Away the Crow Road

Remembering Iain Banks, an intensely political writer.

The title of Iain Banks’s 1992 novel The Crow Road comes from a Glasgow expression: its hero tries to work out if his uncle Rory has merely vanished temporarily, or if he has gone “away the Crow Road”. It is a book preoccupied with death right from its showstopping first line: “It was the day my grandmother exploded.” (They forgot to remove her pacemaker before cremating her.) It is also, for my money, the best of Banks’s novels: warm, funny, dark and intoxicatingly imaginative.

Like many of the best sciencefiction writers, Banks – who died on 9 June from gall bladder cancer at the age of 59 – was intensely political. Unlike many of his peers, however, he dared to imagine utopias as well as dystopias. In his “Culture” series, he imagined a universe of superabundance, patrolled by infinitely wise artificial intelligences. There were no laws, no money and no death, unless you were tired of life. The recurrent question was: how would such a liberal, socialist society respond when it encountered others that didn’t share its values?

In Banks’s vision, the Culture developed a special taskforce to carry out “secular evangelism”, benignly meddling in the affairs of other, less evolved civilisations. The highbrow citizens of the Culture never had to get their hands dirty.

In real life, sadly, intervening in another society is neither that simple nor that innately benevolent. In 2004, Banks tore up his passport and sent it to Tony Blair to protest against the Iraq war (handily, this also allowed him to get out of foreign book tours). It was the culmination of three years of politicisation; unfortunately, this did not make for better art. Dead Air (2002) seems desperate to say something about 9/11 but never manages it; then it took Banks an unprecedented five years before his next book, The Steep Approach to Garbadale, which is marred by a multi-page slab of diatribe from the protagonist along these lines: “The US is a great country full of great people . . . It’s just their propensity as a whole for electing idiots and then conducting a foreign policy of the utmost depravity that I object to.” It carries on in this vein for several pages, and although it might have made a bearable newspaper op-ed, it doesn’t really belong in a novel about a family that invented a board game.

So, what will remain of Iain Banks? His science fiction, undoubtedly, for its scope and humour. And his three best literary works: The Bridge (1986), a multi-stranded hallucinatory narrative; Walking on Glass (1985), which is – and I use the technical literary term here – bonkers, albeit in a good way; and my own favourite, The Crow Road. This last book showed that even when Banks wasn’t in fantastical mode, telling a story set among spaceships or never-ending bridges, even when he was writing about the mundane, he could still make his subject feel magical.

Iain Banks.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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SRSLY #99: GLOW / FANtasies / Search Party

On the pop culture podcast this week: the Netflix wrestling comedy GLOW, a new fanfiction-based web series called FANtasies and the millennial crime drama Search Party.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

. . .or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

GLOW

The show on Netflix.

Two interesting reviews: New York Times and Little White Lies.

Screen Rant on the real life wrestling connections.

FANtasies

The show on Fullscreen.

Amanda Hess’s NYT column about it.

Search Party

The show on All4.

For next time:

We are watching Happy Valley.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #98, check it out here.

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