Granta’s Best of Young British Novelists - who are they?

Penguin-style biographies for the twenty listed writers with essays, reviews and free fiction.

Last night Granta launched their "Best of Young British Novelists": volume 4. Having convinced anyone who reads the Sunday papers of the soon-to-be canonicity of their selection, I raced home from work to listen in on the announcement. I had heard of about four of them.

This is no bad thing. I set about discovering who they were, where they’d published, what they wrote. Below are my findings. In the interest of fairness, I decided to write them up in the style of a Penguin first-page biography - those oh so romantic and satisfying glosses that make writers’ lives sound so simple, and thrilling, and better than our own.

Where applicable, you can click the novelists’ names to read essays, review, fiction and columns published in the New Statesman.

Sunjeev Sahota

Sunjeev Sahota was born in Derby in 1981 and raised in Chesterfield. He studied mathematics at Imperial College London and was prompted to begin writing his debut novel, Ours are the Streets (2011), after the 7/7 London bombings. He lives with his wife and daughter in Leeds, where he is working on his second novel The Years of the Runaways.

Steven Hall

Steven Hall was born in Derbyshire, England, in 1975. He studied fine arts at Sheffield Hallam University and currently lives in Hull. His debut novel, The Raw Shark Texts, was published in 2007 and won the Somerset Maugham Award in 2008. Joyce Carol Oats referred to the Texts as “Heartfelt, lyrical ... Rendered with the precise attentiveness to psychological states of mind worthy of a hyperventilating James Joyce.” He is currently at work on his second novel, “an infinite text about the death of print and linear narrative”, titled The End of Endings.

Taiye Selasi

Taiye Selasi was born in London in 1979 and raised in Boston. She studied at Yale and Oxford Universities, and has since lived in Delhi and Rome. In 2005, LiP Magazine published her seminal essay, “Bye-Bye, Barbar (Or: What is an Afropolitan?), which was widely circulated and popularised the concept of Afropolitanism. Her debut novel, Ghana Must Go, was published in March 2013.

Ross Raisin

Ross Raisin was born in West Yorkshire in 1979. After graduating with a degree in English from King’s College London, he worked for a time as the manager of a wine bar, before studying for an MA in Creative Writing at Goldsmith’s University. His debut novel, God’s Own Country (2008), won a Betty Trask Award and was shortlisted for both the Guardian First Book Award and the John Llewellyn Rhys Prize. His second, Waterline, was published in 2011.

Helen Oyeyemi

Helen Oyeyemi was born in London in 1984. He parents are Nigerian. She wrote her first novel, The Icarus Girl (2005), while studying for her A Levels. Her second novel, The Opposite House, was published by Bloomsbury in 2007, while her third, White is for Witching, was awarded a Somerset Maugham Award in 2010. Her fourth and most recent novel, Mr Fox, was published by Picador in 2011. She has lived in London, Paris, New York and most recently Berlin. She also writes plays.

Click here to read a free short story by Oyeyemi: "i live with him, i see his face, i go no more away".

Xiaolu Guo

Xiaolu Guo was born in south-east China in 1973. She studied film at the Beijing Film Academy and published regularly before moving to London in 2002. Her first books were published in China. Her first novel translated into English, Village of Stone (2003), was shortlisted for the Independent Foreign Fiction Prize, while her first to be written in English, A Concise Chinese-English Dictionary for Lovers (2007), was shortlisted for the Orange (now Women’s) Prize for Fiction. Known equally as a director and producer, her most recent film is UFO in Her Eyes (2011).

Click here to read a free short story by Guo: "No Romance".

Nadifa Mohamed

Nadifa Mohamed was born in Hargeisa, Somalia, in 1981, and moved to London in 1986. She studied history and politics at Oxford University and is the author of al account of her father Black Mamba Boy (2009), a semi-autobiographic’s life in Yemen in the 1930s and 40s. The book was shortlisted for numerous awards, including the Guardian First Book Award, Dylan Thomas Prize and John Llewellyn Rhys Prize. She is working on her second novel.

Benjamin Markovits

Benjamin Markovits was born in California in 1973. He was raised in Texas, London and Berlin, and published his first novel The Syme Papers (2004) after a brief period as a professional basketball player in Germany. He has since published five further novels, the most recent of which, Childish Loves (2011), was the third in a trilogy about the life of Lord Byron. He has worked as a high school English teacher in New York and as an editor at the New Left Review in London. He currently teaches creative writing at Royal Holloway, University of London.

Click here to read Markovits's NS sports column.

Joanna Kavenna

Joanna Kavenna was born in 1973 and raised in Suffolk and the Midlands. She has lived in the USA, France, Germany, Scandinavia and the Baltic States, an experience which inspired her first non-fiction work, The Ice Museum (2005). She has published three novels, Inglorious (2007), The Birth of Love (2010) and Come to the Edge (2012), and has written for The New Yorker, London Review of Books and New York Times, among others. She was recently Writer-in-Residence at St Peter’s College, Oxford.

Sarah Hall

Sarah Hall was born in Carlisle in 1974. She studied English and art history at Aberystwyth University and creative writing at the University of St Andrews. She is the author of four novels: Haweswater (2002), The Electric Michelangelo (2004), The Carhullan Army (2007) and How to Paint a Dead Man (2009), and one short story collection, The Beautiful Indifference (2011), which was shortlisted for the Frank O’Connor Prize. She lives in Norwich.

Jenni Fagan

Jenni Fagan was born in 1977 in Livingstone, Scotland. She studied creative writing at Greenwich University and won a scholarship to Royal Holloway, University of London. After two collections of poetry – Urchin Belle (2009) and The Dead Queen of Bohemia (2010) – she published her debut novel, The Panopticon, in 2012. The book was selected for the Waterstones 11 most promising fiction debuts of the year. She lives in Portobello, Edinburgh, where she is working on a collection of short stories and a new book of poems.

Ned Beauman

Ned Beauman was born in London in 1985. He studied philosophy at Cambridge University. He is the author of Boxer, Beetle (2010) and The Teleportation Accident (2012) and has been shortlisted for the Guardian First Book Award and Man Booker Prize. He writes regular criticism for The Guardian, FT, Dazed & Confused and others. He lives in New York.

Zadie Smith

Zadie Smith is a novelist, essayist and critic born in London in 1975. She studied English at Cambridge University and is the author of the novels White Teeth (2000), The Autograph Man (2002), On Beauty (2005) and NW (2012), as well as the essay collection Changing My Mind (2009). She lives in New York where she teaches as part of the creative writing programme at New York University. She was selected as a Granta Best Young British Novelist in 2003.

Click here to listen to Zadie Smith in conversation with NS culture editor Jonathan Derbyshire.

Kamila Shamsie

Kamila Shamsie was born in 1973 in Karachi, Pakistan. She graduated with a BA in creative writing from Hamilton College, New York, and an MFA from the University of Massachusetts Amherst. She is the author of five novels, the most recent of which, Burnt City (2009), was shortlisted for the Orange (now Women’s) Prize for Fiction and has been translated into more than 20 languages. She is a trustee of English PEN and a Fellow of the Royal Society of Literature. She lives in London.

David Szalay

David Szalay was born in Montreal in 1974 and raised in London. He studied at Oxford University and is the author of three novels: London and the South-East (2008), The Innocent (2009) and Spring (2011). He has won a Betty Trask Award, the Geoffrey Faber Memorial Prize. He was also named as one of the Telegraph’s “Top 20 British Writers Under 40”.

Naomi Alderman

Naomi Alderman was born in London in 1974. She studied philosophy, politics and economics at Oxford University and creative writing at the University of East Anglia. She is the author of Disobedience (2006), The Lessons (2010) and The Liars’ Gospel (2012). She writes regularly on technology for the Guardian and was Lead Writer on the video games Perplex City (2007) and Zombies, Run! (2012). She is currently Professor of Creative Writing at Bath Spa University.

Tahmima Anam

Tahmima Anam was born in Dhaka, Bangladesh, in 1975. She was raised in Paris, Bangkok and New York, due to her father’s work with the United Nations. She graduated from Mount Holyoke College in 1997 and earned a PhD in Anthropology from Harvard University in 2004. Her first novel, A Golden Age (2007), won the Commonwealth Writers’ Prize and was translated into 22 languages, while her second, The Good Muslim (2011) was nominated for the Man Asian Literary Prize.

Adam Thirlwell

Adam Thirlwell was born in London in 1978. He was educated at Haberdashers’ Aske’s Boys’ School and Oxford University, where he studied English. He is the author of Politics (2003), The Escape (2009) and Kapow! (2012), an experimental text with unfolding pages published by Visual Editions. He has twice been selected for Granta’s Best of Young British Novelists and has also been the recipient of a Somerset Maugham and Betty Trask Award. He lives in London.

Click here to read Adam Thirlwell on central European literature.

Evie Wyld

Evie Wyld was born in 1980 and raised in London and New South Wales. She studied creative writing at Bath Spa University and Goldsmiths, University of London. She is the author of After the Fire, A Still Small Voice (2009) and All the Birds, Singing (2013), and works at an independent book shop in Peckham, south-east London and lives locally.

Adam Foulds

Adam Foulds was born in London in 1974. He graduated from Oxford University with a degree in English and studied creative writing at the University of East Anglia in 2001. He is the author of two novels, The Truth About These Strange Times (2007) and The Quickening Maze (2009), as well as the book-length narrative poem The Broken Word (2008). He is a Fellow of the Royal Society of Literature and lives in London.

