Like B*Witched and the SDP, I am far greater than the sum of my parts

Playing Top Trumps inside your own head.

Susan Calman: she's much greater than the sum of her parts. Photograph: Getty Images

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I love Twitter. I really do. Little fills my heart with joy more than disseminating pictures of cats dressed in funny costumes. I think it’s what the inventor of the internet would’ve wanted. It’s also easy to get used to the concept of “less is more” with Twitter. A mere 140 characters to discuss important political issues? No problem. It’s simple to vacuum-pack your life philosophy into one tweet. What could possibly go wrong? The obsession with reducing complex issues to a bite-sized morsel hasn’t been all fun. Disappointingly, some seem to believe that social media have led to a reduction in the capacity of the public to understand more than one idea at a time. Suddenly simplicity is the key to explanation.

I have personal experience of this particular trend. I’m often asked in interviews what it’s like to be a Scottish, female, comedian, ex-lawyer lesbian. I always answer that I’d find it more difficult to be an English, male, comedian, ex-lawyer lesbian and then I wait for the laugh from the journalist asking the question. Sadly, like summer in Scotland, it never comes. Of course, I’m being flippant, after being asked what is, in essence, a stupid question.

What I’m really being asked to do is play a game of top trumps with my own head, to simplify myself into one banner headline. Sort of what you’d have to do at the world’s least exciting speed-dating evening. But how do you start defining what you are? Is my being Scottish more important than the fact that I’m a feminist? Is being gay more influential within my own psyche than being a comedian? Does the fact that I’m an ex-lawyer with a degree in constitutional law mean that I have more sympathy with politicians? Usually I give a long and involved answer to the journalist who’s dissecting my political make-up with the sharpness of a scalpel made from marshmallow, only to read the final article, where my analysis is summarised with the sentence: “Calman likes cats.”

Whenever it seems that I’m required to create a Venn diagram of my mind, I remember the greats. The Nolans, the Jackson Five, B*Witched, the SDP. All examples of people who, when they worked together, were greater than the sum of their parts. And that’s what I am. A girl band comprising one short woman who can neither dance nor sing. I should enter Eurovision.

But back to the problem. Can I really say I’m more Scottish than gay? Is that even possible? I can’t discuss my queer politics without remembering I grew up in Glasgow in the 1980s where being gay was as easy as being a vegan in an abattoir.

What about being a woman in comedy? I’m often described as a “female” comedian, as if that adjective is required in order to prepare the audience for what might occur. It’s not really required in other jobs. Oh look there’s a “lady teacher” or a “woman accountant”. It’s a subtle way of introducing to an audience the notion that I don’t deserve the full title. Like giving someone beans on toast and then, when presenting them, whispering, “Sorry, they’re own-brand.” My gender obviously influences what I say. I can’t, for example, bemoan how difficult it is to be a white, straight, middle-class man in today’s society. (Apparently it’s really tough – at least, that’s what I keep hearing.)

If I say I’m Scottish first and foremost then I’m accused of being parochial. If I’m gay first (or a premier gay, as I like to call it) then I’m angry and man-hating. If I say that my legal background is most important then I’m dull. And if I say that the comedy is the most important thing, then why would anyone listen to a foul-mouthed clown?

It’s not possible to dissect myself, like an attention-seeking Mr Potato Head, into the sum of my own parts. The obsession with the 140-character Twitter summary of one’s identity just leads to descriptions sounding like a personal ad. “Late 30s gay scots lady, interest in law, GSOH”. The complexity of the human mind can’t be reduced to a one-word description. If we allowed ourselves to breathe, then perhaps we wouldn’t be so disappointed about other people we meet or vote for. We don’t live in the world of Mr Men, where I can wear a badge that says “Little Ms Scottish” or “Little Ms Lady Gay Comic”. I wish I could. But it’d have to be a really big badge.

Susan Calman is a comedian, and more

This article first appeared in the 12 April 2013 issue of the New Statesman, Centenary Special Issue

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How Donald Trump is slouching towards the Republican nomination

There was supposed to be a ceiling above which Trump’s popular support could not climb.

In America, you can judge a crowd by its merchandise. Outside the Connecticut Convention Centre in Hartford, frail old men and brawny moms are selling “your Trump 45 football jerseys”, “your hats”, “your campaign buttons”. But the hottest item is a T-shirt bearing the slogan “Hillary sucks . . . but not like Monica!” and, on the back: “Trump that bitch!” Inside, beyond the checkpoint manned by the Transportation Security Administration and the secret service (“Good!” the man next to me says, when he sees the agents), is a family whose three kids, two of them girls, are wearing the Monica shirt.

