Friday Arts Diary

Our cultural picks for the week ahead.

Film

The Gatekeepers. Selected cinemas, nationwide. Released 12 April.

The Gatekeepers is an intimate, interview-style documentary featuring six former heads of the Shin Bet, Israel’s secret service agency. Directed by Dror Moreh, it focuses on the personal experiences of men at the forefront of the Six Day War. The remarkable openness of the participating interviewees has received a great deal of interest. Discussing the successes and mistakes of their time during the Occupation, they shed light on the wider controversy surrounding the war.

Opera

The English National Opera: The Sunken Garden. Barbican Centre, London EC2Y 8DS. 12 – 20 April.

Tonight, The Barbican will host the world premiere of The Sunken Garden. Directed by composer and director Michel van der Aa, with a libretto written by author David Mitchell, whose novel Cloud Atlas was shortlisted for the Booker prize, The Sunken Garden includes both 2D and 3D film. Focusing on the disappearance of a software engineer and the people who try to find him, it describes itself as an all new “occult mystery” film-opera.

Exhibition

Tell Me Whom You Haunt: Marcel Duchamp and the Contemporary Readymade. Blain Southern Gallery, Hanover Square, London W1S 1BP1. April – 18 May.

Tell Me Whom You Haunt places ten leading contemporary artists in dialogue with existing pieces by Marcel Duchamp, to explore the idea that found or ‘readymade’ objects lose their previous signification when re-contextualised. The exhibition includes responses from contemporary artists such as Olaf Nicolai, Robert Kusmirowski and Nasan Tur, all of whom play with the idea of ‘hauntings’ and the ways in which memory manifests itself.

Concert

Bournemouth Symphony Orchestra. Colston Hall, Bristol, BS1 5AR. Thurs 18 April.

On Thursday, the Bournemouth Symphony Orchestra will perform a wordless ‘night at the opera’, conducted by Andrew Litton, with Vadim Gluzman as lead violinist. It will include pieces from Korngold, Bruch, Wagner and R Strauss. To supplement this exciting concert, Bristol ensemble conductor Jonathan James will be giving a talk on Saturday 13th April. Discussing the inferences and themes behind each piece, he will historically and socially contextualise the music to instil a new resonance to the performance. His talk will also be at Colston Hall.

Theatre

Fences. Cambridge Arts Theatre, Cambridge CB2 3PJ. 15 – 20 April.

August Wilson's 1987 drama Fences is arguably one of the most famous American plays of the 20th century.  Set in 1957, between the Korean and Vietnam wars, it follows the life of Troy Maxson – played by Lenny Henry, a once gifted athlete whose job as a garbage collector now leaves him resentful and embittered. This new version, directed by Paulette Randall, has received high praise from critics including Lyn Gardner. Writing in the Guardian, she describes the portrayal of Maxson as “so vivid that you can't help being gripped by this story of a man who may have thrived, but who is fenced in by the era into which he was born.”    

Director of The Gatekeepers, Dror Moreh, at the 2013 Sundance Film Festival. Photo: Larry Busacca/Getty Images
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SRSLY #90: Girls / The Knowledge / My Favorite Murder

Caroline and Anna discuss the final episode of Girls, the black cabbie documentary The Knowledge and the true crime podcast My Favorite Murder.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

. . .or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

Get tickets for our Twin Peaks quiz at srslypod.com/events.

Girls

Anna’s piece on whether the girls in Girls were ever friends.

The Vulture piece we mention comparing the end of Gilmore Girls: A Year in the Life with the end of Girls.

Lena Dunham and Judd Apatow on the ending.

The Knowledge

The trailer.

A good (if short) review.

My Favorite Murder

The podcast.

For next time:

We’re playing Lumino City.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #89, check it out here.

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