Turning off the news churn provides the space to think, learn and write. Photo: Getty
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Is it possible to live a modern contemplative life?

It has taken years of patient self reflection to realise that my obsessive reading of the news was eroding my well being.

My biggest project in life so far has been the systematic elimination of my crippling anxiety. After quitting a high stress job and stepping away from family pressures, I found that the constant feeling of stress, exhaustion and ache had largely abated. I longed for a complete banishment of that anxiety, and in my search for solutions, I discovered a dark reservoir within myself, contaminating my thoughts; the fear of missing out.

The whimsical acronym, FOMO, conceals a serious problem, say psychologists. With so much of our lives embedded in our ever-changing social media feeds, we are increasingly afraid of being out of touch, of missing out on our friends’ lives, of losing our cool, our edge. That fear goes to our very core of human consciousness, playing into our inbuilt survival drives. In some people, the mental health consequences of FOMO can lead to anxiety and depression; a recent University of Essex study observed that “those whose psychological needs were deprived – particularly those needs for competence, autonomy and relatedness” – were likely to have a higher level of FOMO.

A child of the Nineties, I’ve grown up with this fear, as social media has gradually taken over so much of our private and public lives. Humans have always strived and hoped for freedom, success and connectedness, but social media’s active colonisation of these desires leaves us little choice except to take part in it. In a handful of years, much of ordinary life has moved to its pages, and its scrolling format favours immediacy over depth. It is no longer enough to do good work, or to raise a family well. In art, an artist must be present and visible online, constantly commenting. A politician who works tirelessly can be destroyed by one inadvertent tweet. A mother can be judged on each minute detail of the appearance and behaviour of her children, and on every aspect of her parenting. Many jobs require a social media presence, and employers increasingly police employees’ accounts while demanding expressions of corporate loyalty online. Social media supercharges the quiet desperation of capitalist life; FOMO is encouraged, and enforced.

For me, FOMO was a culture and a way of life. As a teenage girl, I joined protests against poverty and racism in my small, Midwestern city. Part of the culture of protest was a communal obligation to bear witness; I came of age in the era of the 1999 Seattle anti-WTO protests and Indymedia, the agile, innovative activist-led news service that covered global protest from the ground. I submerged myself in the churning, constant horror of the world, increasing my exposure every time digital media expanded its reach and scope. As we got to grips with globalisation, my fellow activists and I believed in the links between all causes; without a coherent strategy to build a movement for change, we would rush from protest to meeting to fundraiser, never getting more than a superficial understanding of any one issue. The fear of missing out, the relentless pressure to embrace the entirety of the world’s struggles, fostered a group identity. A little city unto ourselves, we all consumed the same media, attended the same meetings, and discussed the same issues. This gave us a sense of purpose and utility, even as our organising failed to stop war and austerity. I took it all in, but I, and many others, paid the price in sleepless nights and blunted skills.

It has taken years of patient self reflection to realise that my obsessive reading of the news was eroding my well being; I had to learn that caring for myself properly, in mind and body, was at least as important as partaking in a mummer’s show of ritual protest. Only when I took a step back from activist culture, pop culture and the twenty four hour news cycle did I find that I had something new to say. I no longer fear missing out, I embrace it.

Today, in the house I share with my husband, we have no television and no radio. The sounds of our days are the chinks of hammers at the nearby building site, the cackle of two magpies chatting from their respective trees, and the buzz of badly tuned motorbikes passing by. As nature and humanity move all around us, my husband and I work on our respective books, sometimes not talking for hours.

My seclusion continues online. My internet is no longer an overwhelming torrent; it comes pre-filtered through my social media and a few online communities. These communities function like a scientist’s isolation box – I can put my hands into the thick gloves, and carefully examine the stories as they come in. When I read of the murder of Michael Brown by Ferguson police, I also read the words of the people protesting on the ground. When I learn of the Islamic State beheadings, it is from anti-colonialists, not hawks for war, and because of my safety protocols, there is no chance I will stumble upon the awful, dehumanising footage.

I fell into this modern version of a contemplative life not because I am aiming to be some sort of admirable, cloistered ascetic, but because it is the healthiest option. My anxiety disorder affects my ability to focus, and caused me trouble in school, university and the world of work. Therapy, medication, and meditation did little to help, and over the years my anxiety ratcheted up slowly, until I lay awake most nights, with a racing heart and aching stomach. It became a kind of torture, and to stop the pain, I would give up anything, including a respectable job, and aspirations for a mainstream, admirable future. Finally, I had to give up the fear of missing out, of disconnection, and I found a kind of peace. I crave more and more of that peace, and I’ve learned to be strict with myself about making choices that enhance it. I can’t afford to give a damn about missing a scoop or not being invited to a party.

Turning off the news churn has given me the space to think, learn and write; as I emerge from the depths of anxiety and depression, I find that I am able to read and understand a complex book, and to absorb and integrate new ideas, possibly for the first time in my life. Now that I have the calmness and focus to learn, I have reengaged with politics, as a student of sorts. In the past year I’ve shed my identity as an old-school class warrior, slowly learning to apply the concepts of intersectionality to the world, and take a smaller, defined place in the ranks fighting for an effective social justice movement.

