Friday Arts Diary | 30 August 2013

Our cultural picks for the week ahead.

Film

BFI Monster Weekend, British Museum, Friday 29 August – Sunday 1 September, Films start at 20:00 daily 

Experience the British film industry at its best this weekend as the British Museum presents a trio of titles from the golden age of gothic horror. On Friday enjoy Jacques Tourneur’s chillingly realistic masterpiece The Night of the Demon which is sure to spook even the least superstitious among you. Saturday plays host to Hammer Horror’s Dracula, a bloody yet beautiful adaptation of Bram Stoker’s classic novel. The festival concludes on Sunday with The Mummy – an unconventional love story that has enchanted young and old alike. The eerie surroundings of the British Museum courtyard and classic soundtracks will further tempt London’s thrill seekers to join the fun.  

Concert

iTunes Festival, Roundhouse, Sunday 1 September – Monday 30 September

It’s that time of year again. Teenagers up and down the country will be applying for tickets to the iTunes Festival – 30 days of seriously good (and free) music gigs held in Camden’s Roundhouse. Global superstars including chart topper Ellie Goulding and the object of Miley Cyrus’ striptease Robin Thicke will take the stage alongside emerging talent Bastille and The Voice’s Jessie J. As long as Miley Cyrus doesn’t ‘butt’ in it will be a month to remember.             

Music Festival

The Zoo Project Festival, Leicestershire,  until Sunday 1 September 

The Zoo Project Festival returns for a second year and promises to be bigger and better than before. Situated deep in the heartland of the British Countryside, within the woodlands of Donington Park in Leicestershire, The Zoo Project is an unparalleled experience. With 70 star-studded acts lined up and 16 hours of music a day unleash the animal inside as you party till 4am; a Safari Spa is always on hand to help with those head-throbbing mornings after.

South Asian Festival

London Mela, Gunnersbury Park, Acton, Sunday 1 September 1pm – 9pm

Immerse yourself in another culture as the London Mela – Europe’s largest outdoor South Asian festival – returns to Gunnersbury Park. Crowds always flock to Acton to enjoy the lineup of British Asian music and Bollywood figures including music artist A S Kang and singer-songwriter Arjun. Foodies will enjoy the gastronomic delights from the surrounding stalls; with DJs, dance, markets and street art as well as a funfair it’s sure to be a family day out full of weird and wonderful experiences.  

TV

Bad Education, BBC Three, 22:00, Tuesday 3 September 

Jack Whitehall bares all in his return to the big screen in the second series of the hit sitcom. Whitehall plays Alfie Wickers – the caricature of that completely useless teacher we all had at school – and in this episode alone treats us to comedy gold. From his unsuccessful attempts to lure a co-star who plays for the other team to being the object of the fascist tendencies of another, the UK’s poshest comedian will have you cringing the whole way through.  

Jack Whitehall stars in Bad Education. Photograph: Getty Images
ROBERTO SCHMIDT/AFP/Getty Images
Show Hide image

Unlikely sisters in the Gaza Strip

A former Jewish settler in Gaza recalls her childhood friendship with a young Palestinian.

It was well after midnight, one summer night in 1995, when Inbar Rozy, a 13-year-old living in the former Israeli settlement of Alei Sinai in the northern Gaza Strip, heard her parents answer the phone. Sitting up in bed, surrounded by potted plants, candles and fairy dolls lit by shafts of light from a nearby security outpost, Inbar listened closely.

“I could hear everyone talking around me, making calls,” Inbar said when we met recently in Nitzan, southern Israel. When she got up to find out what was happening, her parents told her to make up a second mattress. As dawn broke, they led into the room a young woman carrying a small bag and wearing a black shirt and jeans. “She had shoulder-length dark hair dyed with red henna and beautiful eyes – big, black with thick eyelashes,” Inbar told me, smiling. “[She was] quiet. She looked scared.”

The woman was Rina (her surname cannot be given for security reasons), a talented artist in her early twenties studying at a local art college, where she had fallen in love with a Christian boy. For Rina, coming from a traditional family, marrying a non-Muslim would be strictly forbidden.

