Friday Arts Diary

Our cultural picks for the week ahead.

Ideas

Institute of Contemporary Arts: Debate on ‘The Trouble with Counter Culture’, July 24th 6:45 pm

Using history as its guide, the debate will assess the place of counter-culture in society today; does it exist, and if so, in what form? Using empirical evidence from previous cultural movements such as the Beats and Punks, the conversation will explore the relationship between subcultures and counter-cultural movements. Invited speakers include Dan Hancox, a Guardian writer who specialises in youth culture, music and politics, and Simon Warner, whose latest book looks at the links between the US Beat writers and subsequent rock artists from Bob Dylan to Patti Smith and Kurt Cobain.

Film

Haifaa Al Mansour’s ‘Wadjda’, in cinemas nationwide

Not only is Wadjda the first film ever to have been entirely filmed within Saudi Arabia, it is also a product of the country’s first female director, Haifaa Al Mansour. Wadjda is the story of a vivacious young girl whose only desire is to ride her bike around her town with the boy who lives next door. However, the religious restrictions and societal pressures placed on women living in Saudi Arabia makes navigating this most simple of pleasures, a particularly complex task. Critics have said that while much of Wadjda is “very funny”, the picture also allows viewers to “get an acute sense of the little everyday frustrations and burdens that Saudi women have to shoulder”. Writing for the New Statesman, Steve Yates called Wadjdapowerful” and said that despite its “clear political intent…Wadjda is a very human film.”

Art

Flowers Gallery, Kingsland Road, E2: ‘Stranger – An Exhibition of Self-portraits’, 5th July – 31st August

The Stranger exhibition sheds light on the significance of self-portraiture and is testament to the artistic and aesthetic breadth of the field, given the huge variety of interpretations seen in each artist’s different approach to self-representation. Each work displays the intimate and disparate relationships the artists have with themselves and the canvas. In works that have been completed over the past year, Tom Phillips’ Doppelganger depicts a long figure accompanied by his other self, whereas Ishbel Myerscough panits her body as obscured by her young daughter, representing their unity. The freedom the topic bestows upon the artists makes for an incredibly diverse and inventive collection.

Exhibition

Somerset House: Miles Aldridge’s ‘I Only Want You To Love Me’, 10th July – 29th September

Although Aldridge is first and foremost a fashion photographer, his work has both political and social undertones, often portraying women intensely bored with their glamorous but monotonous domestic lives. Within his photographs, Aldridge saturates colour to the point of fluorescence, which contrasts heavily with the grey-blonde locks and porcelain faces of his models. This striking contrast and the models’ vacant expressions are used to portray the idea that living in stereotypical domestic bliss and committing oneself to brazen, high-fashion consumerism are not sufficient tools for achieving happiness. Every photograph in I Only Want You To Love Me is heavily constructed, precisely posed and entirely premeditated helping to further the feeling of boredom present in the women’s lives. The exhibition contains large prints of Aldridge’s photography from throughout his career as well as previously unpublished material. It also features some of the story-boards, artwork, Polaroid photos, and magazine cuttings he has used to develop his ideas. With critics calling I Only Want You to Love Me an “exhilarating adventure” and “eerily glamorous”, it is not to be missed.

Dance

The Lowry Theatre, Manchester, M50: An evening with the National Youth Dance Company and talent from the Lowry’s CAT programme, Sunday 21st July 2013 at 19:30, Tickets from £6.00.

Under a new initiative funded by the Arts Council England and the Department for Education, a cast of 30 dancers aged 16-19 perform work specially commissioned by NYDC’s Guest Artistic Director, Jasmin Vardimon, winner of the 2013 International Theatre Institute Award for Excellence in Dance. The evening promises to reflect the youthful, vibrant spirit of the dancers involved combined with Vardimon’s renowned and unique style of physical theatre.

The Trouble with Counter Culture at the ICA: Johnny Rotten of the Sex Pistols screams into a microphone.
Show Hide image

The Autumn Statement proved it – we need a real alternative to austerity, now

Theresa May’s Tories have missed their chance to rescue the British economy.

After six wasted years of failed Conservative austerity measures, Philip Hammond had the opportunity last month in the Autumn Statement to change course and put in place the economic policies that would deliver greater prosperity, and make sure it was fairly shared.

