Friday Arts Diary

Our cultural picks for the week ahead.

Film

Joss Whedon’s Much Ado About Nothing, cinemas nationwide, 14th June

Whedon had a 12 day break after filming The Avengers, so what did he decide to do? Make a feature-length film of course! Filmed in black and white, Much Ado About Nothing unites the original Shakespearean language (spoken in American accents) with the modern day. Surprisingly, it has earned a reputation with critics as “the must-see film of the summer so far”, with one critic saying that “it ought not to work, but it does”. The film is released nationwide today.

Exhibition

Sky Arts Ignition: Memory Palace, V & A, 18th June- 20th October

Presented as a walk-in story at the Victoria and Albert Museum, Memory Palace brings a new fiction book by the author Hari Kunzru to life. It is visualised through a set of 20 commissions from a range of people including internationally renowned illustrators, graphic designers and typographers.  The exhibition opens on Tuesday and is open until Sunday 20th October.

Concert

Pet Shop Boys, The O2, 18th June

The internationally acclaimed Pet Shop Boys bring their Electric tour to London on Tuesday. This tour highlights the duo’s electronic music and style, but they will perform songs from across their entire career, up to and beyond their current album "Elysium", which has been received with much critical approbation.

TV

The White Queen, BBC 1, premieres 16th June

This 10-part remake of acclaimed author Phillipa Gregory’s series The Cousins’ War premieres on Sunday. It is set in 1664, around the time of the Wars of the Roses, in what has become a turbulent part of British history. Filmed in Bruges, the series tells the story of a woman by the name of Elizabeth Woodville, who was relatively unkown until Gregory brought her into the public eye. Following the success of the dramatisation of her novel The Other Boleyn Girl, fans and critics alike await The White Queen with much anticipation.

Festival

Meltdown Future Sounds 1: Baltic Fleet, The Clore Ballroom at Royal Festival Hall, 16th June 6:00pm

As part of the Festival of Neighbourhood and Meltdown at the South Bank centre, marking  Yoko Ono's long-standing support of young and emerging artists, Baltic Fleet will be making their first of two appearances tonight at 6pm. Baltic Fleet are described by Time Out as being “Modern post-punkish sombre pop that's both melodic and kraut-rocking', and they are the winners of the 2013 GIT Award. Entry is free for this event.

 

Joss Whedon's take on Shakespeare's "Much Ado" is a surprise hit with critics. Photograph: fastcocreate.com
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Inside Syria's unending siege, civilians, not soldiers, are the victims

In Aleppo, civilian strife is just another tool of war.

Maria is a young mother who lives in Aleppo. She missed her opportunity to flee when the Syrian-Turkish border was closed to all but the seriously injured in early 2015. With her two children – Fadi, aged five, and Sama, aged nine – she stayed in the city.

Maria’s husband was killed by a barrel bomb that fell on their neighbourhood in 2014. After that, she took the children and moved in with her husband’s family. Her married brother-in-law asked her to be his second wife. She accepted the offer for the sake of security. This year he, too, was killed when a bomb fell on his shop.

Speaking to her on Skype, I referred to Aleppo as a city under siege and she quickly corrected me. “The city is not under siege,” she said. “We are human beings under siege.” Maria clearly felt offended by my words. She moved the conversation on to the images of a young Syrian boy, sitting in an ambulance, which have appeared on newspaper front pages around the world – a symbol of the human suffering in Aleppo. “What can I say? His silence and shock reflected all the pain of Syrians.”

Tearfully, she described her living conditions. “There are two widows, with three children, who live all together with our old mother-in-law. The good people around us try to give us food and clothing.”

She added: “Before, I used to cook a big meal for me and my family-in-law every day. My late husband was well off.” The children don’t go to school but they get some lessons at home – Maria used to work as an Arabic language teacher at a high school in the city.

The household’s other widow, Safaa, joined our conversation. “Since the first day of Eid ul-Fitr [the festival that marks the end of Ramadan, this year on 6 July], the siege began in Aleppo. There was no food or water. Children cried and could not sleep because of hunger.”

Safaa made food from pulses that she had managed to save, particularly lentils. As the area around the city is rich in olives and well known for producing za’atar herbs, the extended family depended on reserves of these for nutrition. “Al-za’atar al-akhdar [a dish of the herb, olive oil and a few other basic ingredients] has saved the reputation of Aleppo and its people,” Safaa joked, and both women laughed.

Then, suddenly, the Skype connection was lost and they both disappeared.

Another Aleppo native to whom I spoke, Ayham, described his desperation as he finished his engineering degree before fleeing Syria. “I am my mother’s only son, so I didn’t want to do military service, and I left, as I felt so insecure,” he told me. He had been living in Shahbaa, a neighbourhood controlled by Bashar al-Assad’s regime, while completing one application after another to study abroad. Eventually he was successful and he has now made it to a university in Europe.

Ayham’s parents were pushing him to leave because they knew that he was part of an underground anti-Assad protest movement. “There are two Aleppos,” he explained. “One is free and the other is controlled by Assad’s regime. Both are very unsafe . . . Living hungry was easier than living under threat.”

There are roughly two million people in the city, most of them women and children. Since the second day of the siege, there have been no fruit or vegetables available and only a few bakeries are producing bread. Compounding the starvation, the bombing has been intense, hitting hospitals, ambulances, blood banks and the Syrian Civil Defence base. Assad’s regime is targeting vital resources for civilians.
Even after rebel forces, in co-operation with the Islamist faction Jaish al-Fateh, managed partly to break the siege and open a new road into the south of the city through the Ramoussa area, they could not bring in enough food. The little that made it inside immediately sent prices soaring. Civilians could not use this road to escape – jets were targeting the routes in and out.

The eastern areas of Aleppo, which are still under the opposition’s control, are also still without aid, because of how risky it is to get there. All the talk coming out of the city today is about decisive battles between Assad’s forces and the rebels in the southern quarters. Civilians put the recent air strikes down to these conflicts – it has long been believed that when the regime loses ground, it intensifies its bombing as revenge, and to send a message to those who continue to resist.

People in Aleppo and the north-eastern territories of Syria are suffering and dying. They have no other choice. It seems that both Isis and the Assad regime are trying as hard as they can to destroy Syrian civilians, whether through direct attacks or by gradual starvation.

There is little information available, as both sides attempt to prevent the media from documenting life under siege. Isis accuses journalists of being agents of Assad, while the regime portrays reporters as terrorists. Pro-Assad social media accounts have alleged that Mahmoud Raslan, who took the footage of the boy in the ambulance, has links with terrorism. The same channels have yet to say much about Raslan’s subject – Omran Daqneesh, the five-year-old whom he showed, bloodied and stunned, after the boy was pulled from the rubble caused by multiple air strikes. Omran’s ten-year-old brother, Ali, has since died from injuries sustained in another attack.

After four hours, I heard back from Maria. She apologised for losing the connection and asked me not to worry about her. “All of us are fine. We did not die yet,” she said. Her daughter, Sama, has not been to school since last year, she told me, and now studies only Arabic poetry. They have no books, so she depends on the verses that Maria knows by heart. Sama misses her school and her friends, and though she remembers their faces she has forgotten their names.

Maria has made a doll for her out of scraps of fabric and they call it Salwa. Together, they sing Syrian folk songs for the doll, in particular one that goes: “Hey Salwa, why are you crying? I need a friend.” Maria is resigned. As she says, “We are back in the Stone Age.” 

K S is a Syrian journalist, based in Sweden since 2014

This article first appeared in the 25 August 2016 issue of the New Statesman, Cameron: the legacy of a loser