When her parents found out, they were furious and forbade her from seeing her boyfriend. But her male cousins felt this wasn’t enough. Earlier on the day the girls first met, Rina’s cousins had attempted to kill her in retribution for her perceived “honour crime”. Seeing that another attempt on her life was likely, Rina’s father called a relative, who in turn called Inbar’s father, Yossef, a friend of many years. There was no doubt she had to leave. Ironically, a Jewish settlement protected by the Israel Defence Forces was the safest place in Gaza for her to be.

In 1967, Israel seized the Gaza Strip from Egypt during the Six Day War. In time, it settled 21 communities on a third of the land, with a population of 8,000 by 2005. Soldiers guarded the settlements from 1.5 million displaced Palestinians, tens of thousands of whom were displaced in 1967 and moved to live in nearby refugee camps. In Gaza, before Israel’s ultimate withdrawal from the Strip in 2005, relationships between Israeli settlers and Palestinians were fraught. True, many Palestinians worked in Israeli settlements, earning wages higher than elsewhere in the Strip, but the two communities lived largely separate lives.

In the mid-1990s, even after the Oslo Accords, violence was simmering. Israeli military incursions increased with the outbreak of the Second Intifada in 2000. Thousands of home-made Qassam rockets were launched by Palestinian militants at settlers and those living in southern Israel. Security measures hardened. The veteran Israeli journalist Amira Hass, who spent several years living in Gaza, describes neighbourhoods that were “turned into jails behind barbed-wire fences, closed gates, IDF surveillance, tanks and entry-permit red tape”.

And yet, in spite of the forced segregation, Inbar’s family enjoyed close links with their Palestinian neighbours. Inbar’s father worked as an ambulance driver, and on several occasions he helped transport those who lived nearby for emergency medical treatment in Israel. “Every Tuesday, my father’s Jewish and Arab friends would come to our house and we’d eat lunch together,” Inbar remembered.

Given the gravity of Rina’s situation, she couldn’t leave the house. Secrecy was paramount. The girls spent weeks together indoors, Inbar said, chatting, watching TV and drawing. “I’m not sure that as a child I actually understood it for real,” she said. “She taught me how to paint and sketch a face from sight.”

Almost as soon as Rina arrived, Inbar’s family began receiving anonymous phone calls asking about her. “My dad told me, ‘Don’t mention anything about Rina. Say you don’t know what they’re talking about – because otherwise they’ll come and kill us,’” Inbar said.

While the girls got to know each other, Inbar’s mother, Brigitte, found a women’s shelter in East Jerusalem for Rina. Whereas today Gaza is closed off by a military border under heavy surveillance, at that time it was porous. Brigitte drove Rina in to the capital, where she was given a new name and identity that would enable her to begin a new life, on condition that she contact no one in Gaza.

Today Inbar, who is 33, works at the Gush Katif centre in Nitzan – a museum dedicated to the memory of the Israeli settlements in Gaza. Despite her parents’ objections, the family was evacuated in 2005. Unlike most settlers in Gaza, some residents of Alei Sinai were determined to stay on, even if that meant forfeiting their Israeli citizenship. “I have no problem with living as a minority in a Palestinian state,” one of Alei Sinai’s inhabitants, Avi Farhan, told the Israeli daily Haaretz at the time.

Inbar now lives in Ashkelon, a city of 140,000 in southern Israel, and finds the big city alienating, especially when she recalls the warm relationships that once existed in Gaza. “I’ve never felt less secure,” she told me.

Years later, she learned that Rina had developed cancer and died. “The day before Rina left . . . she drew a portrait of me,” she said, describing how her friend had outlined, in charcoal strokes, the features of the teenager. Her parents packed the portrait with all their belongings in a shipping container the day they left Gaza. Soon after, the container was destroyed in a fire.

“I think if people had given it a chance . . . they would have had these kinds of friendships,” Inbar said, looking back. “We’d get along fairly well if we didn’t look at others as the monsters over the wall.” 

This article first appeared in the 27 August 2015 issue of the New Statesman, Isis and the new barbarism