Jennifer Lawrence. Photo: Getty
Show Hide image

Online abuse, leaked nudes and revenge porn: this is nothing less than terrorism against women

The abuse of women on the internet, like the hacking of female celebrities' naked photos, is not just intended to hurt the individuals involved. These are  deliberately outrageous acts designed to create a spectacle and to instil fear in a target population - in other words, terrorism.

You are invited to read this free preview of the upcoming New Statesman magazine. To subscribe for £15 a quarter, click here.

***

Two years ago, I wrote about a cultural critic called Anita Sarkeesian, who had appealed on a crowd-funding website for money to make a video series about women in games. She got the cash – she even raised about $150,000 more than she’d asked for – but she also became the subject of a vicious, targeted and relentless online harassment campaign.

That was 26 months ago and – spoiler alert – the abuse is still going on. On 27 August, Sarkeesian posted a screen grab of tweets sent to her, one of which read: “I’m going to go to your apartment at [redacted] and rape you to death. After I’m done, I’ll ram a tire iron up your cunt.” She reported the threats to the police and left her flat to stay with friends.

At the same time, a female games developer – who I will call Z – was also being harassed. After a bad break-up, her ex-boyfriend accused her of cheating on him with a games journalist. An electronic army took up his grievance; she was sent death threats, nude photos of her were dug up and she was accused of “sleeping her way to the top” and “corrupting games journalism”.

The common thread that links these two stories is the swarms of self-appointed internet vigilantes, co-ordinated through sites such as Reddit, an aggregator and discussion forum, and 4chan, the image board that spawned the hacker group Anonymous. “Whenever I see a noticeable uptick in hate and harassment sent my way, there’s almost always an angry Reddit thread somewhere,” Sarkeesian tweeted in July last year.

I find it almost impossible to avoid the trap of talking about Reddit and 4chan as if they were homogeneous places, even though I know they are not. There are parts of Reddit that I love – the “EarthPorn” forum fulfils my need to spend at least ten minutes a week staring at mountains – but also some fairly grim backwaters. The “Killing­Women” forum, for example, does exactly what it says on the tin. I’m sure there are parts of 4chan that are interesting, too, but there’s just too much gore and extreme porn to wade through on the way.

Nonetheless, it’s possible to outline the broad ideologies of the sites. Reddit’s allegiance is to “free speech”; it wasn’t until 2012 that it banned child abuse images. The users of 4chan, meanwhile, are “in it for the lulz” (as the great philosopher Alfred Pennyworth once told Batman, “Some men just want to watch the world burn”).

These codes provide cover for a pastime as old as patriarchy: punishing women who step out of line. The nude photos of female celebrities, including the actress Jennifer Lawrence, were presumably hacked for the lulz – as well as for bitcoins, which a 4channer initially requested in exchange for them. Now it seems that half of Reddit’s users have decided it is their chivalrous duty to find the identity of the 4chan user who hacked the pictures. The other half are busy uploading the photos to the internet every time an image-hosting service removes them.

Somewhere out there, I hope, a psychology student is gathering material for an excellent thesis. In the meantime, something strikes me about both the celebrity photo hack and the harassment of Anita Sarkeesian and Z. This is a form of terrorism. (Sarkeesian agrees: “There is just no other word for it,” she tweeted on 31 August.)

What we are witnessing are deliberately outrageous acts designed to create a spectacle and to instil fear in a target population. Where Osama Bin Laden watched in approval as every news network endlessly replayed the footage of a plane hitting a tower, the hackers and harassers must feel thrilled by all the carefully search-engine-optimised headlines above articles decrying the latest leaked pictures. It is a function of successful terrorism that the media becomes unavoidably complicit in spreading the terror. There is no way to report the story without increasing its potency. We cannot stop looking.

As for the target population, tell me that young women aren’t supposed to look at the harassment of Sarkeesian for being a public figure and get the message: “This could happen to you, you uppity bitch. Watch your mouth.” The leaking of the celebrity nude photos has the same impetus as revenge porn. As the internet heaves under the weight of freely exposed nipples, violation has become a form of titillation. (If you must see an actress’s breasts, may I recommend watching pretty much any 18-rated movie made this year?) Any expression of women’s sexuality moves them into Camp Slut, where they are fair game for punishment and humiliation.

The final link is online radicalisation. In a 2009 study, the law professor Cass Sunstein explored the role that group psychology plays in the radicalisation of jihadis. “Social networks can operate as polarisation machines because they help to confirm and thus amplify people’s antecedent views,” he wrote. He quoted Marc Sageman on al-Qaeda: “The interactivity among a ‘bunch of guys’ acted as an echo chamber, which progressively radicalised them collectively 
. . . Now the same process is taking place online.” It would be hard to design a better echo chamber than a tightly knit, insular internet forum. We already know that groups tend to drift to extremes, as members move with the prevailing wind (and moderates leave). Add a dash of alienation and a sprinkle of resentment and you have the perfect crucible for extremist behaviour.

Of course, there is a crucial difference between what has happened to Sarkeesian, to Z and to the female celebrities and revenge porn victims and the reaction to more conventional kinds of terrorism. I bet you no one involved in any of the former will be put under a control order or have their passport taken away. It’s only women living in fear, after all. 

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

Photo: Getty
Show Hide image

The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

0800 7318496