What did the critics really think of "Cuckoo's Calling" (before they knew it was by J K Rowling)?

Actually, they liked it. Galbraith's Cormoran Strike thriller could mark the start of another intensely successful Rowling series.

A reinvigorated J K Rowling has stuck two fingers up to the literary establishment with her first novel under the pseudonym 'Robert Galbraith'. The Cuckoo’s Calling was met with widespread acclaim upon its publication in April before the true identity of the author was revealed by The Sunday Times yesterday. Rowling has spoken of the “pure pleasure to get feedback under a different name” and this pleasure will inevitably be tinged with a sense of vindication, following the mixed reviews received by Rowling’s first foray into literature post-Harry Potter, The Casual Vacancy.

Before Rowling was exposed, publishers Mullholland initially claimed that the book, released in April, was based on Galbraith’s own experience in military service.  The crime thriller follows the elaborately named Cormoran Strike, a wounded Afghan veteran who now pursues a career as a private investigator. Alongside his new secretary Robin Ellacott, he investigates the suspicious suicide of celebrity supermodel Lula Landry.

Geoffrey Wansell of the Mail showers compliments upon Galbraith’s “auspicious debut”. Particular praise is reserved for Cormoran Strike who possesses a “dark fascination”, and is the most interesting fictional detective since “the wonderful Eddie Ginley, nightclub-comedian and wannabe private eye, in director Stephen Frears’ debut film Gumshoe [1971]”. Wansell astutely concluded in May that “there is no sign whatsoever that this is Galbraith’s first novel”.

Publisher’s Weekly was similarly appreciative of Galbraith’s “stellar debut”. It celebrates the novel’s “host of vividly drawn suspects and witnesses” and its “elegant solution”, and is once again, hugely impressed by Strike, “a complex and compelling sleuth.” It concludes that “readers will hope to see a lot more of this memorable sleuthing team".

Teresa Jacobsen of the Library Journal flattered Galbraith with even more inventive adulation, describing the novel as “like a mash-up of Charles Dickens and Penny Vincenzi”. Jacobsen found the novel engrossing, “laden with plenty of twists and distractions”. So too did Marcel Berlins of the Times. He commends the “sparkling dialogue”, and also Galbraith’s critique of celebrity culture.  A “scintillating debut novel set in the world of models, rappers, [and] fashion designers...” manages to produce a “convincing portrayal of the emptiness of wealth and glamour".

The second Cormoran Strike thriller is to be published in 2014. Reviews of the sequel are however set to be skewed by Rowling’s fame. They will surely not demonstrate the same unassuming inspection enjoyed by Galbraith’s first novel.

Rowling's pleaure following Galbraith's success will be intensified following the mixed reviews of "The Casual Vacancy". Photograph: Getty Images.
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How power shifted dramatically in this week’s Game of Thrones

The best-laid plans of Mothers and men often go awry.

Last week’s Game of Thrones was absolutely full of maps. It had more maps than a Paper Towns/Moonrise Kingdom crossover. More maps than an Ordnance Survey walking tour of a cartographer’s convention. More maps than your average week on CityMetric.

So imagine the cheers of delight when this week’s episode, “Stormborn”, opened with – yes, a map! Enter Daenerys, casting her eyes over her carved table map (Ikea’s Västeross range, I believe), deciding whether to take King’s Landing and the iron throne from Cersei or a different path. After some sassy debates with Varys over loyalty, more members of her court enter to point angrily at different grooves in the table as Dany and Tyrion move their minature armies around the board.

In fact, this whole episode had a sense of model parts slotting pleasingly into place. Melisandre finally moved down the board from Winterfell to Dragonstone to initiate the series’ most inevitable meeting, between The King of the North and the Mother of Dragons. Jon is hot on her heels. Arya crossed paths with old friends Hot Pie and Nymeria, and the right word spoken at the right time saw her readjust her course to at last head home to the North. Tyrion seamlessly anticipated a move from Cersei and changed Dany’s tack accordingly. There was less exposition than last week, but the episode was starting to feel like an elegant opening to a long game of chess.

