Granta’s Best of Young British Novelists - who are they?

Penguin-style biographies for the twenty listed writers with essays, reviews and free fiction.

Last night Granta launched their "Best of Young British Novelists": volume 4. Having convinced anyone who reads the Sunday papers of the soon-to-be canonicity of their selection, I raced home from work to listen in on the announcement. I had heard of about four of them.

This is no bad thing. I set about discovering who they were, where they’d published, what they wrote. Below are my findings. In the interest of fairness, I decided to write them up in the style of a Penguin first-page biography - those oh so romantic and satisfying glosses that make writers’ lives sound so simple, and thrilling, and better than our own.

Where applicable, you can click the novelists’ names to read essays, review, fiction and columns published in the New Statesman.

Sunjeev Sahota

Sunjeev Sahota was born in Derby in 1981 and raised in Chesterfield. He studied mathematics at Imperial College London and was prompted to begin writing his debut novel, Ours are the Streets (2011), after the 7/7 London bombings. He lives with his wife and daughter in Leeds, where he is working on his second novel The Years of the Runaways.

Steven Hall

Steven Hall was born in Derbyshire, England, in 1975. He studied fine arts at Sheffield Hallam University and currently lives in Hull. His debut novel, The Raw Shark Texts, was published in 2007 and won the Somerset Maugham Award in 2008. Joyce Carol Oats referred to the Texts as “Heartfelt, lyrical ... Rendered with the precise attentiveness to psychological states of mind worthy of a hyperventilating James Joyce.” He is currently at work on his second novel, “an infinite text about the death of print and linear narrative”, titled The End of Endings.

Taiye Selasi

Taiye Selasi was born in London in 1979 and raised in Boston. She studied at Yale and Oxford Universities, and has since lived in Delhi and Rome. In 2005, LiP Magazine published her seminal essay, “Bye-Bye, Barbar (Or: What is an Afropolitan?), which was widely circulated and popularised the concept of Afropolitanism. Her debut novel, Ghana Must Go, was published in March 2013.

Ross Raisin

Ross Raisin was born in West Yorkshire in 1979. After graduating with a degree in English from King’s College London, he worked for a time as the manager of a wine bar, before studying for an MA in Creative Writing at Goldsmith’s University. His debut novel, God’s Own Country (2008), won a Betty Trask Award and was shortlisted for both the Guardian First Book Award and the John Llewellyn Rhys Prize. His second, Waterline, was published in 2011.

Helen Oyeyemi

Helen Oyeyemi was born in London in 1984. He parents are Nigerian. She wrote her first novel, The Icarus Girl (2005), while studying for her A Levels. Her second novel, The Opposite House, was published by Bloomsbury in 2007, while her third, White is for Witching, was awarded a Somerset Maugham Award in 2010. Her fourth and most recent novel, Mr Fox, was published by Picador in 2011. She has lived in London, Paris, New York and most recently Berlin. She also writes plays.

Click here to read a free short story by Oyeyemi: "i live with him, i see his face, i go no more away".

Xiaolu Guo

Xiaolu Guo was born in south-east China in 1973. She studied film at the Beijing Film Academy and published regularly before moving to London in 2002. Her first books were published in China. Her first novel translated into English, Village of Stone (2003), was shortlisted for the Independent Foreign Fiction Prize, while her first to be written in English, A Concise Chinese-English Dictionary for Lovers (2007), was shortlisted for the Orange (now Women’s) Prize for Fiction. Known equally as a director and producer, her most recent film is UFO in Her Eyes (2011).

Click here to read a free short story by Guo: "No Romance".

Nadifa Mohamed

Nadifa Mohamed was born in Hargeisa, Somalia, in 1981, and moved to London in 1986. She studied history and politics at Oxford University and is the author of al account of her father Black Mamba Boy (2009), a semi-autobiographic’s life in Yemen in the 1930s and 40s. The book was shortlisted for numerous awards, including the Guardian First Book Award, Dylan Thomas Prize and John Llewellyn Rhys Prize. She is working on her second novel.

Benjamin Markovits

Benjamin Markovits was born in California in 1973. He was raised in Texas, London and Berlin, and published his first novel The Syme Papers (2004) after a brief period as a professional basketball player in Germany. He has since published five further novels, the most recent of which, Childish Loves (2011), was the third in a trilogy about the life of Lord Byron. He has worked as a high school English teacher in New York and as an editor at the New Left Review in London. He currently teaches creative writing at Royal Holloway, University of London.

Click here to read Markovits's NS sports column.

Joanna Kavenna

Joanna Kavenna was born in 1973 and raised in Suffolk and the Midlands. She has lived in the USA, France, Germany, Scandinavia and the Baltic States, an experience which inspired her first non-fiction work, The Ice Museum (2005). She has published three novels, Inglorious (2007), The Birth of Love (2010) and Come to the Edge (2012), and has written for The New Yorker, London Review of Books and New York Times, among others. She was recently Writer-in-Residence at St Peter’s College, Oxford.

