Adokiye in a promo shoot. Photo: daXclusive/adokiye.com
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Nigerian popstar Adokiye offers Boko Haram her virginity for kidnapped schoolgirls' release

A rising star in Nigeria, frustrated at the fading news coverage of Boko Haram's abduction of more than 200 schoolgirls, has offered up her virginity.

Nigerian popstar and architect Adokiye startled fans this week when, according to Vanguard, she claimed to be willing to exchange her own virginity for the release of over 200 schoolgirls abducted by Boko Haram. The same group is also suspected of carrying out a further spate of abductions of at least 60 more women this week, two months after the first kidnapping brought international condemnation for the extremist group.

"I am older and more experienced," she told the paper. "Even if ten to 12 men have to take me every night, I don’t care. Just release these girls and let them go back to their parents.”

While many have taken to Twitter to praise her bravery, or implore her to withdraw the self-sacrificial offer, others have criticised it as an attention-seeking media stunt - and, inevitably, some have used the opportunity to question the truth of whether she was really still a virgin:

Adokiye may well be a rising celebrity in Nigeria, but she is also a UN ambassador for peace with her own charity - called #ADOCHANGE - which works with international NGOs on health and education projects. Speaking to the NS via email, Adokiye said: “[It is] for the less privileged children, the motherless babies. Kids who can't speak for themselves. Its mission is to stand for them and to make them live right.”

However, her claim that she would swap her virginity for the safety of the schoolgirls kidnapped by Boko Haram appeared both drastic and insincere for a good reason - in March, she made the same offer to anyone who would buy her mother a private jet. When asked about this, she claims it was a "joke", that she "only used it as a figure of speech to show how much I loved my mum and would give up anything for her".

"My offer to Boko Haram isn’t a joke,” she writes, and she confirmed that she stands by her words:

With the help of my government, I will go to the forest and plead for the release of those girls. If Boko Haram were to contact me that would be scary and great but they should only do so if they are ready to release the kidnapped girls and take up my offer.”

Whether act of extreme empathy or publicity stunt, it highlights the sensitive issues that cloud the social status of female virginity. When asked if she thought her offer confirmed virginity as an exchangeable commodity, Adokiye responded:

As long as I am not offering it up for financial gains then it’s no problem. The virginity would have to go sometime, so if I can use it to save those kidnapped girls that would be great.”

Despite the flurry of news interest in the initial kidnappings in March - including a social media hashtag campaign that even Michelle Obama got involved with - Adokiye has been left frustrated and appalled by the way the news cycle has moved on. “The sudden silence of the media hype to get those girls freed is really scary and frustrating," she writes. "If the exchange of my virginity for the freedom of the girls turns out a success, then I do not see any problems at all." Since making her offer she has been tweeting at her critics, demanding they suggest something better if they're so appalled by her proposal.

Regardless, Boko Haram continue to terrorise the Nigerian state of Borno, whose inhabitants live in fear of further abductions. According to the UN, Boko Haram has forced approximately 650,000 people to flee from their homes.

Home Alone 2: Lost in New York
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The best film soundtracks to help you pretend you live in a magical Christmas world

It’s December. You no longer have an excuse.

It’s December, which means it’s officially time to crack out the Christmas music. But while Mariah Carey and Slade have their everlasting charms, I find the best way to slip into the seasonal spirit is to use a film score to soundtrack your boring daily activities: sitting at your desk at work, doing some Christmas shopping, getting the tube. So here are the best soundtracks and scores to get you feeling festive this month.

A Charlie Brown Christmas (1965)

Although this is a children’s film, it’s the most grown-up soundtrack on the list. Think smooth jazz with a Christmas twist, the kind of tunes Ryan Gosling is playing at the fancy restaurant in La La Land, plus the occasional choir of precocious kids. Imagine yourself sat in a cocktail chair. You’re drinking an elaborate cocktail. Perhaps there is a cocktail sausage involved also. Either way, you’re dressed head-to-toe in silk and half-heartedly unwrapping Christmas presents as though you’ve already received every gift under the sun. You are so luxurious you are bored to tears of luxury – until a tiny voice comes along and reminds you of the true meaning of Christmas. This is the kind of life the A Charlie Brown Christmas soundtrack can give you. Take it with both hands.

