Dystopian future: a still from Bladerunner (1982)
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The Bladerunner book: Do Androids Dream of Electric Sheep on Radio 4

Jonathan Holloway’s adaptation rightly cherished many things that the film ultimately minimised, in particular the novel’s mourning of the extinction of various animal species.

Dangerous Visions: Do Androids Dream of Electric Sheep?
Radio 4

A season of dramas about future dystopias on Radio 4 featured a nicely depressed dramatisation of Do Androids Dream of Electric Sheep? (15 and 22 June, 3pm), Philip K Dick’s best-known science-fiction novel. James Purefoy played Deckard, the bounty hunter charged to “retire” advance-model humanoids manufactured by genetic engineers in a congested, polluted, postwar 1992. Purefoy got that Dickian sense of inward scrutiny – his voice a scar of suffering, quivering with impatience and humiliation.

So often, radio adaptations of stories that have already been made into blockbusting movies (in this case, Blade Runner) ooze with self-consciousness; you’re terribly aware that you’re listening to something suspended between the page and the screen. Not here. I was half an hour into the show when I noticed they were using the word “android”, which appears in the book, rather than the iconic “replicant”. (In 1982, Ridley Scott felt that “android” represented the kind of B-movie lingo that the world was heartily sick of.)

Jonathan Holloway’s adaptation rightly cherished many things that the film ultimately minimised, in particular the novel’s mourning of the extinction of various animal species. On the page, Deckard recalls the days when the owls “fell out of the sky” and people did nothing but sit about, numbly reading animal obituaries. On the radio, he has a simple, gnawing desire for a pet monkey – a real pet monkey, not one that smells of electricity, a sure sign the creature is artificial. (A brilliant suggestion in the early drafts of the movie screenplay was a menagerie of mythic animals – including a unicorn – created to replace real ones. But it proved too expensive and the animal idea became less pivotal generally.)

Philip K Dick’s sense of a world reduced to an electronic slum was marvellously captured in the production – often with just the vague sound of static, or the swish of doors sliding so smoothly open and shut that after a while it began to feel like barbed wire in your head. And always there was Purefoy’s Bogartian, mumbled, perished voice, longing for a glimpse of his non-electric monkey, or even a slither of real sky, poor son of a bitch.

Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman.

This article first appeared in the 25 June 2014 issue of the New Statesman, Who was Franz Ferdinand?

Netflix
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SRSLY #99: GLOW / FANtasies / Search Party

On the pop culture podcast this week: the Netflix wrestling comedy GLOW, a new fanfiction-based web series called FANtasies and the millennial crime drama Search Party.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

. . .or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

GLOW

The show on Netflix.

Two interesting reviews: New York Times and Little White Lies.

Screen Rant on the real life wrestling connections.

FANtasies

The show on Fullscreen.

Amanda Hess’s NYT column about it.

Search Party

The show on All4.

For next time:

We are watching Happy Valley.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #98, check it out here.

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