Sarah Hall

Sarah Hall was born in Carlisle in 1974. She studied English and art history at Aberystwyth University and creative writing at the University of St Andrews. She is the author of four novels: Haweswater (2002), The Electric Michelangelo (2004), The Carhullan Army (2007) and How to Paint a Dead Man (2009), and one short story collection, The Beautiful Indifference (2011), which was shortlisted for the Frank O’Connor Prize. She lives in Norwich.

Jenni Fagan

Jenni Fagan was born in 1977 in Livingstone, Scotland. She studied creative writing at Greenwich University and won a scholarship to Royal Holloway, University of London. After two collections of poetry – Urchin Belle (2009) and The Dead Queen of Bohemia (2010) – she published her debut novel, The Panopticon, in 2012. The book was selected for the Waterstones 11 most promising fiction debuts of the year. She lives in Portobello, Edinburgh, where she is working on a collection of short stories and a new book of poems.

Ned Beauman

Ned Beauman was born in London in 1985. He studied philosophy at Cambridge University. He is the author of Boxer, Beetle (2010) and The Teleportation Accident (2012) and has been shortlisted for the Guardian First Book Award and Man Booker Prize. He writes regular criticism for The Guardian, FT, Dazed & Confused and others. He lives in New York.

Zadie Smith

Zadie Smith is a novelist, essayist and critic born in London in 1975. She studied English at Cambridge University and is the author of the novels White Teeth (2000), The Autograph Man (2002), On Beauty (2005) and NW (2012), as well as the essay collection Changing My Mind (2009). She lives in New York where she teaches as part of the creative writing programme at New York University. She was selected as a Granta Best Young British Novelist in 2003.

Click here to listen to Zadie Smith in conversation with NS culture editor Jonathan Derbyshire.

Kamila Shamsie

Kamila Shamsie was born in 1973 in Karachi, Pakistan. She graduated with a BA in creative writing from Hamilton College, New York, and an MFA from the University of Massachusetts Amherst. She is the author of five novels, the most recent of which, Burnt City (2009), was shortlisted for the Orange (now Women’s) Prize for Fiction and has been translated into more than 20 languages. She is a trustee of English PEN and a Fellow of the Royal Society of Literature. She lives in London.

David Szalay

David Szalay was born in Montreal in 1974 and raised in London. He studied at Oxford University and is the author of three novels: London and the South-East (2008), The Innocent (2009) and Spring (2011). He has won a Betty Trask Award, the Geoffrey Faber Memorial Prize. He was also named as one of the Telegraph’s “Top 20 British Writers Under 40”.

Naomi Alderman

Naomi Alderman was born in London in 1974. She studied philosophy, politics and economics at Oxford University and creative writing at the University of East Anglia. She is the author of Disobedience (2006), The Lessons (2010) and The Liars’ Gospel (2012). She writes regularly on technology for the Guardian and was Lead Writer on the video games Perplex City (2007) and Zombies, Run! (2012). She is currently Professor of Creative Writing at Bath Spa University.

Tahmima Anam

Tahmima Anam was born in Dhaka, Bangladesh, in 1975. She was raised in Paris, Bangkok and New York, due to her father’s work with the United Nations. She graduated from Mount Holyoke College in 1997 and earned a PhD in Anthropology from Harvard University in 2004. Her first novel, A Golden Age (2007), won the Commonwealth Writers’ Prize and was translated into 22 languages, while her second, The Good Muslim (2011) was nominated for the Man Asian Literary Prize.

Adam Thirlwell

Adam Thirlwell was born in London in 1978. He was educated at Haberdashers’ Aske’s Boys’ School and Oxford University, where he studied English. He is the author of Politics (2003), The Escape (2009) and Kapow! (2012), an experimental text with unfolding pages published by Visual Editions. He has twice been selected for Granta’s Best of Young British Novelists and has also been the recipient of a Somerset Maugham and Betty Trask Award. He lives in London.

Click here to read Adam Thirlwell on central European literature.

Evie Wyld

Evie Wyld was born in 1980 and raised in London and New South Wales. She studied creative writing at Bath Spa University and Goldsmiths, University of London. She is the author of After the Fire, A Still Small Voice (2009) and All the Birds, Singing (2013), and works at an independent book shop in Peckham, south-east London and lives locally.

Adam Foulds

Adam Foulds was born in London in 1974. He graduated from Oxford University with a degree in English and studied creative writing at the University of East Anglia in 2001. He is the author of two novels, The Truth About These Strange Times (2007) and The Quickening Maze (2009), as well as the book-length narrative poem The Broken Word (2008). He is a Fellow of the Royal Society of Literature and lives in London.

