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Reviews Round-up

The critics' verdicts on Hurd and Young, Higashida and McCleen.

Benjamin Disraeli.
English Prime Minister Benjamin Disraeli on the arm of his private secretary Montagu William Corry (right). Image: Vanity Fair/Hulton Archive/Getty Images.

Disraeli: Or the Two Lives by Douglas Hurd and Edward Young

Douglas Hurd and Edward Young offer an insight into the paradoxical life of Victorian Prime Minister and parliamentarian Benjamin Disraeli in their biography Disraeli: Or the Two Lives. Hurd and Young’s written account depicts the life of an outsider who became the leading representative of the aristocracy despite having been born without either wealth or connections.

According to Richard Davenport-Hines at The Guardian, “their book is far from a hagiography of their party's idol” and “proves a fascinating character study”.

Leo McKinstry at The Express argues that the biography lacks “any startling revelations”, but concedes that Hurd and Young succeed in “the beautiful style of their writing, the pace of their narrative and their ability to condense complex political problems”. Matthew Parris from The Times has said “so judicious is their presentation of the evidence and so carefully do they strive to find something to praise”, agreeing with McKinstry that the biography “lay out with clarity the essentials of a story often and variously told” instead of making a pretence of assembling mountains of new material. The New Statesman’s Michael Prodger is of the opinion that “the aim of the book is to “separate the public and private strands of Disraeli’s career into a pair of brief lives” and both Hurd and Young “track the complexities of his career deftly while pointing out that although his governments did much to help the working class, Disraeli himself was no democrat”.

The Reason I Jump By Naoki Higashida

Author David Mitchell and his wife K A Yoshida have translated this book written by Naoki Higashida at the age of thirteen. The book includes short stories, elements of memoir and FAQs providing a very personal insight into the mind of a thirteen year old autistic child.

Luisa Metcalfe, writing in the Express that The Reason I Jump “brings the fascinating quirks of the autistic mind to life” an opinion that she believes defies the opinions that “people on the autistic spectrum are seen as being cold, socially awkward, better with maths or computers than society”. She continues to discuss the liberation that Higashida feels in the book of the joys of “lining up his toys” and “memorising numbers on timetables”. Yet despite these activities being primarily mathematical or logical, she describes the narrative as “highly perceptive and deeply emotional”

Arifa Akbar from The Independent similarly writes that The Reason I Jump “offers sometimes tormented, sometimes joyous, insights into autism's locked-in universe” giving readers an “eloquent access into an almost entirely unknown world”. Akbar goes on to discuss  how the “child's-eye view of autism is as much a winsome work of the imagination as it is a user's manual for parents, carers and teachers” agreeing with David Mitchell and KA Yoshida whose purpose of translating their son’s novel which was primarily for “helping others dealing with autism”.

The Daily Mail’s Marcus Berkmann agrees with both Akbar and Metcalfe, agreeing that the book offers new insights into life with autism, “an entry into another world” and provides a counterbalance to “the world’s ignorance of [the] condition” by offering the “most astonishing glimpses of autism's exhilaration”.

The Professor of Poetry by Grace McCleen

The Professor of Poetry is Grace McCleen’s second novel. It tells the story of a Professor named Elizabeth Stone, who turns to investigate some papers by T S Eliot on a poem which was once given to her by an elusive Professor Hunt. As a respected academic, she is haunted by her lack of confidence in her writing, searching out for unknown papers on the work of T S Eliot with plans to write the ‘best essay’ in order to impress Hunt.

Beth Jones from The Telegraph suggests that “the novel promises to be an intriguing exploration of a woman seeking meaning in the face of mortality” but emerges as “a shallow love story” that becomes “predictable”. Despite this, Jones believes that the novel has its “rare moments that the novel manages to come alive with a tight, unsettling atmosphere of claustrophobia and regret” and ultimately describes it as an “enjoyable” novel.

Furthermore, reviewers from The Sunday Times and The Telegraph hint that The Professor of Poetry is tainted by the same writing style of both of Grace McCleen’s novels. As Jones describes the “continuities with her debut novel”, Kate Clanchy from The Guardian expands on the opinion that “both her first books were cut from the same 'unworkable' original novel”, as though they both “have been an autobiographical text”. The Professor of Poetry is about "time and stillness and music", Clanchy writes, yet she believes the plot “lacks urgency”.