Click here to read a free short story: "A Kindness".

Elsewhere in prize news, Adam Johnson has won the 2013 Pulitzer Prize for Fiction for his novel The Orphan Master’s Son (2012). The shortlist for the Women’s Prize for Fiction has also been announced.

The new Granta young persons outside the British Council. Photo: Granta.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

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Politics doesn't just connect us to the past and the future – it's what makes us human

To those people who tell me that they’re not interested in politics, I often say: “But politics is interested in you!”

I have long been haunted by a scene in George Orwell’s great novel Nineteen Eighty-Four. Winston Smith, the hero, is forced to watch propaganda films depicting acts of war and destruction. He is moved by something he sees: a woman trying to protect a child by wrapping her arm around him as they are attacked. It’s a futile gesture. She cannot shield the boy or stop the bullets but she embraces him all the same – before, as Orwell writes, “The helicopter blew them both to pieces.”

For Winston, what Orwell calls the “enveloping, protecting gesture” of the woman’s arm comes to symbolise something profoundly human – an expression of selflessness and of unconditional love in an unforgiving world. Scenes such as this we now witness daily in footage from the besieged eastern Aleppo and other Syrian towns, people in extreme situations showing extraordinary dignity and kindness.

I read Nineteen Eighty-Four for the first time in late adolescence. I’d dropped out of sixth-form college without completing my A-levels and was commuting on a coach from my parents’ house in Hertfordshire to London, where I worked as a junior clerk for the Electricity Council. During this long daily journey – sometimes two hours each way – I started to read seriously for the first time in my life.

I was just getting interested in politics – this was the high tide of the Thatcher years – and Orwell’s portrayal of a dystopian future in which Britain (renamed “Airstrip One”) had become a Soviet-style totalitarian state was bleakly fascinating. Fundamentally the book seemed to me to be about the deep ­human yearning for political change – about the never-ending dream of conserving or creating a better society.

Nineteen Eighty-Four was published in 1949 (Orwell died in January 1950, aged 46), at a time of rationing and austerity in Britain – but also of renewal. Under the leadership of Clement Attlee, Winston Churchill’s deputy in the wartime coalition, the Labour government was laying the foundations of what became the postwar settlement.

The National Health Service and the welfare state were created. Essential industries such as the railways were nationalised. The Town and Country Planning Act was passed, opening the way for the redevelopment of tracts of land. Britain’s independent nuclear deterrent was commissioned. New towns were established – such as Harlow in Essex, where I was born and brought up.

To grow up in Harlow, I now understand, was to be part of a grand experiment. Many of the families I knew there had escaped the bomb-ruined streets of the East End of London. Our lives were socially engineered. Everything we needed was provided by the state – housing, education, health care, libraries, recreational facilities. (One friend described it to me as being like East Ger­many without the Stasi.)

This hadn’t happened by accident. As my father used to say, we owed the quality of our lives to the struggles of those who came before us. The conservative philosopher Edmund Burke described society as a partnership between “those who are living, those who are dead, and those who are to be born” – and I find this idea of an intergenerational social contract persuasive.

Progress, however, isn’t inevitable. There is no guarantee that things will keep getting better. History isn’t linear, but contingent and discontinuous. And these are dark and turbulent new times in which we are living.

A civil war has been raging in Syria for more than five years, transforming much of the Middle East into a theatre of great-power rivalry. Europe has been destabilised by economic and refugee crises and by the emergence of insurgent parties, from the radical left and the radical right. The liberal world order is crumbling. Many millions feel locked out or left behind by globalisation and rapid change.

But we shouldn’t despair. To those people who tell me that they’re not interested in politics, I often say: “But politics is interested in you!”

And part of what it means to be human is to believe in politics and the change that politics can bring, for better and worse.

What, after all, led so many Americans to vote for an anti-establishment populist such as Donald Trump? He has promised to “make America great again” – and enough people believed him or, at least, wanted to believe him to carry him all the way to the White House. They want to believe in something different, something better, in anything better – which, of course, Trump may never deliver.

So politics matters.

The decisions we take collectively as ­humans have consequences. We are social creatures and rational agents, yet we can be dangerously irrational. This is why long-established institutions, as well as the accumulated wisdom of past generations, are so valuable, as Burke understood.

Politics makes us human. It changes our world and ultimately affects who we are and how we live, not just in the here and now, but long into the future.

An edited version of this essay was broadcast as part of the “What Makes Us Human?” series on BBC Radio 2’s “Jeremy Vine” show

Jason Cowley is editor of the New Statesman. He has been the editor of Granta, a senior editor at the Observer and a staff writer at the Times.

This article first appeared in the 01 December 2016 issue of the New Statesman, Age of outrage