Granta’s Best of Young British Novelists - who are they?

Penguin-style biographies for the twenty listed writers with essays, reviews and free fiction.

Last night Granta launched their "Best of Young British Novelists": volume 4. Having convinced anyone who reads the Sunday papers of the soon-to-be canonicity of their selection, I raced home from work to listen in on the announcement. I had heard of about four of them.

This is no bad thing. I set about discovering who they were, where they’d published, what they wrote. Below are my findings. In the interest of fairness, I decided to write them up in the style of a Penguin first-page biography - those oh so romantic and satisfying glosses that make writers’ lives sound so simple, and thrilling, and better than our own.

Where applicable, you can click the novelists’ names to read essays, review, fiction and columns published in the New Statesman.

Sunjeev Sahota

Sunjeev Sahota was born in Derby in 1981 and raised in Chesterfield. He studied mathematics at Imperial College London and was prompted to begin writing his debut novel, Ours are the Streets (2011), after the 7/7 London bombings. He lives with his wife and daughter in Leeds, where he is working on his second novel The Years of the Runaways.

Steven Hall

Steven Hall was born in Derbyshire, England, in 1975. He studied fine arts at Sheffield Hallam University and currently lives in Hull. His debut novel, The Raw Shark Texts, was published in 2007 and won the Somerset Maugham Award in 2008. Joyce Carol Oats referred to the Texts as “Heartfelt, lyrical ... Rendered with the precise attentiveness to psychological states of mind worthy of a hyperventilating James Joyce.” He is currently at work on his second novel, “an infinite text about the death of print and linear narrative”, titled The End of Endings.

Taiye Selasi

Taiye Selasi was born in London in 1979 and raised in Boston. She studied at Yale and Oxford Universities, and has since lived in Delhi and Rome. In 2005, LiP Magazine published her seminal essay, “Bye-Bye, Barbar (Or: What is an Afropolitan?), which was widely circulated and popularised the concept of Afropolitanism. Her debut novel, Ghana Must Go, was published in March 2013.

Ross Raisin

Ross Raisin was born in West Yorkshire in 1979. After graduating with a degree in English from King’s College London, he worked for a time as the manager of a wine bar, before studying for an MA in Creative Writing at Goldsmith’s University. His debut novel, God’s Own Country (2008), won a Betty Trask Award and was shortlisted for both the Guardian First Book Award and the John Llewellyn Rhys Prize. His second, Waterline, was published in 2011.

Helen Oyeyemi

Helen Oyeyemi was born in London in 1984. He parents are Nigerian. She wrote her first novel, The Icarus Girl (2005), while studying for her A Levels. Her second novel, The Opposite House, was published by Bloomsbury in 2007, while her third, White is for Witching, was awarded a Somerset Maugham Award in 2010. Her fourth and most recent novel, Mr Fox, was published by Picador in 2011. She has lived in London, Paris, New York and most recently Berlin. She also writes plays.

Click here to read a free short story by Oyeyemi: "i live with him, i see his face, i go no more away".

Xiaolu Guo

Xiaolu Guo was born in south-east China in 1973. She studied film at the Beijing Film Academy and published regularly before moving to London in 2002. Her first books were published in China. Her first novel translated into English, Village of Stone (2003), was shortlisted for the Independent Foreign Fiction Prize, while her first to be written in English, A Concise Chinese-English Dictionary for Lovers (2007), was shortlisted for the Orange (now Women’s) Prize for Fiction. Known equally as a director and producer, her most recent film is UFO in Her Eyes (2011).

Click here to read a free short story by Guo: "No Romance".

Nadifa Mohamed

Nadifa Mohamed was born in Hargeisa, Somalia, in 1981, and moved to London in 1986. She studied history and politics at Oxford University and is the author of al account of her father Black Mamba Boy (2009), a semi-autobiographic’s life in Yemen in the 1930s and 40s. The book was shortlisted for numerous awards, including the Guardian First Book Award, Dylan Thomas Prize and John Llewellyn Rhys Prize. She is working on her second novel.

Benjamin Markovits

Benjamin Markovits was born in California in 1973. He was raised in Texas, London and Berlin, and published his first novel The Syme Papers (2004) after a brief period as a professional basketball player in Germany. He has since published five further novels, the most recent of which, Childish Loves (2011), was the third in a trilogy about the life of Lord Byron. He has worked as a high school English teacher in New York and as an editor at the New Left Review in London. He currently teaches creative writing at Royal Holloway, University of London.

Click here to read Markovits's NS sports column.

