“Towards the light, towards knowledge!” A 1960s Soviet propaganda poster advocates science over religion. (Bridgeman Art Library)
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The ghost at the atheist feast: was Nietzsche right about religion?

John Gray reviews “The Age of Nothing” by Peter Watson and “Culture and the Death of God” by Terry Eagleton.

The Age of Nothing: How We Sought to Live Since the Death of God
Peter Watson
Weidenfeld & Nicolson, 624pp, £30

Culture and the Death of God
Terry Eagleton
Yale University Press, 264pp, £18.99

There can be little doubt that Nietzsche is the most important figure in modern atheism, but you would never know it from reading the current crop of unbelievers, who rarely cite his arguments or even mention him. Today’s atheists cultivate a broad ignorance of the history of the ideas they fervently preach, and there are many reasons why they might prefer that the 19th-century German thinker be consigned to the memory hole. With few exceptions, contemporary atheists are earnest and militant liberals. Awkwardly, Nietzsche pointed out that liberal values derive from Jewish and Christian monotheism, and rejected these values for that very reason. There is no basis – whether in logic or history – for the prevailing notion that atheism and liberalism go together. Illustrating this fact, Nietzsche can only be an embarrassment for atheists today. Worse, they can’t help dimly suspecting they embody precisely the kind of pious freethinker that Nietzsche despised and mocked: loud in their mawkish reverence for humanity, and stridently censorious of any criticism of liberal hopes.

Against this background, it is refreshing that Peter Watson and Terry Eagleton take Nietzsche as the central reference point for their inquiries into the retreat of theism. For Watson, an accomplished intellectual historian, Nietzsche diagnosed the “nihilist predicament” in which the high-bourgeois civilisation that preceded the Great War unwittingly found itself.

First published in 1882, Nietzsche’s dictum “God is dead” described a situation in which science (notably Darwinism) had revealed “a world with no inherent order or meaning”. With theism no longer credible, meaning would have to be made in future by human beings – but what kind of meaning, and by which human beings? In a vividly engaging conspectus of the formative ideas of the past century, The Age of Nothing shows how Nietzsche’s diagnosis evoked responses in many areas of cultural life, including some surprising parts of the political spectrum.

While it is widely known that Nietzsche’s ideas were used as a rationale for imperialism, and later fascism and Nazism, Watson recounts how Nietzsche had a great impact on Bolshevik thinking, too. The first Soviet director of education, Anatoly Lunacharsky (who was also in charge of state censorship of the arts and bore the delicious title of Commissar of Enlightenment), saw himself as promoting a communist version of the Superman. “In labour, in technology,” he wrote, in a passage cited by Watson, “[the new man] found himself to be a god and dictated his will to the world.”

Trotsky thought much the same, opining that socialism would create “a higher social-biologic type”. Lenin always resisted the importation of Nietzsche’s ideas into Bolshevism. But the Soviet leader kept a copy of Nietzsche’s Birth of Tragedy in his personal library and one of Zarathustra in his Kremlin office, and there is more than a hint of the cult of the will in Lenin’s decree ordering the building of “God-defying towers” throughout the new Soviet state.

It seems that few if any of these towers were constructed, the Soviet authorities devoting their energy instead to incessant anti-religion campaigns. A League of Militant Atheists was set up to spread the message that “religion was scientifically falsifiable”. Religious buildings were seized, looted and given over to other uses, or else razed. Hundreds of thousands of believers perished, but the new humanity that they and their admirers in western countries confidently anticipated has remained elusive. A Soviet census in 1937 showed that “religious belief and activity were still quite pervasive”. Indeed, just a few weeks ago, Vladimir Putin – scion of the KGB, the quintessential Soviet institution that is a product of over 70 years of “scientific atheism” – led the celebrations of Orthodox Christmas.

