Reviewed: The Serpent’s Promise: the Bible Retold as Science by Steve Jones

Creation myths.

The Serpent’s Promise: the Bible Retold as Science
Steve Jones
Little, Brown, 448pp, £25

The Bible shows little curiosity about subjects we normally place under the rubric of science, such as the origin, age, structure and diversity of the physical world. Aside from a stray verse in 1 Kings 4 that boasts of King Solomon’s wisdom (“He spoke about plant life . . . He also spoke about animals and birds, reptiles and fish”), the only time the good book seems to ask proto-scientific questions is in moments of poetry, dialogue or aphorism, such as in Proverbs or at the end of Job.

Because of this, a book that hopes to retell the Bible as science promises to be pretty thin gruel. The biologist Steve Jones’s latest book, on “the Bible retold as science”, isn’t thin but it is something of a curate’s egg. Jones is an unbeliever with a healthy contempt for religion. He protests that he wishes to avoid New Atheist vituperation, but when he does write about Christianity his attitudes are clear.

The Bible was not, as he claims, “a handbook to help comprehend the world”. Genesis is not “the world’s first biology textbook”. To criticise the opening line of Psalm 19 (“The heavens declare the glory of the Lord”) for “empty logic” is a strangely wooden way of reading poetry. The scroll that hints that Jesus was married to Mary Magdalene is not “early”.

Jones sees religion as something invented by priests to keep themselves in power and the plebs in order. He explains how sorrow binds people together and then remarks that the Church has not been slow to notice this, with “grief and recovery . . . at the heart of the Christian message”, in the process revealing not only an impressive level of cynicism but also the bizarre idea that the Church somehow invented Good Friday and Easter Sunday as means of group therapy.

Were this all there was to The Serpent’s Promise, it wouldn’t be worth bothering with. Thankfully, it isn’t. The book’s guilty secret is that the Bible angle is really not much more than a marketing ploy, a hook on which Jones can hang some very engaging scientific discussions. He clearly knows this, since he notes that the Bible “has much more interest in the universe of the spirit than in the banalities of the physical world”. However, the mask is not allowed to slip entirely presumably because books about how science disproves, replaces or retells religion sell more than books about science alone.

Nevertheless, it is the science book hung on the odd verse from the Bible that is worth reading. Jones uses various biblical stories – a disproportionate number of them from Genesis – to discuss the origins of the universe, the origins of life, human evolution, the meaning of sex, the complex and unpredictable interactions of nature and nurture, life expectancy, floods, the development of language, and so on. Here, Jones is on home territory and he writes with the fluency and wit that make him one of our best science popularisers.

The book ends with a rousing prophecy about how, when the “shackles” of religion “are at last struck from [our] wrists”, we will be free “to form a single community united by an objective and unambiguous culture whose logic, language and practices are permanent and universal . . . science.” Mercifully, such rhetoric is rare today, being more suited to an age before nerve gas and nuclear weaponry. It is also rare in this largely entertaining and informative book, which reminds us that when scientists write about science, they are often readable and sometimes riveting – and when they don’t, they aren’t.

Nick Spencer is research director of Theos

The Bible was not “a handbook to help comprehend the world”. Genesis is not “the world’s first biology textbook”. Photograph: Getty Images.

Nick Spencer is director of studies at the think-tank Theos. His book Freedom and Order: History, Politics and the English Bible is published by Hodder & Stoughton

This article first appeared in the 13 May 2013 issue of the New Statesman, Eton Mess

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How Donald Trump is slouching towards the Republican nomination

There was supposed to be a ceiling above which Trump’s popular support could not climb.

In America, you can judge a crowd by its merchandise. Outside the Connecticut Convention Centre in Hartford, frail old men and brawny moms are selling “your Trump 45 football jerseys”, “your hats”, “your campaign buttons”. But the hottest item is a T-shirt bearing the slogan “Hillary sucks . . . but not like Monica!” and, on the back: “Trump that bitch!” Inside, beyond the checkpoint manned by the Transportation Security Administration and the secret service (“Good!” the man next to me says, when he sees the agents), is a family whose three kids, two of them girls, are wearing the Monica shirt.

Other people are content with the shirts they arrived in (“Waterboarding – baptising terrorists with freedom” and “If you don’t BLEED red, white and blue, take your bitch ass home!”). There are 80 chairs penned off for the elderly but everyone else is standing: guys in motorcycle and military gear, their arms folded; aspiring deal-makers, suited, on cellphones; giggling high-school fatsos, dressed fresh from the couch, grabbing M&M’s and Doritos from the movie-theatre-style concession stands. So many baseball hats; deep, bellicose chants of “Build the wall!” and “USA!”. (And, to the same rhythm, “Don-ald J!”)