Click here to read a free short story: "A Kindness".

Elsewhere in prize news, Adam Johnson has won the 2013 Pulitzer Prize for Fiction for his novel The Orphan Master’s Son (2012). The shortlist for the Women’s Prize for Fiction has also been announced.

The new Granta young persons outside the British Council. Photo: Granta.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

Show Hide image

Bertie Carvel's diary: What would the French think about infidelity to Doctor Foster?

The joy of debuting a new series, Rupert Murdoch's squeamishness and a sting in the tail.

According to the adage, the first thing an actor does when he gets a job is to go on holiday. And so, having finished our sold-out run of James Graham’s Ink at the Almeida and with the show (in which I play a young Rupert Murdoch) about to transfer into the West End, I’m packing my bags.

But before I can skip town, I’ve one more professional engagement: the press launch of series two of the BBC drama Doctor Foster, which we finished filming at Christmas. I’ve now seen the final cut of all five episodes, and I’m excited to share it with an audience. There’s no substitute for seeing other people’s reactions at first hand, especially with a show that got people talking so much first time around, and it’s electric to sit in a cinema full of expectant journalists and commentators and feel the room respond. Nothing beats this: to put so much into making a thing and then experience an audience’s unmediated, reflexive reaction. When it goes well, you feel that you’ve shared something, that you’ve all recognised something together about how things are. It’s a unifying feeling. A sort of bond.

Cheating spouses

Handling the interviews has been tricky, when there’s so little one can say without giving the plot away. (The first series began with Suranne Jones’s character Gemma, a GP, suspecting her husband Simon of having an affair.) What’s more, lots of the questions invite moral judgements that I’ve tried my best to avoid; I always think it’s really important not to judge the characters I play from outside, but simply to work out how they feel about themselves, to zero in on their point of view. There’s a sort of moral bloodlust around this show: it’s extraordinary. People seem to want to hear that I’ve been pilloried in the street, or expect me to put distance between myself and my character, to hang him out to dry as a pariah.

While I’m not in the business of defending Simon Foster any more than I’m in the business of attacking him, I am intrigued by this queer mixture of sensationalism and prurience that seems to surface again and again.

Shock horror

Oddly enough, it’s something that comes up in Ink: many people have been surprised to find that, in a story about the re-launch of the Sun newspaper in 1969 as a buccaneering tabloid, it’s the proprietor who considers dropping anchor when the spirit of free enterprise threatens to set his moral compass spinning.

I’ve never given it much thought before, but I suppose that sensationalism relies on a fairly rigid worldview for its oxygen – the SHOCKERS! that scream at us in tabloid headlines are deviations from a conventional idea of the norm. But what’s behind the appetite for this sort of story? Do we tell tales of transgression to reinforce our collective boundaries or to challenge them?

For me there’s a close kinship between good journalism and good drama. I’m reminded of the words of John Galsworthy, who wrote Strife, the play I directed last summer, and who felt that the writer should aim “to set before the public no cut-and-dried codes, but the phenomena of life and character, selected and combined, but not distorted, by the dramatist’s outlook, set down without fear, favour, or prejudice, leaving the public to draw such poor moral as nature may afford”.

So when it comes to promoting the thing we’ve made, I’m faced with a real conundrum: on the one hand I want it to reach a wide audience, and I’m flattered that there’s an appetite to hear about my contribution to the process of making it; but on the other hand I think the really interesting thing about the work is contained in the work itself. I’m always struck, in art galleries, by how much more time people spend reading the notes next to the paintings than looking at the paintings themselves. I’m sure that’s the wrong way around.

Insouciant remake

En route to the airport the next morning I read that Doctor Foster is to be adapted into a new French version. It’s a cliché verging on racism, but I can’t help wondering whether the French will have a different attitude to a story about marital infidelity, and whether the tone of the press coverage will differ. I wonder, too, whether, in the home of Roland Barthes, there is as much space given to artists to talk about what they’ve made – in his 1967 essay, “The Death of the Author”, Barthes wrote that “a text’s unity lies not in its origin but in its destination”.

No stone unturned

Touring the villages of Gigondas, Sablet and Séguret later that evening, I’m struck by the provision of espaces culturels in seemingly every commune, however small. The French certainly give space to the work itself. But I also notice a sign warning of a chat lunatique, so decide to beat a hasty retreat. Arriving at the house where I’m staying, I’ve been told that the key will be under a flowerpot. Lifting each tub in turn, and finally a large flat stone by the door, I find a small scorpion, but no key. I’m writing this at a table less than a yard away so let’s hope there won’t be a sting in this tale.

Ink opens at the Duke of York Theatre, London, on 9 September. More details: almeida.co.uk

This article first appeared in the 17 August 2017 issue of the New Statesman, Trump goes nuclear