Desperate: James Nesbitt as Tony in episode two of The Missing. Photo: BBC Pictures
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Vanishing interest: The Missing is ambitious but ultimately cheesy

The plot reared up and hissed like a snake. Improbabilities. Coincidences. Unlikely connections. A frenzied cheesiness suddenly infected the story­telling.

The Missing
BBC1

One episode in and I’m in two minds about The Missing (Tuesdays, 9pm), in which the BBC rolls its tanks on to Broadchurch territory. For the first 20 minutes, my attention was held completely. I loved the look of the thing – it’s set mostly in unpretty northern France, an area that does plangent quite brilliantly all by itself, with no need for special lighting or other effects – and the acting was pleasingly understated.

I was keen, too, on how the action takes place eight years after the abduction of a small English boy, Oliver Hughes (the event was dealt with in a minimalist flashback). Ah, I thought. So this isn’t a thriller, after all; this is going to explore the after-effects of trauma on those who lived through it. The boy’s parents, Tony (James Nesbitt) and Emily Hughes (Frances O’Connor), were not immediately sympathetic and this got me excited. Ambivalence is the quality that British television most often lacks – and it was impossible not to think of the McCanns, whose refusal to play the roles that were allotted to them by the wider culture has added so horribly to their burden over the years.

Then it all went wrong. The plot reared up and hissed like a snake. Improbabilities. Coincidences. Unlikely connections. A frenzied cheesiness suddenly infected the story­telling. Tony and Julien Baptiste (Tchéky Karyo), the now retired cop who originally investigated Oliver’s disappearance, discovered a woman who wrote down all the details – names, addresses, items donated – of those who gave clothes to her second-hand shop. And there it was, on her ledger: a clue. (Tony was on the trail of his son’s scarf, an initialled yellow affair that he had somehow spotted around the neck of a tourist during a Bastille Day celebration.) Eh? My experience of charity shops is that most people stop inside them only long enough to shout: “No, I can’t bloody well fill in a Gift Aid form, I’m parked on a yellow line!” But what do I know?

The Missing comes with its very own reporter-parasite, Malick Suri (Arsher Ali) – and he, too, is a stranger to me, for all that I’ve been in newspapers for more than 20 years. As well resourced as a Google executive, he was perfectly happy to drop everything and follow Tony back out to France eight years on. (In real life, he’d have put in one phone call and then got straight back to Russell Brand’s Twitter feed.)

The jury, then, is out: I’m in the weird position of being both gripped and disbelieving. I love watching Karyo and his compatriot, Saïd Taghmaoui, who plays another cop; how fantastic to find such charismatic French actors in a bit of British telly. I’m interested, as well, in the character of Mark Walsh (Jason Flemyng), who is to be Emily’s new husband. Walsh was the police family liaison officer sent from Britain to support the Hughes and you long to know more about how he and Emily ended up together and what rules this breached on his side.

I am aware that this is an eight-part series; presumably, its writers – brothers Harry and Jack Williams – must have stuff in reserve. Perhaps I must simply be patient and do my best to ignore the feeling that it’s rather unlikely for a person seemingly to think nothing at all of how a childish doodle somehow appeared on their cellar wall – their cellar wall! – while they were away on holiday.

In any case, I can’t help but take heart from The Missing. It wasn’t so long ago that eight-part series were regarded as unimaginably indulgent by commissioning editors; everything was in six, or a paltry three. We gathered that they’d almost given up on us, the viewers, as people who might be able to concentrate, let alone lose ourselves in a narrative.

But Broadchurch, which built and kept a huge audience over two months, has changed all this. However clunky its plotting, the singularities of The Missing – its unlikely setting, its French stars, its withholding structure – surely bode well for the future. Ambition is, thank God, increasingly a prerequisite of new drama. Who, I wonder, will have the pluck to commission the first 12-part series of the 21st century? I’ve no idea. But I hope it happens and soon. 

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 29 October 2014 issue of the New Statesman, British jihadis fighting with Isis

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The NS leader: Cold Britannia

Twenty years after the election of New Labour, for the left, it seems, things can only get worse. 