A grizzled man in camouflage pants and combat boots, whose T-shirt – “Connecticut Militia III%” – confirms him as a member of the “patriot” movement, is talking to a zealous young girl in a short skirt, who came in dancing to “Uptown Girl”.

“Yeah, we were there for Operation American Spring,” he says. “Louis Farrakhan’s rally of hate . . .”

“And you’re a veteran?” she asks. “Thank you so much!”

Three hours will pass. A retired US marine will take the rostrum to growl, “God bless America – hoo-rah!”; “Uptown Girl” will play many more times (much like his speeches, Donald J’s playlist consists of a few items, repeated endlessly), before Trump finally looms in and asks the crowd: “Is this the greatest place on Earth?”

There was supposed to be a ceiling above which Trump’s popular support could not climb. Only a minority within a minority of Americans, it was assumed, could possibly be stupid enough to think a Trump presidency was a good idea. He won New Hampshire and South Carolina with over 30 per cent of the Republican vote, then took almost 46 per cent in Nevada. When he cleaned up on Super Tuesday in March, he was just shy of 50 per cent in Massachusetts; a week later, he took 47 per cent of the votes in Mississippi.

His rivals, who are useless individually, were meant to co-operate with each other and the national party to deny him the nomination. But Trump won four out of the five key states being contested on “Super-Duper Tuesday” on 15 March. Then, as talk turned to persuading and co-opting his delegates behind the scenes, Trump won New York with 60 per cent.

Now, the campaign is trying to present Trump as more “presidential”. According to his new manager, Paul Manafort, this requires him to appear in “more formal settings” – without, of course, diluting “the unique magic of Trump”. But whether or not he can resist denouncing the GOP and the “corrupt” primary system, and alluding to violence if he is baulked at at the convention, the new Trump will be much the same as the old.

Back in Hartford: “The Republicans wanna play cute with us, right? If I don’t make it, you’re gonna have millions of people that don’t vote for a Republican. They’re not gonna vote at all,” says Trump. “Hopefully that’s all, OK? Hopefully that’s all, but they’re very, very angry.”

This anger, which can supposedly be turned on anyone who gets in the way, has mainly been vented, so far, on the protesters who disrupt Trump’s rallies. “We’re not gonna be the dummies that lose all of our jobs now. We’re gonna be the smart ones. Oh, do you have one over there? There’s one of the dummies . . .”

There is a frenzied fluttering of Trump placards, off to his right. “Get ’em out! . . . Don’t hurt ’em – see how nice I am? . . . They really impede freedom of speech and it’s a disgrace. But the good news is, folks, it won’t be long. We’re just not taking it and it won’t be long.”

It is their removal by police, at Trump’s ostentatious behest, that causes the disruption, rather than the scarcely audible protesters. He seems to realise this, suddenly: “We should just let ’em . . . I’ll talk right over them, there’s no problem!” But it’s impossible to leave the protesters where they are, because it would not be safe. His crowd is too vicious.

Exit Trump, after exactly half an hour, inclusive of the many interruptions. His people seem uplifted but, out on the street, they are ambushed by a large counter-demonstration, with a booming drum and warlike banners and standards (“Black Lives Matter”; an image of the Virgin of Guadalupe, holding aloft Trump’s severed head). Here is the rest of the world, the real American world: young people, beautiful people, more female than male, every shade of skin colour. “F*** Donald Trump!” they chant.

After a horrified split-second, the Trump crowd, massively more numerous, rallies with “USA!” and – perplexingly, since one of the main themes of the speech it has just heard was the lack of jobs in Connecticut – “Get a job!” The two sides then mingle, unobstructed by police. Slanging matches break out that seem in every instance to humiliate the Trump supporter. “Go to college!” one demands. “Man, I am in college, I’m doin’ lovely!”

There is no violence, only this: some black boys are dancing, with liquid moves, to the sound of the drum. Four young Trump guys counter by stripping to their waists and jouncing around madly, their skin greenish-yellow under the street lights, screaming about the building of the wall. There was no alcohol inside; they’re drunk on whatever it is – the elixir of fascism, the unique magic of Trump. It’s a hyper but not at all happy drunk.

As with every other moment of the Trump campaign so far, it would have been merely some grade of the cringeworthy – the embarrassing, the revolting, the pitiful – were Trump not slouching closer and closer, with each of these moments, to his nomination. 

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism