that was only sharpened when I saw the brass plaque that had been put up on the patch of wall on the other side of the lift; this told me that Ernest Shackleton had stayed at the Duke of Cornwall on 7 August 1914, the night before he sailed in his ship, the Endurance, bound for his final expedition: an attempt to reach the South Pole from the Weddell Sea that ended up with him and his men stranded in pack ice for months. As I’ve had cause to remark before, there’s nothing I like more, when the evenings draw in and the wind gusts hard, than to lie in bed – preferably in an overheated old pile like the Duke of Cornwall – and read about the British officer class getting their bollocks frozen off in Antarctica. That Schadenfreude having been acknowledged, Shackleton is by far the most sympathetic of the frozen-stiff-upper-lips: he never lost a man (and treated his men well), and while he may’ve been driven, it wasn’t by the same imperialist demons as that loathsome narcissist, Captain Robert Falcon Scott.

I went to my bed up the great and yawning staircase, admiring the thick pile of the runner, which was patterned with three ostrich feathers argent, the ducal crest. My room was snug; the electric kettle boiled and I settled down to my hoosh of tea and courtesy Jammie Dodgers (three-pack, naturally). It was difficult to imagine somewhere more powerfully somnolent, and as I undressed I gaily anticipated unconsciousness as heavy and blubbery as an elephant seal descending on my febrile head.

Then, hanging my jacket up, I was arrested by a bizarre sort of ledge that had been implanted in the bottom of the corner cupboard. I suppose it was intended as a shelf for shoes, but the way it had been neatly covered in the same red Axminster as the rest of the room struck me as hilarious – our human interiors are like that, aren’t they, always enacting a transformation of the utile into the decorative, or the cosy. Or at any rate, trying to enact it: the more I looked at the triangular carpeted shelf, the more absurd it seemed. And then the talking began in the room above.

There were several loud and excitable speakers, and it sounded like a language spoken somewhere far to the east of Plymouth; not Hull, but possibly Afghanistan. I wondered why exactly a loya jirga was being held in the Duke of Cornwall Hotel at midnight on a Tuesday evening in late October – but not for long: the silence had been deafening, and I was happy to slip into sleep serenaded in Pashto – or possibly Dari; it seemed entirely in keeping with my remote situation. 

Next week: Real Meals

Will Self is an author and journalist. His books include Umbrella, Shark, The Book of Dave and The Butt. He writes the Madness of Crowds and Real Meals columns for the New Statesman.

This article first appeared in the 29 October 2014 issue of the New Statesman, British jihadis fighting with Isis

Getty
Show Hide image

Don’t worry, Old Etonian Damian Lewis calls claims of privilege in acting “nonsense!”

The actor says over-representation of the privately educated at the top of acting is nothing to worry about – and his many, many privately educated peers agree.

In the last few years, fears have grown over the lack of working class British actors. “People like me wouldn’t have been able to go to college today,” said Dame Julie Walters. “I could because I got a full grant. I don’t know how you get into it now.”

Last year, a report revealed that half of Britain’s most successful actors were privately educated. The Sutton Trust found that 42 per cent of Bafta winners over all time were educated independently. 67 per cent of British winners in the best leading actor, actress and director categories at the Oscars attended fee-paying schools – and just seven per cent of British Oscar winners were state educated.

“That’s a frightening world to live in,” said James McAvoy, “because as soon as you get one tiny pocket of society creating all the arts, or culture starts to become representative not of everybody but of one tiny part. That’s not fair to begin with, but it’s also damaging for society.”

But have no fear! Old Etonian Damian Lewis is here to reassure us. Comfortingly, the privately-educated successful actor sees no problem with the proliferation of privately-educated successful actors. Speaking to the Evening Standard in February, he said that one thing that really makes him angry is “the flaring up recently of this idea that it was unfair that people from private schools were getting acting jobs.” Such concerns are, simply, “a nonsense!”

He elaborated in April, during a Guardian web chat. "As an actor educated at Eton, I'm still always in a minority," he wrote. "What is true and always rewarding about the acting profession is that everyone has a similar story about them being in a minority."

Lewis’s fellow alumni actors include Hugh Laurie, Tom Hiddleston, Eddie Redmayne – a happy coincidence, then, and nothing to do with the fact that Etonians have drama facilities including a designer, carpenter, manager, and wardrobe mistress. It is equally serendipitous that Laurie, Hiddleston and Tom Hollander – all stars of last year’s The Night Manager – attended the same posh prep school, The Dragon School in Oxford, alongside Emma Watson, Jack Davenport, Hugh Dancy, Dom Joly and Jack Whitehall. “Old Dragons (ODs) are absolutely everywhere,” said one former pupil, “and there’s a great sense of ‘looking after our own’." Tom Hollander said the Dragon School, which has a focus on creativity, is the reason for his love of acting, but that’s neither here nor there.

Damian Lewis’s wife, fellow actor Helen McCrory, first studied at her local state school before switching to the independent boarding school Queenswood Girls’ School in Hertfordshire (“I’m just as happy to eat foie gras as a baked potato,” the Telegraph quote her as saying on the subject). But she says she didn’t develop an interest in acting until she moved schools, thanks to her drama teacher, former actor Thane Bettany (father of Paul). Of course, private school has had literally no impact on her career either.

In fact, it could have had an adverse affect – as Benedict Cumberbatch’s old drama teacher at Harrow, Martin Tyrell, has explained: “I feel that [Cumberbatch and co] are being limited [from playing certain parts] by critics and audiences as a result of what their parents did for them at the age of 13. And that seems to me very unfair.”

He added: “I don’t think anyone ever bought an education at Harrow in order for their son to become an actor. Going to a major independent school is of no importance or value or help at all.” That clears that up.

The words of Michael Gambon should also put fears to rest. “The more Old Etonians the better, I think!” he said. “The two or three who are playing at the moment are geniuses, aren’t they? The more geniuses you get, the better. It’s to do with being actors and wanting to do it; it’s nothing to do with where they come from.”

So we should rejoice, and not feel worried when we read a list of privately educated Bafta and Oscar winners as long as this: Chiwetel Ejiofor (Dulwich College), Emilia Clarke (St Edward’s), Carey Mulligan (Woldingham School), Kate Winslet (Redroofs Theatre School), Daniel Day-Lewis (Sevenoaks School, Bedales), Jeremy Irons (Sherborne School), Rosamund Pike (Badminton), Tom Hardy (Reed), Kate Beckinsale (Godolphin and Latymer), Matthew Goode (Exeter), Rebecca Hall (Roedean), Emily Blunt (Hurtwood House) and Dan Stevens (Tonbridge).

Life is a meritocracy, and these guys were simply always the best. I guess the working classes just aren’t as talented.

Anna Leszkiewicz is a pop culture writer at the New Statesman.

0800 7318496