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"Poundland": a new poem by Simon Armitage

Came we then to the place abovementioned,
crossed its bristled threshold through robotic glass doors,
entered its furry heat, its flesh-toned fluorescent light.
Thus with wire-wrought baskets we voyaged,
and some with trolleys, back wheels flipping like trout tails,
cruised the narrow canyons twixt cascading shelves,
the prow of our journeying cleaving stale air.
Legion were the items that came tamely to hand:
five stainless steel teaspoons, ten corn-relief plasters,
the Busy Bear pedal bin liners fragranced with country lavender,
the Disney design calendar and diary set, three cans of Vimto,
cornucopia of potato-based snacks and balm for a sweet tooth,
toys and games, goods of Orient made, and of Cathay,
all under the clouded eye of CCTV,
beyond the hazard cone where serious chutney spillage had occurred.
Then emerged souls: the duty manager with a face like Doncaster,
mumbling, “For so much, what shall we give in return?”
The blood-stained employee of the month,
sobbing on a woolsack of fun-fur rugs,
many uniformed servers, spectral, drifting between aisles.
Then came Elpenor, our old friend Elpenor,
slumped and shrunken by the Seasonal Products display.
In strangled words I managed,
“How art thou come to these shady channels, into hell’s ravine?”
And he: “To loan sharks I owe/the bone and marrow of my all.”
Then Walt Whitman, enquiring politely of the delivery boy.
And from Special Occasions came forth Tiresias,
dead in life, alive in death, cider-scented and sock-less,
Oxfam-clad, shaving cuts to both cheeks, quoting the stock exchange.
And my own mother reaching out, slipping a tin of stewing steak
to the skirt pocket of her wedding dress,
blessed with a magician’s touch, practised in need.

But never until the valley widened at the gated brink
did we open our lips to fish out those corn-coloured coins,
those minted obols, hard-won tokens graced with our monarch’s head,
kept hidden beneath the tongue’s eel, blood-tasting,
both ornament and safeguard, of armour made.
And paid forthwith, then broke surface
and breathed extraordinary daylight into starved lungs,
steered for home through precincts and parks scalded by polar winds,
laden with whatnot, lightened of golden quids.

***

The poet, dramatist and broadcaster Simon Armitage is Professor of Poetry at the University of Sheffield. This new poem appears in "Paper Aeroplane: Selected Poems 1989-2014", published on 18 September by Faber & Faber (£14.99)

This article first appeared in the 10 September 2014 issue of the New Statesman, Britain in meltdown

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On Wheels

A new poem by Patrick Mackie

The hills swarm and soften towards the end of the day just as
flames do in a fireplace as the evening
loosens and breaks open and lets out night.
A nasty, grotesque, impatient year ended,
and the new one will be bitter,
tired, opaque. Words wrangle in every inch of air,
their mouths wide open in stupid shock
at what they have just heard every time they hear anything. Venus,
though, blazes with heavy wobbles of albeit frozen
light. Brecht, who I like to call my
brother just as he called Shelley his,
has a short late poem where he sits by a roadside, waiting
while someone changes the wheel on his car,
watching with impatience, despite not liking
either the place that he is coming from or
the place that he is going to. We call it
connectivity when in truth it is just aggression
and imitation writ ever larger. Poems, though,
are forms of infinite and wry but also briskly
impatient patience. Brecht’s poem seems to end,
for instance, almost before you
can read it. It wheels. The goddess is just a big, bright
wilderness but then soon enough she clothes
herself again in the openness of night and I lose her.

Patrick Mackie’s latest collection, The Further Adventures Of The Lives Of The Saints, is published by CB Editions.

This article first appeared in the 18 May 2017 issue of the New Statesman, Age of Lies

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