Joanna Kavenna

Joanna Kavenna was born in 1973 and raised in Suffolk and the Midlands. She has lived in the USA, France, Germany, Scandinavia and the Baltic States, an experience which inspired her first non-fiction work, The Ice Museum (2005). She has published three novels, Inglorious (2007), The Birth of Love (2010) and Come to the Edge (2012), and has written for The New Yorker, London Review of Books and New York Times, among others. She was recently Writer-in-Residence at St Peter’s College, Oxford.

Sarah Hall

Sarah Hall was born in Carlisle in 1974. She studied English and art history at Aberystwyth University and creative writing at the University of St Andrews. She is the author of four novels: Haweswater (2002), The Electric Michelangelo (2004), The Carhullan Army (2007) and How to Paint a Dead Man (2009), and one short story collection, The Beautiful Indifference (2011), which was shortlisted for the Frank O’Connor Prize. She lives in Norwich.

Jenni Fagan

Jenni Fagan was born in 1977 in Livingstone, Scotland. She studied creative writing at Greenwich University and won a scholarship to Royal Holloway, University of London. After two collections of poetry – Urchin Belle (2009) and The Dead Queen of Bohemia (2010) – she published her debut novel, The Panopticon, in 2012. The book was selected for the Waterstones 11 most promising fiction debuts of the year. She lives in Portobello, Edinburgh, where she is working on a collection of short stories and a new book of poems.

Ned Beauman

Ned Beauman was born in London in 1985. He studied philosophy at Cambridge University. He is the author of Boxer, Beetle (2010) and The Teleportation Accident (2012) and has been shortlisted for the Guardian First Book Award and Man Booker Prize. He writes regular criticism for The Guardian, FT, Dazed & Confused and others. He lives in New York.

Zadie Smith

Zadie Smith is a novelist, essayist and critic born in London in 1975. She studied English at Cambridge University and is the author of the novels White Teeth (2000), The Autograph Man (2002), On Beauty (2005) and NW (2012), as well as the essay collection Changing My Mind (2009). She lives in New York where she teaches as part of the creative writing programme at New York University. She was selected as a Granta Best Young British Novelist in 2003.

Click here to listen to Zadie Smith in conversation with NS culture editor Jonathan Derbyshire.

Kamila Shamsie

Kamila Shamsie was born in 1973 in Karachi, Pakistan. She graduated with a BA in creative writing from Hamilton College, New York, and an MFA from the University of Massachusetts Amherst. She is the author of five novels, the most recent of which, Burnt City (2009), was shortlisted for the Orange (now Women’s) Prize for Fiction and has been translated into more than 20 languages. She is a trustee of English PEN and a Fellow of the Royal Society of Literature. She lives in London.

David Szalay

David Szalay was born in Montreal in 1974 and raised in London. He studied at Oxford University and is the author of three novels: London and the South-East (2008), The Innocent (2009) and Spring (2011). He has won a Betty Trask Award, the Geoffrey Faber Memorial Prize. He was also named as one of the Telegraph’s “Top 20 British Writers Under 40”.

Naomi Alderman

Naomi Alderman was born in London in 1974. She studied philosophy, politics and economics at Oxford University and creative writing at the University of East Anglia. She is the author of Disobedience (2006), The Lessons (2010) and The Liars’ Gospel (2012). She writes regularly on technology for the Guardian and was Lead Writer on the video games Perplex City (2007) and Zombies, Run! (2012). She is currently Professor of Creative Writing at Bath Spa University.

Tahmima Anam

Tahmima Anam was born in Dhaka, Bangladesh, in 1975. She was raised in Paris, Bangkok and New York, due to her father’s work with the United Nations. She graduated from Mount Holyoke College in 1997 and earned a PhD in Anthropology from Harvard University in 2004. Her first novel, A Golden Age (2007), won the Commonwealth Writers’ Prize and was translated into 22 languages, while her second, The Good Muslim (2011) was nominated for the Man Asian Literary Prize.

Adam Thirlwell

Adam Thirlwell was born in London in 1978. He was educated at Haberdashers’ Aske’s Boys’ School and Oxford University, where he studied English. He is the author of Politics (2003), The Escape (2009) and Kapow! (2012), an experimental text with unfolding pages published by Visual Editions. He has twice been selected for Granta’s Best of Young British Novelists and has also been the recipient of a Somerset Maugham and Betty Trask Award. He lives in London.

Click here to read Adam Thirlwell on central European literature.