Other people are content with the shirts they arrived in (“Waterboarding – baptising terrorists with freedom” and “If you don’t BLEED red, white and blue, take your bitch ass home!”). There are 80 chairs penned off for the elderly but everyone else is standing: guys in motorcycle and military gear, their arms folded; aspiring deal-makers, suited, on cellphones; giggling high-school fatsos, dressed fresh from the couch, grabbing M&M’s and Doritos from the movie-theatre-style concession stands. So many baseball hats; deep, bellicose chants of “Build the wall!” and “USA!”. (And, to the same rhythm, “Don-ald J!”)

A grizzled man in camouflage pants and combat boots, whose T-shirt – “Connecticut Militia III%” – confirms him as a member of the “patriot” movement, is talking to a zealous young girl in a short skirt, who came in dancing to “Uptown Girl”.

“Yeah, we were there for Operation American Spring,” he says. “Louis Farrakhan’s rally of hate . . .”

“And you’re a veteran?” she asks. “Thank you so much!”

Three hours will pass. A retired US marine will take the rostrum to growl, “God bless America – hoo-rah!”; “Uptown Girl” will play many more times (much like his speeches, Donald J’s playlist consists of a few items, repeated endlessly), before Trump finally looms in and asks the crowd: “Is this the greatest place on Earth?”

There was supposed to be a ceiling above which Trump’s popular support could not climb. Only a minority within a minority of Americans, it was assumed, could possibly be stupid enough to think a Trump presidency was a good idea. He won New Hampshire and South Carolina with over 30 per cent of the Republican vote, then took almost 46 per cent in Nevada. When he cleaned up on Super Tuesday in March, he was just shy of 50 per cent in Massachusetts; a week later, he took 47 per cent of the votes in Mississippi.

His rivals, who are useless individually, were meant to co-operate with each other and the national party to deny him the nomination. But Trump won four out of the five key states being contested on “Super-Duper Tuesday” on 15 March. Then, as talk turned to persuading and co-opting his delegates behind the scenes, Trump won New York with 60 per cent.

Now, the campaign is trying to present Trump as more “presidential”. According to his new manager, Paul Manafort, this requires him to appear in “more formal settings” – without, of course, diluting “the unique magic of Trump”. But whether or not he can resist denouncing the GOP and the “corrupt” primary system, and alluding to violence if he is baulked at at the convention, the new Trump will be much the same as the old.

Back in Hartford: “The Republicans wanna play cute with us, right? If I don’t make it, you’re gonna have millions of people that don’t vote for a Republican. They’re not gonna vote at all,” says Trump. “Hopefully that’s all, OK? Hopefully that’s all, but they’re very, very angry.”

This anger, which can supposedly be turned on anyone who gets in the way, has mainly been vented, so far, on the protesters who disrupt Trump’s rallies. “We’re not gonna be the dummies that lose all of our jobs now. We’re gonna be the smart ones. Oh, do you have one over there? There’s one of the dummies . . .”

There is a frenzied fluttering of Trump placards, off to his right. “Get ’em out! . . . Don’t hurt ’em – see how nice I am? . . . They really impede freedom of speech and it’s a disgrace. But the good news is, folks, it won’t be long. We’re just not taking it and it won’t be long.”

It is their removal by police, at Trump’s ostentatious behest, that causes the disruption, rather than the scarcely audible protesters. He seems to realise this, suddenly: “We should just let ’em . . . I’ll talk right over them, there’s no problem!” But it’s impossible to leave the protesters where they are, because it would not be safe. His crowd is too vicious.

Exit Trump, after exactly half an hour, inclusive of the many interruptions. His people seem uplifted but, out on the street, they are ambushed by a large counter-demonstration, with a booming drum and warlike banners and standards (“Black Lives Matter”; an image of the Virgin of Guadalupe, holding aloft Trump’s severed head). Here is the rest of the world, the real American world: young people, beautiful people, more female than male, every shade of skin colour. “F*** Donald Trump!” they chant.

After a horrified split-second, the Trump crowd, massively more numerous, rallies with “USA!” and – perplexingly, since one of the main themes of the speech it has just heard was the lack of jobs in Connecticut – “Get a job!” The two sides then mingle, unobstructed by police. Slanging matches break out that seem in every instance to humiliate the Trump supporter. “Go to college!” one demands. “Man, I am in college, I’m doin’ lovely!”

There is no violence, only this: some black boys are dancing, with liquid moves, to the sound of the drum. Four young Trump guys counter by stripping to their waists and jouncing around madly, their skin greenish-yellow under the street lights, screaming about the building of the wall. There was no alcohol inside; they’re drunk on whatever it is – the elixir of fascism, the unique magic of Trump. It’s a hyper but not at all happy drunk.

As with every other moment of the Trump campaign so far, it would have been merely some grade of the cringeworthy – the embarrassing, the revolting, the pitiful – were Trump not slouching closer and closer, with each of these moments, to his nomination. 

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism