Lupita Nyong’o with her Oscar at the Vanity Fair party. Photo: Getty
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“I remember a time when I too felt unbeautiful”: Lupita Nyong’o on beauty and skin colour

In her speech at Essence Magazine’s Black Women in Hollywood event, the Oscar winner spoke of how she used to be “teased and taunted about her night-shaded skin”, and how she arrived at the realisation that beauty doesn’t come in shades.

Lupita Nyong’o, star of 12 Years a Slave and winner of the Oscar for best supporting actress this week, has given a brilliant speech about beauty, colour and fame.

Speaking to the guests at Essence Magazine’s Black Women in Hollywood lunch, she said:

“Every day I experienced the disappointment of being just as dark as I had been the day before... I guess God was unimpressed with my bargaining chips because he never listened.”

She went on:

“My complexion had always been an obstacle to overcome, and all of a sudden Oprah was telling me it wasn’t... I wanted to reject it because I had begun to enjoy the seduction of inadequacy.”

Watch it in full here:

 

She ends her discussion of her own journey to self-belief thus:

“I hope that my presence on screen and in magazines may lead you, young girl, on a similar journey. That you will feel the validation of your external beauty, but also get to the deeper business of being beautiful inside. There is no shade in that beauty.”

In an article for the New Statesman last year about colourism, Elizabeth Pears wrote of her own experience of having “light” black skin, saying:

In the Caribbean, such as the Bahamas where I was born, the minority light skinned community forms the majority of the ruling elite – the effects of generations of wealth and privilege and marrying the ‘right’ people from the ‘right’ (and light!) families.

The ugly truth is while racism – whether institutional, structural or ingrained – and inequality persists, so will colourism. It is no surprise that skin bleaching creams are most popular in developing countries.

 

I'm a mole, innit.

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7 things we learned from the Comic Relief Love, Actually sequel

Even gay subtext is enough to get you killed.

After weeks of hype, the Love, Actually Comic Relief short sequel, Red Nose Day, Actually, finally aired tonight. It might not compare to Stephen’s version of events, but was exactly what you’d expect, really – the most memorable elements of each plotline recreated and recycled, with lots of jokes about the charity added in. So what did Red Nose Day, Actually actually teach us?

Andrew Lincoln’s character was always a creep

It was weird to show up outside Keira Knightley’s house in 2003, and it’s even weirder now, when you haven’t seen each other in almost a decade. Please stop.

It’s also really weird to bring your supermodel wife purely to show her off like a trophy. She doesn’t even know these people. She must be really confused. Let her go home, “Mark”.

Kate Moss is forever a great sport

Judging by the staggering number of appearances she makes at these things, Kate Moss has never said no to a charity appearance, even when she’s asked to do the most ridiculous and frankly insulting things, like pretend she would ever voluntarily have sex with “Mark”.

Self-service machines are a gift and a curse

In reality, Rowan Atkinson’s gift-wrapping enthusiast would have lasted about one hour in Sainsbury’s before being replaced by a machine.

Colin Firth’s character is an utter embarrassment, pull yourself together man

You’re a writer, Colin. You make a living out of paying attention to language and words. You’ve been married to your Portuguese-speaking wife for almost fourteen years. You learned enough to make a terrible proposal all those years ago. Are you seriously telling me you haven’t learned enough to sustain a single conversation with your family? Do you hate them? Kind of seems that way, Colin.

Even gay subtext is enough to get you killed

As Eleanor Margolis reminds us, a deleted storyline from the original Love, Actually was one in which “the resplendent Frances de la Tour plays the terminally ill partner of a “stern headmistress” with a marshmallow interior (Anne Reid).” Of course, even in deleted scenes, gay love stories can only end in death, especially in 2003. The same applies to 2017’s Red Nose Day actually. Many fans speculated that Bill Nighy’s character was in romantic love with his manager, Joe – so, reliably, Joe has met a tragic end by the time the sequel rolls around.  

Hugh Grant is a fantasy Prime Minister for 2017

Telling a predatory POTUS to fuck off despite the pressure to preserve good relations with the USA? Inspirational. No wonder he’s held on to office this long, despite only demonstrating skills of “swearing”, “possibly harassing junior staff members” and “somewhat rousing narration”.

If you get together in Christmas 2003, you will stay together forever. It’s just science.

Even if you’ve spent nearly fourteen years clinging onto public office. Even if you were a literal child when you met. Even if you hate your wife so much you refuse to learn her first language.

Now listen to the SRSLY Love, Actually special:

Anna Leszkiewicz is a pop culture writer at the New Statesman.