Out of Print by George Brock: An unfinished and chaotic story

Brock convincingly disabuses readers of the notion of a “golden age” of journalism in the postwar period. But he often doesn't go far enough.

It is difficult to imagine a more tumultuous summer for journalism than the one that has just passed. It started in June with a British institution, the Guardian, striking at the heart of the US political system and its unhealthy relationship with mass surveillance. Led by its ferociously persistent blogger Glenn Greenwald, the paper’s US operation unearthed arguably the most significant story since Watergate: a story leaked to Greenwald by the whistleblower Edward Snowden.
 
Simultaneously, the great Washington Post, which broke Watergate and removed a president 40 years ago, was being sold in a distressed state by its owner, Don Graham. Conceding that it no longer had the means to invest what was needed to revive the Post, the company passed the title for a mere $250m to Jeff Bezos, the man who made a fortune from the online retailer Amazon – part of the vanguard of digital disruptors that have heaped financial pressure and technological challenge on the conventional media.
 
Neither of these significant events happened in time for the publication of Out of Print, though it is exactly this paradox of vibrant journalism and dying newspapers that George Brock sets out to describe. Brock, who spent 28 years at the Times and is now the head of journalism at City University London, argues that the experimentation and inventiveness of the new news media are cause for greater optimism than the red ink on the balance sheets of media companies.
 
Seeking to reassure the doom-mongers, he delves back into the history of journalism and demonstrates the shaky beginnings and rapid innovation that powered news journalism for three centuries before the maturation and slow decline of the business in the 20th century. His précis of the history is fascinating and elegantly done. Brock describes the flourishing and then censoring of the new presses under Cromwell, and traces their development through to the explosion in regional and London newspapers two centuries later. Between 1837 and 1887, Britain went from having 264 regional papers to 1,366 and papers in London grew by a factor of 12 – a growth rate to shame Silicon Valley.
 
Brock convincingly disabuses readers of the notion of a “golden age” of journalism in the postwar period. “The second half of the 20th century, a period seen by many journalists as an era of heroic achievement and stability by journalists, was also a long decline for newspapers,” he writes.
 
The problem is that this is an unfinished and chaotic story, which makes the gear change from a clear historical trajectory to the messy present rather heavy. For those who are never happier than when confronted with graphs of declining sales per thousand of population, the detail in Out of Print will be welcome. For those who like to imagine that journalism will always exist on a big scale in robust and large institutions, it makes for more troubling reading.
 
Brock seeks to lead us from the darkness of this downward growth chart into the light of case studies and new models that point the path to potential sustainability. Perhaps the local news collaborations in New Jersey, maybe the hyper-social approach of BuzzFeed, or maybe just a man with a very big chequebook and lots of patience, such as Jeff Bezos, will bring forth answers and money.
 
The book loses some of its coherence once Brock starts to explore the digital realm, simply because there is too much to know or digest. Unlike with his confidently set-out timeline of print journalism, we cannot know how this story will end. All witnesses at this point are unreliable. His remark that journalism will be remade by “existing organisations that adapt and new entrants who can supply a demand better than legacy news media” is relatively uncontroversial, but it does not go far enough in pushing at just how far this institutionally based idea of journalism has come under pressure to the power of the individual.
 
The path for modern journalism today follows the lines of the splenetic start-ups of the 17th century as much as it does those of grand institutions in the past century. 
 
Emily Bell is director of the Tow Centre for Digital Journalism at the Columbia University Graduate School of Journalism
A printing press in Yangon. Image: Getty Images.

This article first appeared in the 16 September 2013 issue of the New Statesman, Syria: The deadly stalemate

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A swimming pool and a bleeding toe put my medical competency in doubt

Doctors are used to contending with Google. Sometimes the search engine wins. 

The brutal heatwave affecting southern Europe this summer has become known among locals as “Lucifer”. Having just returned from Italy, I fully understand the nickname. An early excursion caused the beginnings of sunstroke, so we abandoned plans to explore the cultural heritage of the Amalfi region and strayed no further than five metres from the hotel pool for the rest of the week.

The children were delighted, particularly my 12-year-old stepdaughter, Gracie, who proceeded to spend hours at a time playing in the water. Towelling herself after one long session, she noticed something odd.

“What’s happened there?” she asked, holding her foot aloft in front of my face.

I inspected the proffered appendage: on the underside of her big toe was an oblong area of glistening red flesh that looked like a chunk of raw steak.

“Did you injure it?”

She shook her head. “It doesn’t hurt at all.”

I shrugged and said she must have grazed it. She wasn’t convinced, pointing out that she would remember if she had done that. She has great faith in plasters, though, and once it was dressed she forgot all about it. I dismissed it, too, assuming it was one of those things.

By the end of the next day, the pulp on the underside of all of her toes looked the same. As the doctor in the family, I felt under some pressure to come up with an explanation. I made up something about burns from the hot paving slabs around the pool. Gracie didn’t say as much, but her look suggested a dawning scepticism over my claims to hold a medical degree.

The next day, Gracie and her new-found holiday playmate, Eve, abruptly terminated a marathon piggy-in-the-middle session in the pool with Eve’s dad. “Our feet are bleeding,” they announced, somewhat incredulously. Sure enough, bright-red blood was flowing, apparently painlessly, from the bottoms of their big toes.

Doctors are used to contending with Google. Often, what patients discover on the internet causes them undue alarm, and our role is to provide context and reassurance. But not infrequently, people come across information that outstrips our knowledge. On my return from our room with fresh supplies of plasters, my wife looked up from her sun lounger with an air of quiet amusement.

“It’s called ‘pool toe’,” she said, handing me her iPhone. The page she had tracked down described the girls’ situation exactly: friction burns, most commonly seen in children, caused by repetitive hopping about on the abrasive floors of swimming pools. Doctors practising in hot countries must see it all the time. I doubt it presents often to British GPs.

I remained puzzled about the lack of pain. The injuries looked bad, but neither Gracie nor Eve was particularly bothered. Here the internet drew a blank, but I suspect it has to do with the “pruning” of our skin that we’re all familiar with after a soak in the bath. This only occurs over the pulps of our fingers and toes. It was once thought to be caused by water diffusing into skin cells, making them swell, but the truth is far more fascinating.

The wrinkling is an active process, triggered by immersion, in which the blood supply to the pulp regions is switched off, causing the skin there to shrink and pucker. This creates the biological equivalent of tyre treads on our fingers and toes and markedly improves our grip – of great evolutionary advantage when grasping slippery fish in a river, or if trying to maintain balance on slick wet rocks.

The flip side of this is much greater friction, leading to abrasion of the skin through repeated micro-trauma. And the lack of blood flow causes nerves to shut down, depriving us of the pain that would otherwise alert us to the ongoing tissue damage. An adaptation that helped our ancestors hunt in rivers proves considerably less use on a modern summer holiday.

I may not have seen much of the local heritage, but the trip to Italy taught me something new all the same. 

This article first appeared in the 17 August 2017 issue of the New Statesman, Trump goes nuclear