Alexander Armstrong and Richard Osman, the kind and non-judgmental hosts of Pointless. Photo: Getty Images
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At once fascinating, horrifying and mildly arousing, ignorance porn is everywhere (and I love it)

Shows like Pointless satisfy a new itch - to gawp at those who don't know obvious things, like what toast is. It's hardcore ignorance porn at its best.

“Stupidity is a talent for misconception,” said Edgar Allan Poe, ages ago.

While shaping the history of gothic literature, marrying his 13-year-old cousin, contracting various antiquated diseases and fixating, verbosely, on decomposing flesh, Edgar Allan “Fun Times” Poe took a moment to recognise stupidity as a talent.

Fast forward nearly 200 years, cross the Atlantic to the UK, and a couple of monumentally-talented quiz show contestants have never heard of the guy.

I watch BBC One’s Pointless religiously. Working from (your parents’) home has its perks. Being able to drop everything, every weekday evening at 5.15, yell, “Pointless!” at my mum and have her “warm up” the TV in preparation for our 45 minutes of pure, tea-fuelled viewing bliss, is probably the perkiest perk.

Pointless, for those who are missing out horribly, is a programme where some people who – well – probably shouldn’t be competing on a quiz show, and a few slightly cleverer people, battle it out to see who has the most obscure knowledge. While the smarty pantses usually win, the entertainment is provided almost entirely by the people who think linoleum is a vegetable, lemons are bats and Ross Kemp is the capital of France. Or, as was the case in a recent show, have never heard of Edgar Allan Poe.

Now, I don’t want to sound all “I have an English literature degree, I eat artichokes and know who the fuck Edgar Allan Poe is”. But, for a poet, this guy is remarkably visible in popular culture. He’s heavily referenced in more than one Simpsons episode. His sad, moustachioed face is practically a logo. If the name isn’t ringing any bells, I challenge you to Google image it and not recognise that face. You’ve probably at least seen it on a T-shirt worn by a gothy teenager who thinks that he knows some unfathomably dark truth because he smokes Djarum Black cigarettes and has Nosferatu on DVD.

But back to Pointless. When a contestant comes up with a particularly silly answer to a question I practically start salivating. Meanwhile, presenters Alexander Armstrong and Richard Osman (who seems like the nicest man on earth) are ostensibly non-judgemental. True professionalism, it seems, is keeping a straight face when someone has just come up with Simon Cowell when asked to name someone on the Forbes list of the world’s most powerful people (this actually happened).

“Dude, no way does she think that! Jesus fucking Christ, what is wrong with people?” I’ll say, so excited by this horrible situation that I’ve started calling my mum “dude”. There’s no way around it: delving into the great, echoey gaps in other people’s knowledge makes for weirdly compelling TV. This is ignorance porn. It’s the phenomenon of someone saying something so stupid that it kind of makes you want to tug on your balls. This is unfortunate for me, seeing as I have very few testicles. Nevertheless, it’s a combination of fascination, horror and, for some reason, mild arousal.

When I was very little, I cut my finger. Having never seen blood before, I was so panicked that I kept a plaster on it for what seemed like months. When I finally psyched myself up into taking the plaster off, the tip of my finger had turned green and smelled like vinegar. I stared at that finger for a long, long time. It was so horrendous, so unashamedly repulsive that it was almost handsome. Like an inside-out Ryan Gosling, with his guts flailing all over the place. I enjoy other people’s ignorance in the same way that I enjoyed that unholy green finger.  

And I know it’s not just me. Ignorance porn is absolutely everywhere. Last month, for example, Tamara Ecclestone (a socialite of some description) revealed that she doesn’t know what toast is. By some miracle, this woman has thrived for thirty years in this unforgiving world, without that little nugget of knowledge. What ensued was an internet-wide extravaganza of people tugging on their balls. “She doesn’t. Know. What. Toast. Is. Holy shitbiscuits this is nuts,” said the internet, while enjoying itself thoroughly.

Similarly, earlier this year, when some poor 20-year-old from Blackpool tweeted about the UK’s “President Barraco Barner”, she became an unwitting ignorance porn star. The Only Way Is Essex's Joey Essex, on the other hand, is a true veteran of ignorance porn. The entire premise of the TOWIE spinoff, Educating Joey Essex, was “Joey Essex is not a particularly bright guy”.

Ignorance porn even has its very own Redtube in BuzzFeed, which seems to thrive on listing people who have been publicly thick. I can only speculate that our morbid obsession with other people’s stupidity comes from collective low self-esteem. Want to feel intelligent? Peruse a BuzzFeed listicle of cretins. What’s actually happening here is bullying on a humungous scale. It’s like everyone who was teased at school for being bookish is exacting revenge against The Idiotic.

Admittedly, there are almost definitely gaps in my knowledge that could form someone else’s ignorance porn. I have close to no knowledge of physics, and if I was tasked with killing, eviscerating and cooking a cow, I wouldn’t know where to start. In fact, judging other people’s ignorance has made me utterly fixated on my own. I recently read the entire Wikipedia entry for microwaves, because I realised I had absolutely no idea how one works. And when it comes to ignorance porn, I’m a sports fan’s wet dream. Honest to God, The only cricketer I can name off the top of my head is the retired Ian Botham – and that’s only because he starred in that recent Twitter dick pic debacle. For all I know, those people who had never heard of Edgar Allan Poe could’ve been experts in cricket, microwaves and animal slaughter.

As ignorance porn has proven, stupidity is this great, palpable, throbbing thing. It almost seems a shame that we can’t harness its power as a source of clean energy. Imagine it: something resembling a wind turbine powered by people asking what the capital of Africa is.

Until that breakthrough, I’m going to try and cut down on my unhealthy ignorance porn habit. And maybe try out a butchery course.  

Eleanor Margolis is a freelance journalist, whose "Lez Miserable" column appears weekly on the New Statesman website.

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Katy Perry’s new song is not so much Chained to the Rhythm as Chained to a Black Mirror episode

The video for “Chained to the Rhythm” is overwhelmingly pastel and batshit crazy. Watch out, this satire is sharp!

If you’ve tuned into the radio in the last month, you might have heard Katy Perry’s new song, “Chained to the Rhythm”, a blandly hypnotic single that’s quietly, creepingly irresistible.

If you’re a really attuned listener, you might have noticed that the lyrics of this song explore that very same atmosphere. “Are we crazy?” Perry sings, “Living our lives through a lens?”

Trapped in our white picket fence
Like ornaments
So comfortable, we’re living in a bubble, bubble
So comfortable, we cannot see the trouble, trouble
Aren’t you lonely?
Up there in utopia
Where nothing will ever be enough
Happily numb

The chorus muses that we all “think we’re free” but are, in fact, “stumbling around like a wasted zombie, yeah.” It’s a swipe (hehe) at social media, Instagram culture, online dating, whatever. As we all know, modern technology is Bad, people who take photos aren’t enjoying the moment, and glimpses other people’s Perfect Lives leave us lonely and empty. Kids these days just don’t feel anything any more!!!

The video for this new song was released today, and it’s set in a (get this) METAPHORICAL AMUSEMENT PARK. Not since Banky’s Dismaland have we seen such cutting satire of modern life. Walk with me, through Katy Perry’s OBLIVIA.

Yes, the park is literally called Oblivia. Get it? It sounds fun but it’s about oblivion, the state of being unaware or unconscious, i.e. the state we’re all living in, all the time, because phones. (I also personally hope it’s a nod to Staffordshire’s own Oblivion, but cannot confirm if Katy Perry has ever been on the Alton Towers classic steel roller coaster.)

The symbol of the park is a spaced-out gerbil thing, because, aren’t we all caged little hairy beings in our own hamster wheels?! Can’t someone get us off this never-ending rat race?!

We follow Katy as she explores the park – her wide eyes take in every ride, while her peers are unable to look past the giant iPads pressed against their noses.


You, a mindless drone: *takes selfies with an iPad*
Katy Perry, a smart, engaged person: *looks around with actual human eyes, stops to smell the roses*

She walks past rides, and stops to smell the roses – and the pastel-perfect world is injected with a dose of bright red reality when she pricks her finger on a thorn. Cause that’s what life really is, kids! Risk! At least she FEELS SOMETHING.


More like the not-so-great American Dream, am I right?!

So Katy (wait, “Rose”, apparently) takes her seat on her first ride – the LOVE ME ride. Heteronormative couples take their seats against either a blue heart or a pink one, before being whizzed through a tunnel of Facebook reaction icons.

Is this a comment on social media sexism, or a hint that Rose is just too damn human for your validation station? Who knows! All we can say for sure is that Katy Perry has definitely seen the Black Mirror episode “Nosedive”:

Now, we see a whole bunch of other rides.


Wait time: um, forever, because the human condition is now one of permanent stasis and unsatisfied desires, duh.

No Place Like Home is decorated with travel stamps and catapults two of the only black people in the video out of the park. A searing comment on anti-immigrant rhetoric/racism? Uh, maybe?

Meanwhile, Bombs Away shoots you around like you’re in a nuclear missile.


War: also bad.

Then everyone goes and takes a long drink of fire water (?!?!) at Inferno H2O (?!?!) which is also a gas station. Is this about polluted water or petrol companies or… drugs? Or are we just so commercialised even fire and water are paid-for privileges? I literally don’t know.

Anyway, Now it’s time for the NUCLEAR FAMILY SHOW, in 3D, no less. Rose is last to put her glasses on because, guess what? She’s not a robot. The show includes your typical 1950s family ironing and shit, while hamsters on wheels run on the TV. Then we see people in the rest of theme park running on similar wheels. Watch out! That satire is sharp.

Skip Marley appears on the TV with his message of “break down the walls to connect, inspire”, but no one seems to notice accept Rose, and soon becomes trapped in their dance of distraction.


Rose despairs amidst the choreography of compliance.

Wow, if that didn’t make you think, are you even human? Truly?

In many ways – this is the Platonic ideal of Katy Perry videos: overwhelmingly pastel, batshit crazy, the campest of camp, yet somehow walking the fine line between self-ridicule and terrifying sincerity. It might be totally stupid, but it’s somehow still irresistible.

But then I would say that. I’m a mindless drone, stumbling around like a wasted zombie, injecting pop culture like a prescription sedative.

I’m chained…………. to the rhythm.

Anna Leszkiewicz is a pop culture writer at the New Statesman.