Haruki Murakami: “Think of me like an endangered species”

The taciturn novelist has made his first appearance in Japan since 1995.

The famously taciturn novelist Haruki Murakami has made his first appearance in Japan since 1995. Murakami’s new novel – Shikisai wo Motanai Tazaki Tsukuru to Kare no Junrei no Toshi (the English reads Colourless Tsukuru Tazaki and the Year of His Pilgrimage, though this title may change) – has been selling over a million copies each week since the Japanese edition went on sale last month, according to the Associated Press.

Murakami spoke at a seminar in his birthplace, Kyoto, to mark the establishment of a new literary prize in memory of the Jungian psychotherapist and writer Hayao Kawai, who died in 2007. Tickets were limited to 500 and issued by lottery. No recording was permitted.

The new book's plot - closely guarded until publication - focuses on Tsukuru Tazaki: a 36-year-old railway station architect who returns to his hometown of industrial Nagoya before travelling as far as Finland to discover why he was rejected by his four closest friends 16 years previously, in the hope of confronting them and moving on.

Where Murakami’s previous novel, the huge three-volumed IQ84, relied heavily upon allusion, action and surrealist detachment, the new work is said to be grounded in a more traditionally novelistic mode - with a greater focus on characters and their relationships.

“At the beginning, I was planning to write something allusive, as in my past works,” Murakami said at the seminar on Monday. “But this time I developed a great interest in expanding on real people. Then the characters started to act on their own. I was intrigued by the relationships between people.”

He also described writing – not for the first time – as akin to descending a very dark basement in the psyche, one in which all sense of structure is lost. “For novelists or musicians, if they really want to create something, they need to go downstairs and find a passage to get into the second basement,” he said. “What I want to do is go down there, but still stay sane.”

Murakami is a noted marathon runner, who despite calling himself “an ordinary runner whose times are nothing special” has run marathons across the world and ultra-marathons (100 miles) in Greece and Japan. As with writing, he began later than most, at the age of 33. In his memoir on the subject, What I Talk About When I Talk About Running, he outlined his daily routine – early mornings spent writing, afternoons running increasingly long distances and doing housework, admin and spending time with family – and the need for stamina in art, as in sport.

Throughout the book Murakami plays down his personal discipline, while simultaneously cataloguing his astonishing capacity for regimented activity. When questioned about his apparent dislike for publicity (arguable, yes – but he’s not on social media, and seldom gives interviews), Murakami said the idea of being recognised on the street made him deeply uncomfortable:

“Please thing of me like an endangered species and just observe me quietly from far away. If you try to talk to me or touch me casually, I may get intimidated and bite you. So please be careful.”

Murakami’s last public appearance in Japan followed the Kobe-Hanshin earthquake in 1995. He currently lives in Japan and Hawaii. There is as yet no English publication date for Colourless Tsukuru.

Murakami en route to Kyoto University on 6 May. Photograph: Getty Images.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

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Harry Styles: What can three blank Instagram posts tell us about music promotion?

Do the One Direction star’s latest posts tell us about the future of music promotion in the social media age - or take us back to a bygone era?

Yesterday, Harry Styles posted three identical, captionless blank images to Instagram. He offered no explanation on any other social network, and left no clue via location serves or tagged accounts as to what the pictures might mean. There was nothing about any of the individual images that suggested they might have significance beyond their surface existence.

And, predictably, they brought in over a million likes – and thousands of Styles fans decoding them with the forensic dedication of the cast of Silent Witness.

Of course, the Instagrams are deliberately provocative in their vagueness. They reminded me of Robert Rauschenberg’s three-panelled White Painting (1951), or Robert Ryman’s Untitled, three square blank canvases that hang in the Pompidou Centre. The composer John Cage claimed that the significance of Rauschenberg’s White Paintings lay in their status as receptive surfaces that respond to the world around them. The significance of Styles’s Instagrams arguably, too, only gain cultural relevance as his audience engages with them.

So what did fans make of the cryptic posts? Some posited a modelling career announcement would follow, others theorised that it was a nod to a Taylor Swift song “Blank Space”, and that the former couple would soon confirm they were back together. Still more thought this suggested an oncoming solo album launch.

You can understand why a solo album launch would be on the tip of most fans’ tongues. Instagram has become a popular platform for the cryptic musical announcement — In April, Beyoncé teased Lemonade’s world premiere with a short Instagram video – keeping her face, and the significance behind the title Lemonade, hidden.

Creating a void is often seen as the ultimate way to tease fans and whet appetites. In June last year, The 1975 temporarily deleted their Instagram, a key platform in building the band’s grungy, black and white brand, in the lead up to the announcement of their second album, which involved a shift in aesthetic to pastel pinks and bright neons.

The Weekend wiped his, too, just last week – ahead of the release of his new single “Starboy”. Blank Instagrams are popular across the network. Jaden Smith has posted hundreds of them, seemingly with no wider philosophical point behind them, though he did tweet in April last year, “Instagram Is A BlackHole Of Time And Energy.”

The motive behind Harry’s blank posts perhaps seems somewhat anticlimactic – an interview with magazine Another Man, and three covers, with three different hairstyles, to go along with it. But presumably the interview coincides with the promotion of something new – hopefully, something other than his new film Dunkirk and the latest update on his beloved tresses. In fact, those blank Instagrams could lead to a surprisingly traditional form of celebrity announcement – one that surfaces to the world via the print press.

Anna Leszkiewicz is a pop culture writer at the New Statesman.