Modern feminists can learn a lot from Suffragette sitcom "Up the Women"

Many of the questions faced by the women's movement today are played out in Jessica Hynes' new show. In a world where feminism still viewed by many women with distrust, wariness and even alarm, there's a lot we can learn from the ladies of the Banbury Int

As longtime fans of the television series Spaced (has a sitcom before or since so hilariously conveyed twentysomething experience?), we were extremely excited about Jessica Hynes’ new venture, a comedy called Up the Women focusing on a Banbury craft group’s sudden interest in the Suffragette movement. The first two episodes of the three-parter aired on BBC4 this month, and it has already been recommissioned for BBC2, news that is unsurprising for anyone who’s seen it. Its slightly stagey feel lends itself well to the razor sharp lines and its comic characters have been well rendered, particularly that of Helen, a Lady Bracknell-esque character and the craft circle’s chair (played by Rebecca Front), who disapproves of women’s suffrage, saying "the present system works perfectly well. My husband votes for whom I tell him to vote. What could be a better system than that?"

There are certainly elements of the series which recall The Importance of Being Earnest, not only because of the costumes and characterisation but also the wit of the writing. Helen’s mother Myrtle (played by Judy Parfitt) is a red haired bohemian with a sexy past who one suspects of having been a pre-Raphaelite. She is in constant conflict with her daughter, who claims that her mother has no understanding of the domestic duties of women. "I’m sure as I lie on my deathbed, I will cast my mind’s eye over all the table arrangements I never made," she says, sarcastically. Perhaps most reminiscent, however, is the farcical nature of the plot, which, rather than focusing on the central, founding members of the Suffragette movement, instead follows a group of parochial nobodies and their attempts to come to grips which the huge social changes of the last century, with predictably mixed results.

Hynes’ character Margaret returns from London having been caught up in a Suffragette rally, and suggests that the "Banbury Intricate Craft Circle" rename itself the "Banbury Intricate Craft Circle Frankly Demands Women’s Suffrage". It is in the group’s unwillingness to cause a stir that much of the farcical humour can be found, for what use is a radical protest group which is too frightened to do anything radical? Though the youngest member of the group, Emily, is keen on direct action ("Kill the king!") she’s somewhat compromised by her romantic attachment to resident "mansplainer" Thomas, who appropriately describes himself as "a spanner in the works of your oppression".

For a comedy set in the Edwardian era, Up the Women documents some very modern problems as far as feminism is concerned. In fact, if anything the series shows how these problems can be seen to have stemmed from the very outset of the movement and have endured. Simply becoming a cohesive group with shared aims is difficult enough, without the scaremongering that tyrant Helen uses to dissuade the others from joining and undermine enthusiast Margaret’s attempts at leadership. Helen demands to know whether Margaret’s husband is aware of her new feminist principles and that she is "cavorting with skirted anarchists" (he doesn’t as "he’s been very melancholic since Nietzsche’s death") and terrifies mother-of-fourteen Eva into joining her counter-movement by asking her to imagine her children orphaned and in the workhouse. This shitty kind of manipulation – the placing of equal rights in stark opposition to traditional female roles, such as motherhood – endures in the right-wing media today.

We see the Banbury Intricate Craft Group (Politely Demands Women’s Suffrage) face all this in the first two episodes, as well as some well-worn questions (Do we let men join? Should we change our tactics? What is an acceptable euphemism for vagina? Can’t somebody just DO something?) Up the Women is timely considering how we are seeing a new generation of feminists who don’t take themselves too seriously and seem more capable than their predecessors of laughing at themselves (though there’s still a long way to go, frankly), and it’s refreshing to see some well-written female-led comedy on prime-time telly. Though Up The Women draws on the past, it’s not so rooted in history and theory that it becomes alienating – a technique the feminist movement would do well to learn from. But perhaps most importantly this new comedy mirrors feminism’s reception in the outside world, where it is still viewed by many women with distrust, wariness and even alarm, and the idea that it is not something that women need persists. Just as the members of the craft group are unsure as to whether they need the Suffragettes at all, many women today remain unconvinced of feminism’s relevance to their lives, and those ensconced within their liberal bubbles would do well to remember that. 

Rebecca Front and Jessica Hynes in "Up the Women". Photograph: BBC

Rhiannon Lucy Cosslett and Holly Baxter are co-founders and editors of online magazine, The Vagenda.

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Who will win the Copeland by-election?

Labour face a tricky task in holding onto the seat. 

What’s the Copeland by-election about? That’s the question that will decide who wins it.

The Conservatives want it to be about the nuclear industry, which is the seat’s biggest employer, and Jeremy Corbyn’s long history of opposition to nuclear power.

Labour want it to be about the difficulties of the NHS in Cumbria in general and the future of West Cumberland Hospital in particular.

Who’s winning? Neither party is confident of victory but both sides think it will be close. That Theresa May has visited is a sign of the confidence in Conservative headquarters that, win or lose, Labour will not increase its majority from the six-point lead it held over the Conservatives in May 2015. (It’s always more instructive to talk about vote share rather than raw numbers, in by-elections in particular.)

But her visit may have been counterproductive. Yes, she is the most popular politician in Britain according to all the polls, but in visiting she has added fuel to the fire of Labour’s message that the Conservatives are keeping an anxious eye on the outcome.

Labour strategists feared that “the oxygen” would come out of the campaign if May used her visit to offer a guarantee about West Cumberland Hospital. Instead, she refused to answer, merely hyping up the issue further.

The party is nervous that opposition to Corbyn is going to supress turnout among their voters, but on the Conservative side, there is considerable irritation that May’s visit has made their task harder, too.

Voters know the difference between a by-election and a general election and my hunch is that people will get they can have a free hit on the health question without risking the future of the nuclear factory. That Corbyn has U-Turned on nuclear power only helps.

I said last week that if I knew what the local paper would look like between now and then I would be able to call the outcome. Today the West Cumbria News & Star leads with Downing Street’s refusal to answer questions about West Cumberland Hospital. All the signs favour Labour. 

Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to British politics.