Elf (2003)

There is a moment in Elf when Buddy pours maple syrup over his spaghetti, washing it all down with a bottle of Coca Cola. “We elves like to stick to the four main food groups,” he explains, “candy, candy canes, candy corns and syrup.” This soundtrack is the audio equivalent – sickly sweet, sugary to an almost cloying degree, as it comes peppered with cute little flutes, squeaky elf voices and sleigh bells. The album Elf: Music from the Motion Picture offers a more durable selection of classics used in the movie, including some of the greatest 1950s Christmas songs – from Louis Prima’s 1957 recording of “Pennies from Heaven”, two versions of “Sleigh Ride”, Eddy Arnold’s “Santa Claus is Coming to Town” and Eartha Kitt’s 1953 “Santa Baby”. But if a sweet orchestral score is more your thing, the Elf OST of course finishes things off with the track “Spaghetti and Syrup”. Just watch out for the sugar-rush headache.

Harry Potter (2001-2011)

There are some Christmas-specific songs hidden in each of the iconic Harry Potter scores, from “Christmas at Hogwarts” to “The Whomping Willow and The Snowball Fight” to “The Kiss” (“Mistletoe!” “Probably full of knargles”), but all the magical tinkling music from these films has a Christmassy vibe. Specifically concentrate on the first three films, when John Williams was still on board and things were still mostly wonderful and mystical for Harry, Ron and Hermione. Perfect listening for that moment just before the snow starts to fall, and you can pretend you’re as magical as the Hogwarts enchanted ceiling (or Ron, that one time).

Carol (2015)

Perhaps you’re just a little too sophisticated for the commercial terror of Christmas, but, like Cate Blanchett, you still want to feel gorgeously seasonal when buying that perfect wooden train set. Then the subtly festive leanings of the Carol soundtrack is for you. Let your eyes meet a stranger’s across the department store floor, or stare longingly out of the window as your lover buys the perfect Christmas tree from the side of the road. Just do it while listening to this score, which is pleasingly interspersed with songs of longing like “Smoke Rings” and “No Other Love”.

Holiday Inn (1942)

There’s more to this soundtrack than just “White Christmas”, from Bing Crosby singing “Let’s Start The New Year Off Right” to Fred Astaire’s “You’re Easy To Dance With” to the pair’s duet on “I’ll Capture Your Heart”. The score is perfect frosty walk music, too: nostalgic, dreamy, unapologetically merry all at once.

The Tailor of Gloucester (1993)

Okay, I’m being a little self-indulgent here, but bear with me. “The Tailor of Gloucester”, adapted from the Beatrix Potter story, was an episode of the BBC series The World of Peter Rabbit and Friends and aired in 1993. A Christmastime story set in Gloucester, the place I was born, was always going to be right up my street, and our tatty VHS came out at least once a year throughout my childhood. But the music from this is something special: songs “The Tailor of Gloucester”, “Songs From Gloucester” and “Silent Falls the Winter Snow” are melancholy and very strange, and feature the singing voices of drunk rats, smug mice and a very bitter cat. It also showcases what is in my view one of the best Christmas carols, “Sussex Carol.” If you’re the kind of person who likes traditional wreaths and period dramas, and plans to watch Victorian Baking at Christmas when it airs this December 25th, this is the soundtrack for you.

Home Alone (1990-1992)

The greatest, the original, the godfather of all Christmas film soundtracks is, of course, John William’s Home Alone score. This is for everyone who likes or even merely tolerates Christmas, no exceptions. It’s simply not Christmas until you’ve listened to “Somewhere in My Memory” 80,000 times whilst staring enviously into the perfect Christmassy homes of strangers or sung “White Christmas” to the mirror. I’m sorry, I don’t make the rules. Go listen to it now—and don't forget Home Alone 2: Lost in New York, which is as good as the first.

Anna Leszkiewicz is a pop culture writer at the New Statesman.