If there's no god, how come Reddit just downgraded the atheism subforum?

Reddit steps up its editorial role. But will it have to take responsibility for what goes on within its walls?

Reddit has announced a major shake-up in the way the site looks to new users, swapping out the "politics" and "atheism" subreddits with popular alternatives including "books", "earthporn" (pictures of beautiful places around the world) and "explainlikeimfive" (where users are tasked with explaining difficult concepts as though the listener were a five-year-old).

The change affects the default subreddits, which make up the front page for users who haven't logged in or have just created an account. Once an account is made, a user can change their front page at will, unsubscribing from subreddits they don't like and joining smaller forums for more niche interests, from r/economics to the notorious r/beatingwomen.

The addition of new subreddits - at total of five, with r/television and r/gifs making up the count - is relatively uncontroversial, but the removal of the politics and, particularly, atheism is more surprising. In her blog post announcing the change, Alex Angel, Reddit's community manager, explained their decision:

We could give you a canned corporate answer or a diplomatic answer that is carefully crafted for the situation. But since this is reddit, we’re going to try things a bit differently and give you the real answer: they just weren't up to snuff. Now, don't get us wrong, there still ARE good parts about them. Overall, they just haven't continued to grow and evolve like the other subreddits we've decided to add.

Both subreddits have become strongly identified with a particular niche in their overall community, with r/politics morphing from a stronghold of Ron Paul-supporting internet libertarians to one of equally fervent left-liberals and r/atheism being colonised by (and to a large extent creating the stereotype of) the sort of Dawkins-loving, Sagan-worshipping meme-creating atheists the Guardian recently characterised as "anti-theists".

Both groups have taken the shift relatively well, with a highly recommended post on r/atheism pointing out that "by removing this subreddit as a default, the admins of Reddit have done the right thing in creating neutral set of default subreddits which does not raise any particular view above another". Similarly, this comment catches the zeitgeist at r/politics:

I consider myself very liberal, fiscally and socially, and I hate this sub. I unsubscribed forever ago. This sub has become a joke and the personification of a stereotype, that until I came here, thought only existed in the minds of the extreme right. Hopefully this is a wake up call.

Nonetheless, this reshuffle poses a risk for Reddit. The organisation – owned by the same holding company as Condé Nast publications – has a huge interest in portraying itself as an entirely neutral platform, something more akin to Twitter or Facebook than anything else. That lets them wash their hands of responsibility for travesties like the aforementioned r/beatingwomen, as well as put off decisions like banning r/jailbait (a subreddit dedicated to sexualised photos of under-18 year olds) and r/creepshots (a subreddit dedicated to sexualised photos of women taken without their permission).

Even the default subreddits were, ostensibly, chosen impartially. They were the largest subreddits on the site at the time the idea of a default was introduced, and so when a bunch of them decided to block Gawker in protest at Adrian Chen's unmasking of the man who ran the above subreddits, even though the company had given them a degree of legitimacy, it still managed to argue it was entirely in the hands of its users.

That is no longer true. By adding new default subreddits based on "a few key factors: traffic to the subreddits, rate of subscriber increase, average number of users online, and number of submissions/comments being posted", and, crucially, by removing old ones because they weren't "up to snuff", Reddit has taken on a far greater editorial role than ever before. That has obvious benefits (stuff like that in this article won't end up on the front page anymore), but it also means that the company is taking ever more responsibility for what appears on its site. The next time there's a scandal over content or behaviour, will the Reddit staff step up to that responsibility?

Richard Dawkins and others pose with the atheist bus. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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Would the BBC's Nazi drama SS-GB have felt half so resonant a year ago?

This alternate history is freighted with meaning now we're facing the wurst-case scenario. 

Would SS-GB have felt half so resonant a year ago? Though the clever-after-the-fact Nostradamus types out there might disagree, I can’t believe that it would. When it comes to the Second World War, after all, the present has helpfully stepped in where memory is just beginning to leave off. The EU, in the process of fragmenting, is now more than ever powerless to act in the matter of rogue states, even among its own membership. In case you hadn’t noticed, Hungary, for instance, is already operating as a kind of proto-fascist state, led by Viktor Orbán, a man whom Jean-Claude Juncker, the president of the European Commission, jokingly likes to call “the dictator” – and where it goes, doubtless others will soon follow.

The series (Sundays, 9pm), adapted from Len Deighton’s novel, is set in 1941 in a Britain under Nazi occupation; Winston Churchill has been executed and the resistance is struggling to hold on to its last strongholds in the countryside. Sam Riley plays Douglas Archer, a detective at Scotland Yard, now under the control of the SS, and a character who appears in almost every scene. Riley has, for an actor, a somewhat unexpressive face, beautiful but unreadable. Here, however, his downturned mouth and impassive cheekbones are perfect: Archer, after all, operates (by which I mean, barely operates) in a world in which no one wants to give their true feelings away, whether to their landlady, their lover, or their boss, newly arrived from Himmler’s office and as Protestant as all hell (he hasn’t used the word “degenerate” yet, but he will, he will).

Archer is, of course, an ambiguous figure, neither (at present) a member of the resistance nor (we gather) a fully committed collaborator. He is – or so he tells himself – merely doing his job, biding his time until those braver or more foolhardy do something to restore the old order. Widowed, he has a small boy to bring up. Yet how long he can inhabit this dubious middle ground remains to be seen. Oskar Huth (Lars Eidinger), the new boss, is keen to finish off the resistance; the resistance, in turn, is determined to persuade Archer to join its cause.

It’s hard to find fault with the series; for the next month, I am going to look forward to Sunday nights mightily. I would, I suppose, have hoped for a slightly more charismatic actress than Kate Bosworth to play Barbara Barga, the American journalist who may or may not be involved with the British resistance. But everything else seems pretty perfect to me. London looks suitably dirty and its inhabitants’ meals suitably exiguous. Happiness is an extra egg for tea, smoking is practically a profession, and
the likes of Archer wear thick, white vests.

Swastikas adorn everything from the Palace of Westminster to Trafalgar Square, Buckingham Palace is half ruined, a memorial to what the Germans regard as Churchill’s folly, and the CGI is good enough for the sight of all these things to induce your heart to ache briefly. Nazi brutality is depicted here as almost quotidian – and doubtless it once was to some. Huth’s determination to have four new telephone lines installed in his office within the hour is at one end of this horrible ordinariness. At the other is the box in which Archer’s mutinous secretary Sylvia (Maeve Dermody) furiously stubs out her fag, full to the brim with yellow stars.

When I first heard about The Kettering Incident (Tuesdays, 12.20am; repeated Wednesdays, 10pm) I thought someone must have found out about that thing that happened one time I was driving north on the M1 with a more-than-usually terrible hangover. Turns out it’s a new Australian drama, which comes to us on Sky Atlantic. Anna (Elizabeth Debicki), a doctor working in London, pitches up back in Tasmania many years after her teenage friend Gillian disappeared into its Kettering forest, having seen a load of mysterious bright lights. Was Gillian abducted by aliens or was she, as some local people believe, murdered by Anna? To be honest, she could be working as a roadie for Kylie, for all I care. This ponderous, derivative show is what happens when a writer sacrifices character on the altar of plot. The more the plot thickens, the more jaw-achingly tedious it becomes.

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 24 February 2017 issue of the New Statesman, The world after Brexit