Instead, he chose to continue with cuts to public services and in-work benefits while failing to deliver the scale of investment needed to secure future prosperity. The sense of betrayal is palpable.

The headline figures are grim. An analysis by the Institute for Fiscal Studies shows that real wages will not recover their 2008 levels even after 2020. The Tories are overseeing a lost decade in earnings that is, in the words Paul Johnson, the director of the IFS, “dreadful” and unprecedented in modern British history.

Meanwhile, the Treasury’s own analysis shows the cuts falling hardest on the poorest 30 per cent of the population. The Office for Budget Responsibility has reported that it expects a £122bn worsening in the public finances over the next five years. Of this, less than half – £59bn – is due to the Tories’ shambolic handling of Brexit. Most of the rest is thanks to their mishandling of the domestic economy.

 

Time to invest

The Tories may think that those people who are “just about managing” are an electoral demographic, but for Labour they are our friends, neighbours and the people we represent. People in all walks of life needed something better from this government, but the Autumn Statement was a betrayal of the hopes that they tried to raise beforehand.

Because the Tories cut when they should have invested, we now have a fundamentally weak economy that is unprepared for the challenges of Brexit. Low investment has meant that instead of installing new machinery, or building the new infrastructure that would support productive high-wage jobs, we have an economy that is more and more dependent on low-productivity, low-paid work. Every hour worked in the US, Germany or France produces on average a third more than an hour of work here.

Labour has different priorities. We will deliver the necessary investment in infrastructure and research funding, and back it up with an industrial strategy that can sustain well-paid, secure jobs in the industries of the future such as renewables. We will fight for Britain’s continued tariff-free access to the single market. We will reverse the tax giveaways to the mega-rich and the giant companies, instead using the money to make sure the NHS and our education system are properly funded. In 2020 we will introduce a real living wage, expected to be £10 an hour, to make sure every job pays a wage you can actually live on. And we will rebuild and transform our economy so no one and no community is left behind.

 

May’s missing alternative

This week, the Bank of England governor, Mark Carney, gave an important speech in which he hit the proverbial nail on the head. He was completely right to point out that societies need to redistribute the gains from trade and technology, and to educate and empower their citizens. We are going through a lost decade of earnings growth, as Carney highlights, and the crisis of productivity will not be solved without major government investment, backed up by an industrial strategy that can deliver growth.

Labour in government is committed to tackling the challenges of rising inequality, low wage growth, and driving up Britain’s productivity growth. But it is becoming clearer each day since Theresa May became Prime Minister that she, like her predecessor, has no credible solutions to the challenges our economy faces.

 

Crisis in Italy

The Italian people have decisively rejected the changes to their constitution proposed by Prime Minister Matteo Renzi, with nearly 60 per cent voting No. The Italian economy has not grown for close to two decades. A succession of governments has attempted to introduce free-market policies, including slashing pensions and undermining rights at work, but these have had little impact.

Renzi wanted extra powers to push through more free-market reforms, but he has now resigned after encountering opposition from across the Italian political spectrum. The absence of growth has left Italian banks with €360bn of loans that are not being repaid. Usually, these debts would be written off, but Italian banks lack the reserves to be able to absorb the losses. They need outside assistance to survive.

 

Bail in or bail out

The oldest bank in the world, Monte dei Paschi di Siena, needs €5bn before the end of the year if it is to avoid collapse. Renzi had arranged a financing deal but this is now under threat. Under new EU rules, governments are not allowed to bail out banks, like in the 2008 crisis. This is intended to protect taxpayers. Instead, bank investors are supposed to take a loss through a “bail-in”.

Unusually, however, Italian bank investors are not only big financial institutions such as insurance companies, but ordinary households. One-third of all Italian bank bonds are held by households, so a bail-in would hit them hard. And should Italy’s banks fail, the danger is that investors will pull money out of banks across Europe, causing further failures. British banks have been reducing their investments in Italy, but concerned UK regulators have asked recently for details of their exposure.

John McDonnell is the shadow chancellor


John McDonnell is Labour MP for Hayes and Harlington and has been shadow chancellor since September 2015. 

This article first appeared in the 08 December 2016 issue of the New Statesman, Brexit to Trump