In many parts of the world at present, there is no sign of religion dying away: quite the reverse. Yet Watson is not mistaken in thinking that throughout much of the 20th century “the death of God” was a cultural fact, and he astutely follows up the various ways in which the Nietzschean imperative – the need to construct a system of values that does not rely on any form of transcendental belief – shaped thinking in many fields. A purely secular ethic had been attempted before (the utilitarian philosophies of Jeremy Bentham and John Stuart Mill are obvious examples) but Nietzsche made the task incomparably more difficult by identifying the theistic concepts and values on which these and other secular moralities relied. Ranging widely, Watson tracks the pursuit of a convincing response to Nietzsche in philosophers as various as Henri Bergson, William James and G E Moore, painters such as Matisse and Kandinsky, futurist composers and modernist poets (notably Mallarmé and Wallace Stevens), movements such as the Beats and the Sixties counterculture and a host of psychotherapeutic cults.

If Watson shows how Nietzsche’s challenge resonated throughout pretty well every area of cultural life, for Eagleton this focus on culture is a distraction, if not a crass mistake. Discussing Edmund Burke and T S Eliot, both of whom viewed religion largely in cultural terms even though they were believers, he asks rhetorically: “Might culture succeed in becoming the sacred discourse of a post-religious age, binding people and intelligentsia in spiritual union? Could it bring the most occult of truths to bear on everyday conduct, in the manner of religious faith?” Historically, the idea that religion is separate from culture is highly anomalous – a peculiarly Christian notion, with no counterpart in pre-Christian antiquity or non-western beliefs. But Eagleton isn’t much interested in other religions, and for him it is clear that the answer to his question must be “No”.

It’s not simply that culture lacks the emotional power of religion: “No symbolic form in history has matched religion’s ability to link the most exalted of truths to the daily existence of countless men and women.” More to the point, religion – particularly Christianity – embodies a sharp critique of culture. A standing protest against the repression that accompanies any social order, the Christian message brings “the grossly inconvenient news that our forms of life must undergo radical dissolution if they are to be reborn as just and compassionate communities”. In making this demand, Eagleton concludes, “Christianity is arguably a more tragic creed than Nietzsche’s own doctrine, precisely because it regards suffering as unacceptable.”

It’s an interesting suggestion, but neither the Christian religion nor Nietzsche’s philosophy can be said to express a tragic sense of life. If Yeshua (the Jewish prophet later known as Jesus) had died on the cross and stayed dead, that would have been a tragedy. In the Christian story, however, he was resurrected and came back into the world. Possibly this is why Dante’s great poem wasn’t called The Divine Tragedy. In the sense in which it was understood by the ancients, tragedy implies necessity and unalterable finality. According to Christianity, on the other hand, there is nothing that cannot be redeemed by divine grace and even death can be annulled.

Nor was Nietzsche, at bottom, a tragic thinker. His early work contained a profound interrogation of liberal rationalism, a modern view of things that contains no tragedies, only unfortunate mistakes and inspirational learning experiences. Against this banal creed, Nietzsche wanted to revive the tragic world-view of the ancient Greeks. But that world-view makes sense only if much that is important in life is fated. As understood in Greek religion and drama, tragedy requires a conflict of values that cannot be revoked by any act of will; in the mythology that Nietzsche concocted in his later writings, however, the godlike Superman, creating and destroying values as he pleases, can dissolve and nullify any tragic conflict.

As Eagleton puts it, “The autonomous, self-determining Superman is yet another piece of counterfeit theology.” Aiming to save the sense of tragedy, Nietzsche ended up producing another anti-tragic faith: a hyperbolic version of humanism.

The anti-tragic character of Christianity poses something of a problem for Eagleton. As he understands it, the Christian message calls for the radical dissolution of established forms of life – a revolutionary demand, but also a tragic one, as the kingdom of God and that of man will always be at odds. The trouble is that the historical Jesus seems not to have believed anything like this. His disdain for order in society rested on his conviction that the world was about to come to an end, not metaphorically, as Augustine would later suggest, but literally. In contrast, revolutionaries must act in the basic belief that history will continue, and when they manage to seize power they display an intense interest in maintaining order. Those who make revolutions have little interest in being figures in a tragic spectacle. Perhaps Eagleton should read a little more Lenin.

