Reviewed: Harry’s Games: Inside the Mind of Harry Redknapp by John Crace

Win or lose, on the booze.

Harry’s Games: Inside the Mind of Harry Redknapp
John Crace
Constable, 256pp, £18.99

It was the morning after the night before. Tottenham Hotspur had experienced one of their rare and glorious Champions League triumphs, back in 2010, and I was walking to work along Ludgate Hill. The traffic had stopped and I noticed a couple of men waving frantically at a fat jeep waiting at the lights. The driver, it turned out, was Harry Redknapp and the opportunity was too rich to miss. I joined the well-wishers, and when my turn came inevitably panicked and gave the Spurs manager a cheery thumbs up.

A thumbs up! Not that Harry minded. He was waving and grinning and soaking up the good will and backslapping as though there was nowhere he would rather be than stuck in traffic being accosted by over-enthusiastic fans. As John Crace says in his new book about the jowly manager, there is something about Redknapp “that makes you feel as if you know him when you don’t; he has genuine charisma”. Most public figures shirk from encounters with the man (or woman) on the street, whereas “Redknapp gives the impression he enjoys it”.

I can’t call him Redknapp. No one can. He’s Harry (or, to be precise, ’Arry). He’s your friend, one of the boys, a wisecracking avuncular stalwart who you’d have a pint with after the game. Crace says he talks as if he knows you, “as if you’re an old mate with whom he’s sharing a confidence”. You get that feeling just watching him on television, in a post-match interview, when he ribs the journalist and almost winks at the camera. Perhaps my favourite Harry moment was after Spurs beat Man City a couple of years ago to qualify for the Champions League. In the middle of giving an interview to Sky, he starts to cower against the wall, having spotted off-camera a group of players brandishing an ice bucket, which they promptly empty over his head, on camera. Harry takes off his sodden jacket and wipes the rivulets of liquid off his head, smiling all the while. You can’t imagine Alex Ferguson reacting in quite the same way.

Crace shares the love he describes others having for Harry. His book is the work of a football fan: that devoted, tortured breed. I can’t claim to be a true fan – the game doesn’t make me feel pain or joy to that wonderful, ludicrous degree – but I’m married to one (also, like Crace and me, saddled with Spurs). There is something particularly agonised about the Spurs fan, the constant sense of near-greatness, then abject hopelessness; the annual tailing off. Spurs, if you’re not familiar, are grade-one bottlers. All this simply means that Redknapp, as a former Spurs manager, isn’t a straightforward subject for Crace, and Harry’s Game is no hagiography.

Crace’s object is to delve beneath that chirpy East End front, to discover the contradictions in the son of a docker who’d risen to great fortune. He does this not by talking to Redknapp himself but gathering evidence from those around him – the local Portsmouth reporters who followed his every move when he was manager of the club, old team-mates from his playing career, a writer who used to ghost a column for him. No one still close to Redknapp will speak on the record, so much of the book is a collage of sorts, pieced together from old interviews, recollections and quotes from Redknapp’s 1999 biography (in which, wonderfully, there’s chapter called “Win or Lose – on the Booze”, remembering his exuberant playing days at West Ham).

At times the book can feel like the result of someone trying to get dressed in the dark: a cobbled together collection of information from a mass of sources and voices. But it works: Crace succeeds in dismantling the facade of the kind of Olympic-level charmer, who even when in court for tax evasion can seduce a crowd (“this man could put a glass eye to sleep,” said Redknapp of the prosecuting QC). Detail by detail you realise that Harry is more complicated than he seems – he never really wanted to go into management and yet has been one of the most enduring managers in the Premier League; he just wants to be liked and yet has shown remarkable disloyalty to both colleagues and players over the years; he’s brilliant at signing players but bad at keeping them, or, as Crace puts it, “he doesn’t have a nose for stability”. The one consistent message of the book is his devotion to his family and his dogs (the famous Rosie, who lent her name to his suspicious Monaco bank account: “you would be a lucky man to have a wife as lovely as Rosie”).

Now Redknapp’s star has fallen somewhat. QPR, his latest club, has just been relegated and those heady days when he appeared to be a shoe-in for the England manager’s job seem remote. But, as Crace concludes, he’s still going, still managing, still Harry. “Only fans and romantics think that football is all about the glory”, he writes. “It isn’t – it is about survival”.

Rosie future: Redknapp looks on as QPR play Wigan. Photograph: Getty Images.

Sophie Elmhirst is features editor of the New Statesman

This article first appeared in the 13 May 2013 issue of the New Statesman, Eton Mess

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What it’s like to fall victim to the Mail Online’s aggregation machine

I recently travelled to Iraq at my own expense to write a piece about war graves. Within five hours of the story's publication by the Times, huge chunks of it appeared on Mail Online – under someone else's byline.