All this made the episode’s action-filled denouement all the more shocking. As Yara, Theon and Ellaria dutifully took their place in Dany’s carefully mapped out plans, they were ambushed by their mad uncle Euron (a character increasingly resembling Blackbeard-as-played-by-Jared-Leto). We should have known: just minutes before, Yara and Ellaria started to get it on, and as TV law dictates, things can never end well for lesbians. As the Sand Snakes were mown down one by one, Euron captured Yara and dared poor Theon to try to save her. As Theon stared at Yara’s desperate face and tried to build up the courage to save her, we saw the old ghost of Reek quiver across his face, and he threw himself overboard. It’s an interesting decision from a show that has recently so enjoyed showing its most abused characters (particularly women) delight in showy, violent acts of revenge. Theon reminds us that the sad reality of trauma is that it can make people behave in ways that are not brave, or redemptive, or even kind.

So Euron’s surprise attack on the rest of the Greyjoy fleet essentially knocked all the pieces off the board, to remind us that the best-laid plans of Mothers and men often go awry. Even when you’ve laid them on a map.

But now for the real question. Who WAS the baddest bitch of this week’s Game of Thrones?

Bad bitch points are awarded as follows:

  • Varys delivering an extremely sassy speech about serving the people. +19.
  • Missandei correcting Dany’s High Valerian was Extremely Bold, and I, for one, applaud her. +7.
  • The prophecy that hinges on a gender-based misinterpretation of the word “man” or “prince” has been old since Macbeth, but we will give Dany, like, two points for her “I am not a prince” chat purely out of feminist obligation. +2.
  • Cersei having to resort to racist rhetoric to try and persuade her own soldiers to fight for her. This is a weak look, Cersei. -13.
  • Samwell just casually chatting back to his Maester on ancient medicine even though he’s been there for like, a week, and has read a total of one (1) book on greyscale. +5. He seems pretty wrong, but we’re giving points for sheer audacity.
  • Cersei thinking she can destroy Dany’s dragon army with one (1) big crossbow. -15. Harold, they’re dragons.
  • “I’ve known a great many clever men. I’ve outlived them all. You know why? I ignored them.” Olenna is the queen of my LIFE. +71 for this one (1) comment.
  • Grey Worm taking a risk and being (literally) naked around someone he loves. +33. He’s cool with rabid dogs, dizzying heights and tumultuous oceans, but clearly this was really scary for him. It’s important and good to be vulnerable!! All the pats on the back for Grey Worm. He really did that.
  • Sam just fully going for it and chopping off all of Jorah’s skin (even though he literally… just read a book that said dragonglass can cure greyscale??). +14. What is this bold motherfucker doing.
  • Jorah letting him. +11.
  • “You’ve been making pies?” “One or two.” Blatant fan service from psycho killer Arya, but I fully loved it. +25.
  • Jon making Sansa temporary Queen in the North. +7.
  • Sansa – queen of my heart and now Queen in the North!!! +17.
  • Jon choking Littlefinger for perving over Sansa. +19. This would just be weird and patriarchal, but Littlefinger is an unholy cunt and Sansa has been horrifically abused by 60 per cent of the men who have ever touched her.
  • Nymeria staring down the woman who once possessed her in a delicious reversal of fortune. +13. Yes, she’s a wolf but she did not consent to being owned by a strangely aggressive child.
  • Euron had a big win. So, regrettably, +10.

​That means this week’s bad bitch is Olenna Tyrell, because who even comes close? This week’s loser is Cersei. But, as always, with the caveat that when Cersei is really losing – she strikes hard. Plus, Qyburn’s comment about the dragon skeletons under King’s Landing, “Curious that King Robert did not have them destroyed”, coupled with his previous penchant for re-animated dead bodies, makes me nervous, and worry that – in light of Cersei’s lack of heir – we’re moving towards a Cersei-Qyburn-White Walkers alliance. So do watch out.

Anna Leszkiewicz is a pop culture writer at the New Statesman.