Even as I have let go of FOMO, I have found new ways to interact online, and have discovered that there is plenty of real depth and connection there, if one knows where to look. My university is still my screen; the course material, and the teaching, is a collective virtual conversation. My course is social justice; I watch and learn as activists in every struggle, from antiracism to the fight for the rights of sex workers, are creating safe spaces, and actively promoting the dismantling of privilege in their work; led by the oppressed, they are literally creating the structure of a practical solidarity. For all its distraction and its pressure, the Internet still has much to teach me. That I have access to this “university,” and the time and resources to study within it, is the result of my immense privilege. I am one of the lucky few, but I reject useless guilt. Only systemic change can dismantle privilege, and those who have it should use it with awareness, as a tool for change. Seen in this light, my peace is a tool I can use to increase my capabilities.

My peace, my embrace of missing out, is still imperfect. When I see a story that I wish I had written, I still get a little jealous and a little anxious. I wonder if I am an impostor, and think that if I were truly competent I would have had the story first. But the solution here, again, is to let go, and remember the benefits of my approach. Instead of spending a morning chasing after a scoop, I might have learned a new concept, provided support to a friend, thrashed out a theory with an expert halfway across the world, or nurtured my relationship with my husband. Instead of joining a chorus of comment, I contribute less frequently, but with a fresh perspective.

Most of the time, I remember that I no longer hate myself, and that neither social media nor the movement owns me. My choices are valid because they are mine, not because they conform to some imagined standard for activists. And even though I am privileged, and even though my work for change takes a quieter, more thoughtful form now, I deserve my happiness, and to take part in the world on my own terms. Because the happier I am, the more I will have to offer, as an activist, and as a person.

Margaret Corvid is a writer, activist and professional dominatrix living in the south west.

Photo: Tashphotography / Stockimo / Alamy
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The Negroni fools no one – it’s easy to make and contains nothing but booze

It is the colour of danger, a red rag to anyone jaded by cocktail-world bull.

The cocktail is designed to lie about its origins; no wonder it reached its apogee during Prohibition, which forced everyone with an unrepentant thirst to lie about their cravings. Even today, when only extreme youth, religious belief or personal inclination prevents a person from draining the bar dry, the cocktail continues its career of dishonesty. It hides ingredients or methods. It provides a front for poor-quality booze. And it often dissolves, within its inscrutable depths, mountains of sugar, enabling drinkers to pose as sophisticates while downing something that tastes like a soft drink – to get drunk without leaving the playpen.

This is why I love the Negroni, which fools no one. It is easy to make and contains nothing but pure booze. Despite being a third sweet vermouth, it isn’t saccharine: the other two thirds, equal measures of gin and Campari, may have something to do with this. And it is the colour of danger, a red rag to anyone jaded by cocktail-world bull.

They say it was invented in Florence at the request of a Count Negroni, who wanted a drink unsullied by club soda – a drink stiff enough to get a man back on a bucking horse, perhaps, since this Count may have been a rodeo rider. I prefer to believe that the Count, if Count he was, came in, tossed down enough strong liquor to start telling stories about his American adventures, and, when he finally staggered out into the night, the exasperated bartender poured three straight shots into a single glass and baptised this wondrous reviver in grateful homage to the fabulist who had inspired it.

In a former glue factory a very long way from Florence or America, the East London Liquor Company now makes very good gin – Batches One and Two, the former tannic with Darjeeling as well as cassia bark, pink grapefruit peel, and coriander seeds; the latter redolent of savoury, bay, thyme and lavender. Transforming these plants into excellent alcohol seems an improvement on boiling down horses for adhesive, and the company also makes superb Negronis from Batch Two.

We sit outside, in a carpark made marginally more glamorous by border boxes of Batch Two botanicals, and marvel at the transformation of this grimy part of East London, next door to a park intended to give Victorian working men brief respite from lives all too lacking in myth or fantasy. It is a reincarnation at least as miraculous as the transformation of three strong and entirely unalike spirits into the delectable harmony of the Negroni. The sun shines; a fountain plashes. Nuts and charcuterie arrive. All is right with the world.

I leave my herbaceous bower and dangerously pleasing drink for a peek at the large copper distillery behind the bar, walking in past the fountain, a whimsical stone construction that pours vermilion liquid into two, tiered basins topped by a chubby putto clutching a rather reluctant fish.

And then I stop. And double back. Vermilion liquid? It is, indeed, a Negroni fountain. There are even slices of orange floating in the basin. I dip a finger: the taste is slightly metallic but still undeniably that potent mixture of booze, botanicals, bitterness, and just a hint of sweetness. A streak of citrus from the orange slices. It turns out that the world’s most straightforward cocktail lends itself to a decadent neo-Renaissance fantasy. There’s a message here, one forthright as a temperance tract: without imagination, we would have no lies – but no Negronis, either.

Nina Caplan is the 2014 Fortnum & Mason Drink Writer of the Year and 2014 Louis Roederer International Wine Columnist of the Year for her columns on drink in the New Statesman. She tweets as @NinaCaplan.

This article first appeared in the 20 July 2017 issue of the New Statesman, The new world disorder