Asunder by Chloe Aridjis: More interested in being than becoming

Asunder communicates its ideas, and their supporting cultural references, subtly and efficiently.

The second novel by London-based author Chloe Aridjis, Asunder appears on its surface to be about quiet contemplation, and how far it is possible to abstract oneself from the dramas and traumas of social interaction. Claiming not to suffer from listlessness or boredom, protagonist Marie has sought out a job (but not a career) as a museum guard at the National Gallery, working there as "I have always been more interested in being than becoming", killing time by trying to guess how long remains before closing without looking at her watch, or ruminating upon the gradual process of paint cracking.

After nine uneventful years, Marie becomes restless. The sad, quiet death of a 68-year-old colleague, felled by a heart attack at work, jolts her into realising that life is slowly slipping away from her. Her friendship with poet Daniel, fired from the Gallery for noisily pacing around, encourages her to think about his unrequited loves and her own brief liaisons "that didn’t threaten the peace", but when he offers to take her to Paris, she struggles with the potential short-term change to her routine, deliberating for days before taking the trip which irrevocably alters her carefully contained world.

"Painters create order from disorder, but the moment that order has been created, the slow march towards disorder begins again", reflects Marie, and her greatest fear, it seems, is of encounters that will change her situation in any way. Like her, Daniel keeps people at a distance, writing to other poets across the world, preferring not to meet them as this always leads to the correspondence shrivelling; Marie wrote to a prisoner who later escaped from Belmarsh, the realisation that he had her address leading her to panic that he would enter her life in a ruinous fashion (as in Robert Hamer’s It Always Rains on Sunday, about a Bethnal Green housewife whose life is torn apart by this very occurrence). This does not happen, and Marie wonders what became of her penfriend: finally, in Paris, she reaches the uncharacteristic yet inevitable point where she spontaneously breaks out of herself and struggles to connect with an inscrutable stranger.

At its core, Asunder is about time: how slowly it passes, the futility of trying to fight its effects, and generational changes in people and ideas. Besides her memories of vanished shops and her knowledge of different approaches to the restoration of art, Marie often thinks about the history of violence against the suffragettes, as well as her great-grandfather Ted, and the most significant moment of his life as a National Gallery guard, in 1914, when he slipped in trying to catch Mary Richardson, granting her vital seconds to slash Velazquez’s Rokeby Venus in protest against Emmeline Pankhurst’s imprisonment. As a child, Marie heard this story countless times, aware that she was supposed to see Richardson as a criminal but sympathising with her cause, touchingly confessing that "I loved [Ted] just a tiny bit more for not reaching her in time".

Asunder communicates its ideas, and their supporting cultural references, subtly and efficiently. Aridjis is particularly strong on the nature of travel, in London and in general. Her prose is full of deft imagery – such as the way the women "comb the city from [their] hair" on changing into their Gallery uniform – and the moment where Marie becomes aware that she has become "captive to that irrational behaviour in foreign cities when you feel everyone is watching when in reality not a soul has noticed your existence" is especially touching.

The influence of nouveau roman authors such as Marguerite Duras and Nathalie Sarraute, and British counterparts Ann Quin and Christine-Brooke-Rose can be felt in the rarefied focus on the narrator’s interior world, her corresponding observations of the mundane realities of so much human behaviour, and the way in which her narrative slowly builds towards a climax that changes her life without feeling life-changing. As a reminder that life will pass you by if you choose to experience it passively, however, Asunder is far more powerful than it immediately seems.

Protagonist Marie takes a job as a museum guard at the National Gallery. Photograph: Getty Images.

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

Show Hide image

Does the UK care enough about climate change to admit it is part of the problem?

The government’s energy policies make can make it hard to decipher its commitment to emissions reduction.

“People tell me it’s ridiculous to be flying for a climate change project but you have to get real with it, I mean I can’t cycle across the Southern ocean,” says Daniel Price, an environmental scientist from London. As founder of Pole-to-Paris, Price is about to complete a 17,000km bike ride from the Antarctic to the Arc de Triomphe.

Price came up with the idea in an effort to raise public awareness of COP21, the UN Climate Change Conference taking place in Paris next week. During the trip he’s faced a succession of set-backs: from the discovery that boats were prohibitively expensive, to diplomatic tensions scuppering his Russian visa plans. Yet the darkest moments were when he became overwhelmed by the magnitude of his own mission. “There were difficult times when I just thought, ‘What is the point of this’?” he says. “Cycling round the world is nowhere near enough to engage people.” 

As world leaders descend on Paris, many questions remain unanswered. Not least how much support developing nations will receive in tackling the effects of climate change. New research commissioned by Oxfam claims that such costs could rise to £1.7tn a year by 2050. But with cuts kicking in at home, the need to deliver “climate justice” abroad feels like a bigger ask than ever.

So does Britain really care enough about climate change to accept its full part in this burden? The government’s energy policies make can make it hard to decipher its commitment to emissions reduction. In September, however, it did pledge £5.8bn from the foreign aid fund to helping poorer nations combat climate change (twice that promised by China and the United States). And there’s evidence to suggest that we, as a public, may also care more than we think.

In America attitudes are much darker; in the dismissive words of Donald Trump “It’s called the weather”. Not least since, as a recent study proves, over the last twenty years corporations have systematically spread scepticism about the science. “The contrarian efforts have been so effective," says the author Justin Farrell, a Yale sociologist, "that they have made it difficult for ordinary Americans to even know who to trust.” 

And what about in China, the earth's biggest polluter? Single-party rule and the resulting lack of public discussion would seem to be favouring action on the environment. The government has recently promised to reach "peak" emissions by 2030, to quadruple solar installations, and to commit $3.1bn to help low-income countries adapt to the changing world. Christiana Figueres, the UN’s chief climate official, has even lauded the country for taking “undisputed leadership” on climate change mitigation.

Yet this surge of policy could mask the most troubling reality of all: that, when it comes to climate change, the Chinese are the least concerned citizenship in the world. Only 18 per cent of Chinese see the issue as a very serious problem, down 23 percentage points from five years ago, and 36 points behind the global median.

A new study by political economist Dr Alex Lo has concluded that the country’s reduced political debate could be to blame for the lack of concern. “In China popular environmentalism is biased towards immediate environmental threats”, such as desertification and pollution, Lo writes, “giving little impetus to a morally driven climate change movement”.

For the international community, all is well and good as long as the Chinese government continues along its current trajectory. But without an engaged public to hold it to account there’s always a chance its promises may fade into thin air.

So perhaps the UK’s tendency to moan about how hard it is to care about the (seemingly) remote impacts of climate change isn’t all bad. At least we know it is something worth moaning about. And perhaps we care more than we let on to each other.

Statistics published this summer by the Department of Energy and Climate Change reveal that three quarters of the British public support subsidies for renewable energy, despite only 10 per cent thinking that the figure is that high. “Even if the public think the consensus is not there, there are encouraging signs that it is,” says Liz Callegari, Head of Campaigns at WWF. “Concern for climate change is growing.”

As Price puts it, “You can think of climate change as this kind of marathon effort that we have to address and in Paris we just have to get people walking across the start line together”. Maybe then we will all be ready to run.

India Bourke is the New Statesman's editorial assistant.