Evie Wyld

Evie Wyld was born in 1980 and raised in London and New South Wales. She studied creative writing at Bath Spa University and Goldsmiths, University of London. She is the author of After the Fire, A Still Small Voice (2009) and All the Birds, Singing (2013), and works at an independent book shop in Peckham, south-east London and lives locally.

Adam Foulds

Adam Foulds was born in London in 1974. He graduated from Oxford University with a degree in English and studied creative writing at the University of East Anglia in 2001. He is the author of two novels, The Truth About These Strange Times (2007) and The Quickening Maze (2009), as well as the book-length narrative poem The Broken Word (2008). He is a Fellow of the Royal Society of Literature and lives in London.

Click here to read a free short story: "A Kindness".

Elsewhere in prize news, Adam Johnson has won the 2013 Pulitzer Prize for Fiction for his novel The Orphan Master’s Son (2012). The shortlist for the Women’s Prize for Fiction has also been announced.

The new Granta young persons outside the British Council. Photo: Granta.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

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3D cinema without the glasses: a potential new technology could change how we watch films

Early-stage research success hints at a visionary future in which an immersive glass-free 3D experience could be possible at the cinema. 

The rise of film-on-demand streaming sites such as Netflix and MUBI threatens to make visits to the cinema a redundant pastime; why head out to watch a film when you can just watch one from the comfort of your own home?

A deterrent for many has been the influx of 3D blockbuster films released in theatres. An all-too-familiar routine has developed that causes audiences to let out a big sigh at the thought of 3D films: get excited about the latest Marvel flick, travel to your local cinema, sit through previews of future releases and then as the film is about to start...stick on a pair of flimsy plastic 3D glasses.

It’s an experience that has come to feel lacklustre for people who hope to experience more from 3D technology than just a gimmick. However, recent news that researchers at MIT have developed a prototype screen which can show 3D films without glasses may be just the development needed for the medium to attract fans back to the cinema.

A team of scientists from MIT’s Computer Science and Artificial Intelligence Lab paired up with the Weizmann Institute of Science from Israel to create “Cinema 3D” – a model cinema screen which could potentially allow cinema-goers to have the full, immersive 3D experience sans glasses, no matter where they are sitting in the theatre.

Detailing their research in a paper, the scientists outlined the technology used, which includes “automultiscopic displays” – a 3D enabler that presents “multiple angular images of the same scene” and doesn’t require glasses. The research has had to build upon conventional automultiscopic displays that alone aren’t sufficient for a cinema setting; they don’t accommodate for the varying angles at which people view a film in a generally widely-spaced theatre

Wojciech Matusik, an MIT professor who worked on the research said: “Existing approaches to glasses-free 3D require screens whose resolution requirements are so enormous that they are completely impractical. This is the first technical approach that allows for glasses-free 3D on a larger scale.”

Cinema 3D aims to optimise the experience by making use of the cinema setting: the fixed seat positions, the sloped rows, the width of the screen. 3D televisions work as a result of parallax barriers – essentially a set of slits in front of a screen that filter pixels to create the illusion of depth. Traditional parallax barriers tend to fail with anything larger than a television, as they don’t recreate the same image when viewed from different distances and angles.

The researchers have combated this by using multiple parallax barriers in conjunction with slanted horizontal mirrors and vertical lenslets – a small but crucial change which now allows viewers to see the same 3D images play out, whether they’re in the middle row, the back row, or far off in the periphery. According the paper, the design “only displays the narrow angular range observed within the limited width of a single seat.” This can then be replicated for every seat in the theatre.

Cinema 3D will require a lot more work if it is to become practical. As it stands, the prototype is about a pad of paper in size and needs 50 sets of mirrors and lenses. For the researchers though, there is reason to remain optimistic as the technology works in theory at a cinema-scale.

It’s important to note that 3d technology without glasses isn’t new; it has been used in a limited way with televisions. What is new with this research is its potential application to the film industry along with improvements in picture quality. Matusik has stressed that “it remains to be seen whether the approach is financially feasible enough to scale up to a full-blown theatre”, but went on to say “we are optimistic that this is an important next step in developing glasses-free 3D for large spaces like movie theatres and auditoriums.”

It could take a while for the technology to get to a stage where it can be used in multiplexes, and the market may need convincing to adopt something which is expected to cost a lot of money. It could prove to be attractive to the advertising industry who may want to use it for billboards, allowing the technology to be introduced at incrementally larger stages.

The thought of seeing James Cameron’s next Avatar instalment or the latest high-octane thriller played out in 3D without glasses could push the technology forward and get people to return in droves to the silver screen.