I recently returned from a trip to Iraq, and wrote an article for the Times on the desecration of Commonwealth war cemeteries in the southern cities of Amara and Basra. It appeared in Monday’s paper, and began:

“‘Their name liveth for evermore’, the engraving reads, but the words ring hollow. The stone on which they appear lies shattered in a foreign field that should forever be England, but patently is anything but.”

By 6am, less than five hours after the Times put it online, a remarkably similar story had appeared on Mail Online, the world’s biggest and most successful English-language website with 200 million unique visitors a month.

It began: “Despite being etched with the immortal line: ‘Their name liveth for evermore’, the truth could not be further from the sentiment for the memorials in the Commonwealth War Cemetery in Amara.”

The article ran under the byline of someone called Euan McLelland, who describes himself on his personal website as a “driven, proactive and reliable multi-media reporter”. Alas, he was not driven or proactive enough to visit Iraq himself. His story was lifted straight from mine – every fact, every quote, every observation, the only significant difference being the introduction of a few errors and some lyrical flights of fancy. McLelland’s journalistic research extended to discovering the name of a Victoria Cross winner buried in one of the cemeteries – then getting it wrong.

Within the trade, lifting quotes and other material without proper acknowledgement is called plagiarism. In the wider world it is called theft. As a freelance, I had financed my trip to Iraq (though I should eventually recoup my expenses of nearly £1,000). I had arranged a guide and transport. I had expended considerable time and energy on the travel and research, and had taken the risk of visiting a notoriously unstable country. Yet McLelland had seen fit not only to filch my work but put his name on it. In doing so, he also precluded the possibility of me selling the story to any other publication.

I’m being unfair, of course. McLelland is merely a lackey. His job is to repackage and regurgitate. He has no time to do what proper journalists do – investigate, find things out, speak to real people, check facts. As the astute media blog SubScribe pointed out, on the same day that he “exposed” the state of Iraq’s cemeteries McLelland also wrote stories about the junior doctors’ strike, British special forces fighting Isis in Iraq, a policeman’s killer enjoying supervised outings from prison, methods of teaching children to read, the development of odourless garlic, a book by Lee Rigby’s mother serialised in the rival Mirror, and Michael Gove’s warning of an immigration free-for-all if Britain brexits. That’s some workload.

Last year James King published a damning insider’s account of working at Mail Online for the website Gawker. “I saw basic journalism standards and ethics casually and routinely ignored. I saw other publications’ work lifted wholesale. I watched editors...publish information they knew to be inaccurate,” he wrote. “The Mail’s editorial model depends on little more than dishonesty, theft of copyrighted material, and sensationalism so absurd that it crosses into fabrication.”

Mail Online strenuously denied the charges, but there is plenty of evidence to support them. In 2014, for example, it was famously forced to apologise to George Clooney for publishing what the actor described as a bogus, baseless and “premeditated lie” about his future mother-in-law opposing his marriage to Amal Alamuddin.

That same year it had to pay a “sizeable amount” to a freelance journalist named Jonathan Krohn for stealing his exclusive account in the Sunday Telegraph of being besieged with the Yazidis on northern Iraq’s Mount Sinjar by Islamic State fighters. It had to compensate another freelance, Ali Kefford, for ripping off her exclusive interview for the Mirror with Sarah West, the first female commander of a Navy warship.

Incensed by the theft of my own story, I emailed Martin Clarke, publisher of Mail Online, attaching an invoice for several hundred pounds. I heard nothing, so emailed McLelland to ask if he intended to pay me for using my work. Again I heard nothing, so I posted both emails on Facebook and Twitter.

I was astonished by the support I received, especially from my fellow journalists, some of them household names, including several victims of Mail Online themselves. They clearly loathed the website and the way it tarnishes and debases their profession. “Keep pestering and shaming them till you get a response,” one urged me. Take legal action, others exhorted me. “Could a groundswell from working journalists develop into a concerted effort to stop the theft?” SubScribe asked hopefully.

Then, as pressure from social media grew, Mail Online capitulated. Scott Langham, its deputy managing editor, emailed to say it would pay my invoice – but “with no admission of liability”. He even asked if it could keep the offending article up online, only with my byline instead of McLelland’s. I declined that generous offer and demanded its removal.

When I announced my little victory on Facebook some journalistic colleagues expressed disappointment, not satisfaction. They had hoped this would be a test case, they said. They wanted Mail Online’s brand of “journalism” exposed for what it is. “I was spoiling for a long war of attrition,” one well-known television correspondent lamented. Instead, they complained, a website widely seen as the model for future online journalism had simply bought off yet another of its victims.