Although he fails to come up with anything resembling serious politics, Eagleton produces an account of the continuing power of religion that is rich and compelling. Open this book at random, and you will find on a single page more thought-stirring argument than can be gleaned from a dozen ponderous treatises on philosophy or sociology. Most of the critical turning points in modern thought are examined illuminatingly. Eagleton’s discussion of the religious dimensions of Romanticism is instructive, and his crisp deconstruction of postmodernism is a pleasure to read. He is exceptionally astute in his analysis of “the limits of Enlightenment” – nowadays a heavily mythologised movement, the popular conception of which bears almost no relation to the messy and often unpleasantly illiberal reality.

Evangelical rationalists would do well to study this book, but somehow I doubt that many of them will.

Was Nietzsche right in thinking that God is dead? Is it truly the case that – as the German sociologist Max Weber, who was strongly influenced by Nietzsche, believed – the modern world has lost the capacity for myth and mystery as a result of the rise of capitalism and secularisation? Or is it only the forms of enchantment that have changed? Importantly, it wasn’t only the Christian God that Nietzsche was talking about. He meant any kind of transcendence, in whatever form it might appear. In this sense, Nietzsche was simply wrong. The era of “the death of God” was a search for transcendence outside religion. Myths of world revolution and salvation through science continued the meaning-giving role of transcendental religion, as did Nietzsche’s own myth of the Superman.

Reared on a Christian hope of redemption (he was, after all, the son of a Lutheran minister), Nietzsche was unable, finally, to accept a tragic sense of life of the kind he tried to retrieve in his early work. Yet his critique of liberal rationalism remains as forceful as ever. As he argued with masterful irony, the belief that the world can be made fully intelligible is an article of faith: a metaphysical wager, rather than a premise of rational inquiry. It is a thought our pious unbelievers are unwilling to allow. The pivotal modern critic of religion, Friedrich Nietzsche will continue to be the ghost at the atheist feast.

John Gray is the New Statesman’s lead book reviewer. His latest book is “The Silence of Animals: On Progress and Other Modern Myths” (Allen Lane, £18.99)

John Gray is the New Statesman’s lead book reviewer. His latest book is The Soul of the Marionette: A Short Enquiry into Human Freedom.

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The lost magic of England

The great conservative journalist Peregrine Worsthorne reflects on a long life at the heart of the establishment.

In a recent editorial meeting, our subscriptions manager happened to mention that Peregrine Worsthorne was still a New Statesman subscriber. A former editor of the Sunday Telegraph and, during a long Fleet Street career, a self-styled “romantic reactionary” scourge of liberals and liberalism, Worsthorne used to be something of a pantomime villain for the left, a role he delighted in. He had close friends among the “Peterhouse right”, the group of High Tory intellectuals who gathered around Maurice Cowling at the small, conspiratorial Cambridge college. He was a frequent contributor to Encounter (which turned out to be funded by the CIA) and an ardent cold warrior. His social conservatism and lofty affectations offended lefty Islingtonian sensibilities. On several occasions he was the Guardian’s reviewer of choice for its annual collection of journalism, The Bedside Guardian, and he invariably delivered the required scornful appraisal while praising its witty television critic, Nancy Banks-Smith. There is no suggestion, he wrote in 1981, that the “Guardian ever sees itself as part of the problem; itself as having some responsibility for the evils its writers described so well”.

His prose style was Oxbridge high table, more Walter Pater than George Orwell. It was essential not to take Worsthorne too seriously, because he delighted in mischief-making and wilful provocation – one of his targets for remorseless ridicule was Andrew Neil, when Neil edited the abrasively Thatcherite Sunday Times. He ended up suing Worsthorne, who was famous for his silk shirts and Garrick Club lunches, for libel; he was awarded damages of £1, the then cover price of the Sunday Times.

“I wrote that in the old days editors of distinguished Sunday papers could be found dining at All Souls, and something must have changed when they’re caught with their trousers down in a nightclub,” Worsthorne told me when we met recently. “I had no idea he was going to sue. I was teasing. I occasionally run into him and we smile at each other, so it’s all forgotten and forgiven.”

After his retirement in 1989, Worsthorne, although he remained a resolute defender of aristocracy, seemed to mellow, and even mischievously suggested that the Guardian had replaced the Times as the newspaper of record. In the 1990s he began writing occasionally for the New Statesman – the then literary editor, Peter Wilby, commissioned book reviews from him, as I did after I succeeded Wilby. Like most journalists of his generation, Worsthorne was a joy to work with; he wrote to length, delivered his copy on time and was never precious about being edited. (Bill Deedes and Tony Howard were the same.) He might have had the mannerisms of an old-style toff but he was also a tradesman, who understood that journalism was a craft.