Twenty years after the election of New Labour, for the left, it seems, things can only get worse. The polls suggest a series of grim election defeats across Britain: Labour is 10 points behind the Conservatives even in Wales, putting Theresa May’s party on course to win a majority of seats there for the first time in a century. Meanwhile, in Scotland, the psephologist John Curtice expects the resurgent Tories, under the “centrist” leadership of Ruth Davidson, to gain seats while Labour struggles to cling on to its single MP.

Where did it all go wrong? In this week’s cover essay, beginning on page 26, John Harris traces the roots of Labour’s present troubles back to the scene of one of its greatest triumphs, on 1 May 1997, when it returned 418 MPs to the Commons and ended 18 years of Conservative rule. “Most pop-culture waves turn out to have been the advance party for a new mutation of capitalism, and so it proved with this one,” Mr Harris, one of the contributors to our New Times series, writes. “If Cool Britannia boiled down to anything, it was the birth of a London that by the early Noughties was becoming stupidly expensive and far too full of itself.”

Jump forward two decades and London is indeed now far too dominant in the British economy, sucking in a disproportionate number of graduates and immigrants and then expecting them to pay £4 for a milky coffee and £636,777 for an average house. Tackling the resentment caused by London’s dominance must be an urgent project for the Labour Party. It is one that Mr Corbyn and his key allies, John McDonnell, Emily Thornberry and Diane Abbott, are not well placed to do (all four are ultra-liberals who represent
London constituencies).

Labour must also find a happy relationship with patriotism, which lies beneath many of the other gripes made against Mr Corbyn: his discomfort with the institutions of the British state, his peacenik tendencies, his dislike of Nato and military alliances, his natural inclination towards transnational or foreign liberation movements, rather than seeking to evolve a popular national politics.

New Labour certainly knew how to wave the flag, even if the results made many on the left uncomfortable: on page 33, we republish our Leader from 2 May 1997, which complained about the “bulldog imagery” of Labour’s election campaign. Yet those heady weeks that followed Labour’s landslide victory were a time of optimism and renewal, when it was possible for people on the left to feel proud of their country and to celebrate its achievements, rather than just apologise for its mistakes. Today, Labour has become too reliant on misty invocations of the NHS to demonstrate that it likes or even understands the country it seeks to govern. A new patriotism, distinct from nationalism, is vital to any Labour revival.

That Tony Blair and his government have many detractors hardly needs to be said. The mistakes were grave: the catastrophic invasion of Iraq, a lax attitude to regulating the financial sector, a too-eager embrace of free-market globalisation, and the failure to impose transitional controls on immigration when eastern European states joined the EU. All contributed to the anger and disillusionment that led to the election as Labour leader of first the hapless Ed Miliband and then Jeremy Corbyn, a long-time rebel backbencher.

However, 20 years after the victory of the New Labour government, we should also acknowledge its successes, not least the minimum wage, education reform, Sure Start, a huge fall in pensioner poverty and investment in public services. Things did get better. They can do so again.

The far right halted

For once, the polls were correct. On 23 April, the centrist Emmanuel Macron triumphed in the first round of the French election with 24 per cent of the vote. The Front National’s Marine Le Pen came second with 21.3 per cent in an election in which the two main parties were routed. The two candidates will now face off on 7 May, and with the mainstream candidates of both left and right falling in behind Mr Macron, he will surely be France’s next president.

“There’s a clear distinction to be made between a political adversary and an enemy of the republic,” said Benoît Hamon, the candidate of the governing Parti Socialiste, who had strongly criticised Mr Macron during the campaign. “This is deadly serious now.” He is correct. Mr Macron may be a centrist rather than of the left but he is a democratic politician. Ms Le Pen is a borderline fascist and a victory for her would herald a dark future not just for France but for all of Europe. It is to Donald Trump’s deep shame that he appeared to endorse her on the eve of the vote.

This article first appeared in the 27 April 2017 issue of the New Statesman, Cool Britannia 20 Years On

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