Shortly before Christmas, I rang Wors­thorne at the home in Buckinghamshire he shares with his second wife, Lucinda Lambton, the charming architectural writer. I asked how he was. “I’m like a squeezed lemon: all used up,” he said. Lucy described him as being “frail but not ill”. I told him that I would visit, so one recent morning I did. Home is a Grade II-listed old rectory in the village of Hedgerley. It is grand but dishevelled and eccentrically furnished. A sign on the main gates warns you to “Beware of the Dog”. But the dog turns out to be blind and moves around the house uneasily, poignantly bumping into objects and walls. At lunch, a small replica mosque in the dining room issues repeated mechanised calls to prayer. “Why does it keep doing that?” Perry asks. “Isn’t it fun,” Lucy says. She then turns to me: “Have some more duck pâté.”

As a student, I used to read Worsthorne’s columns and essays with pleasure. I did not share his positions and prejudices but I admired the style in which he articulated them. “The job of journalism is not to be scholarly,” he wrote in 1989. “The most that can be achieved by an individual newspaper or journalist is the articulation of an intelligent, well-thought-out, coherent set of prejudices – ie, a moral position.”

His Sunday Telegraph, which he edited from 1986 to 1989, was like no other newspaper. The recondite and reactionary comment pages (the focus of his energies) were unapologetically High Tory, contrary to the prevailing Thatcherite orthodoxies of the time, but were mostly well written and historically literate. Bruce Anderson was one of the columnists. “You never knew what you were going to get when you opened the paper,” he told me. “Perry was a dandy, a popinjay, and of course he didn’t lack self-esteem. He had a nostalgia for Young England. In all the time I wrote for him, however, I never took his approval for granted. I always felt a tightening of the stomach muscles when I showed him something.”

***

Worsthorne is 92 now and, though his memory is failing, he remains a lucid and engaging conversationalist. Moving slowly, in short, shuffling steps, he has a long beard and retains a certain dandyish glamour. His silver hair is swept back from a high, smooth forehead. He remains a stubborn defender of the aristocracy – “Superiority is a dread word, but we are in very short supply of superiority because no one likes the word” – but the old hauteur has gone, replaced by humility and a kind of wonder and bafflement that he has endured so long and seen so much: a journalistic Lear, but one who is not raging against the dying of the light.

On arrival, I am shown through to the drawing room, where Perry sits quietly near an open fire, a copy of that morning’s Times before him. He moves to a corner armchair and passes me a copy of his book Democracy Needs Aristocracy (2005). “It’s all in there,” he says. “I’ve always thought the English aristocracy so marvellous compared to other ruling classes. It seemed to me that we had got a ruling class of such extraordinary historical excellence, which is rooted in England
almost since the Norman Conquest.

“Just read the 18th-century speeches – the great period – they’re all Whig or Tory, but all come from that [the aristocracy]. If they didn’t come directly from the aristocracy, they turned themselves very quickly into people who talk in its language. Poetic. If you read Burke, who’s the best in my view, it’s difficult not to be tempted to think what he says has a lot of truth in it . . .”

His voice fades. He has lost his way and asks what we were talking about. “Oh, yes,” he says. “It survived when others – the French and Russians and so on – were having revolutions. It was absolutely crazy to set about destroying that. There was something magical . . . the parliamentary speeches made by Burke and so on – this is a miracle! No other country has it apart from America in the early days. And I thought to get rid of it, to undermine it, was a mistake.”

I ask how exactly the aristocracy was undermined. Even today, because of the concentration of the ownership of so much land among so few and because of the enduring influence of the old families, the great schools and Oxbridge, Britain remains a peculiar hybrid: part populist hyper-democracy and part quasi-feudal state. The Tory benches are no longer filled by aristocrats but the old class structures remain.

“Equality was the order of the day after the war,” Worsthorne replies. “And in a way it did a lot of good, equalising people’s chances in the world. But it didn’t really get anywhere; the ruling class went happily on. But slowly, and I think unnecessarily dangerously, it was destroyed – and now there are no superior people around [in politics]. The Cecil family – Lord Salisbury, he was chucked out of politics. The Cecil family is being told they are not wanted. The institutions are falling apart . . .

“But there were people who had natural authority, like Denis Healey. I’m not saying it’s only aristocrats – a lot of Labour people had it. But now we haven’t got any Denis Healeys.”

Born in 1923, the younger son of Alexander Koch de Gooreynd, a Belgian banker, Worsthorne (the family anglicised its name) was educated at Stowe and was an undergraduate at both Cambridge (Peterhouse, where he studied under the historian Herbert Butterfield, the author of The Whig Interpretation of History) and Oxford (Magdalen College). “I have always felt slightly underprivileged and de-classed by having gone to Stowe, unlike my father who went to Eton,” Worsthorne wrote in 1985.

Yet his memories of Stowe remain pellucid. There he fell under the influence of the belle-lettrist John Davenport, who later became a close friend of Dylan Thomas. “He was a marvellous man, a famous intellectual of the 1930s, an ex-boxer, too. But in the war he came to Stowe and he was preparing me for a scholarship to Cambridge. He told me to read three books, and find something to alleviate the boredom of an examiner, some little thing you’ll pick up. And I duly did and got the scholarship.”

Can you remember which three books he recommended?

“Tawney. Something by Connolly, um . . . that’s the terrible thing about getting old, extremely old – you forget. And by the time you die you can’t remember your brother’s name. It’s a terrible shock. I used to think old age could be a joy because you’d have more time to read. But if you push your luck and get too far, and last too long, you start finding reading really quite difficult. The connections go, I suppose.”

Was the Connolly book Enemies of Promise (1938)?

“Yes, that’s right. It was. And the other one was . . . Hang on, the writer of the book . . . What’s the country invaded by Russia, next to Russia?

Finland, I say. Edmund Wilson’s To the Finland Station (1940)?

“Yes. Wilson. How did you get that?”

We both laugh.

***

Worsthorne is saddened but not surprised that so many Scots voted for independence and his preference is for Britain to remain a member of the European Union. “What’s happening is part of the hopelessness of English politics. It’s horrible. I can’t think why the Scots would want to be on their own but it might happen. The youth will vote [for independence]. This is part of my central theme: the Scots no longer think it’s worthwhile belonging to England. The magic of England has gone – and it’s the perversity of the Tory party to want to get us out of the European Union when of course we’re much more than ever unlikely to be able to look after ourselves as an independent state because of the quality of our political system.

“The people who want to get us out are obviously of an undesirable kind. That the future should depend on [Nigel] Farage is part of the sickness. I mean the real horror is for him to have any influence at all. And when you think of the great days of the Labour Party, the giants who strode the stage – famous, lasting historical figures, some of them: Healey, Attlee, who was probably the greatest, [Ernest] Bevin. I’m well aware that Labour in the good days produced people who were superior.”

He digresses to reflect on his wartime experience as a soldier – he served in Phantom, the special reconnaissance unit, alongside Michael Oakeshott, the philosopher of English conservatism who became a close friend, and the actor David Niven, our “prize colleague”.

“I remember Harold Macmillan saying to me, after the Second World War, the British people needed their belt enlarged; they’d done their job and they deserved a reward. And that’s what he set about doing. And he wasn’t a right-wing, unsympathetic man at all. But he didn’t – and this is what is good about conservatism – he didn’t turn it into an ‘ism’. It was a sympathetic feel, an instinctive feel, and of course people in the trenches felt it, too: solidarity with the rest of England and not just their own brotherhood. Of course he didn’t get on with Margaret Thatcher at all.”

Worsthorne admired Thatcher and believed that the “Conservatives required a dictator woman” to shake things up, though he was not a Thatcherite and denounced what he called her “bourgeois triumphalism”. He expresses regret at how the miners were treated during the bitter strike of 1984-85. “I quarrelled with her about the miners’ strike, and the people she got around her to conduct it were a pretty ropey lot.

“I liked her as a person. I was with her that last night when she wasn’t prime minister any more, but she was still in Downing Street and had everything cut off. The pressman [Bernard Ingham] got several of us to try to take her mind off her miseries that night. There’s a photograph of me standing at the top of the stairs.”

In the summer of 1989, Peregrine Wors­thorne was sacked as the editor of the Sunday Telegraph by Andrew Knight, a former journalist-turned-management enforcer, over breakfast at Claridge’s. He wrote about the experience in an elegant diary for the Spectator: “I remember well the exact moment when this thunderbolt, coming out of a blue sky, hit me. It was when the waiter had just served two perfectly poached eggs on buttered toast . . . In my mind I knew that the information just imparted was a paralysingly painful blow: pretty well a professional death sentence.”

He no longer reads the Telegraph.

“Politically they don’t have much to say of interest. But I can’t put the finger on exactly what it is I don’t like about it. Boredom, I think!”

You must read Charles Moore?

“He is my favourite. Interesting fellow. He converted to Catholicism and started riding to hounds in the same week.”

He has no regrets about pursuing a long career in journalism rather than, say, as a full-time writer or academic, like his friends Cowling and Oakeshott. “I was incredibly lucky to do journalism. What people don’t realise – and perhaps you don’t agree – but it’s really a very easy life, compared to many others. And you have good company in other journalists and so on. I was an apprentice on the Times, after working [as a sub-editor] on the Glasgow Herald.”

How does he spend the days?

“Living, I suppose. It takes an hour to get dressed because all the muscles go. Then I read the Times and get bored with it halfway through. Then there’s a meal to eat. The ­answer is, the days go. I used to go for walks but I can’t do that now. But Lucy’s getting me all kinds of instruments to facilitate people with no muscles, to help you walk. I’m very sceptical about it working, but then again, better than the alternative.”

He does not read as much as he would wish. He takes the Statesman, the Spectator and the Times but no longer the Guardian. He is reading Niall Ferguson’s biography of Kissinger, The Maisky Diaries by Ivan Maisky, Stalin’s ambassador to London from 1932 to 1943, and Living on Paper, a selection of letters by Iris Murdoch, whom he knew. “I get these massive books, thinking of a rainy day, but once I pick them up they are too heavy, physically, so they’re stacked up, begging to be read.”

He watches television – the news (we speak about Isis and the Syrian tragedy), the Marr show on Sunday mornings, and he has been enjoying War and Peace on BBC1. “Andrew Marr gave my book a very good review. He’s come back. He’s survived [a stroke] through a degree of hard willpower to get back to that job, almost as soon as he came out of surgery. But I don’t know him; he was a Guardian man.” (In fact, Marr is more closely associated with the Independent.)

Of the celebrated Peterhouse historians, both Herbert Butterfield (who was a Methodist) and Maurice Cowling were devout Christians. For High Tories, who believe in and accept natural inequalities and the organic theory of society, Christianity was a binding force that held together all social classes, as some believe was the order in late-Victorian England.

“I was a very hardened Catholic,” Worsthorne says, when I mention Cowling’s book Religion and Public Doctrine in Modern England. “My mother was divorced [her second marriage was to Montagu Norman, then the governor of the Bank of England] and she didn’t want my brother and me to be Catholic, so she sent us to Stowe. And I used to annoy her because I read [Hilaire] Belloc. I tried to annoy the history master teaching us Queen Elizabeth I. I said to him: ‘Are you covering up on her behalf: don’t you know she had syphilis?’

“Once I felt very angry about not being made Catholic. But then I went to Cambridge and there was a very Catholic chaplain and he was very snobbish. And in confession I had to tell him I masturbated twice that morning or something, and so it embarrassed me when half an hour later I had to sit next to him at breakfast. I literally gave up going to Mass to get out of this embarrassing situation. But recently I’ve started again. I haven’t actually gone to church but I’ve made my confessions, to a friendly bishop who came to the house.”

So you are a believer?

“Yes. I don’t know which bit I believe. But as Voltaire said: ‘Don’t take a risk.’”

He smiles and lowers his head. We are ready for lunch. 

Jason Cowley is editor of the New Statesman. He has been the editor of Granta, a senior editor at the Observer and a staff writer at the Times.

This article first appeared in the 11 February 2016 issue of the New Statesman, The legacy of Europe's worst battle