Achebe freed me to tell my own story

He demonstrated the importance of finding your own voice.

Chinua Achebe, who has died aged 82, writes of his protagonist in Things Fall Apart: “Okonkwo was well known throughout the nine villages and even beyond. His fame rested on solid personal achievement.” At the age of 27, Achebe most likely had no idea just how much of his own life that opening sentence of his debut novel was prophesying. Things Fall Apart has since sold more than 12 million copies and has been translated into more than 50 languages.

The book’s publication in 1958 was deservedly a huge cultural event. Published two years before Nigeria gained independence, at a time when questions of identity and nationhood preoccupied colonised nations throughout the continent, it firmly moved Africans from the margins of their own narrative to the centre.

It tells the story of the colonial intervention from the African point of view and eloquently challenges the notion of the “discovery” of a people who already existed, and whose well-established civilisation has come under attack by the “discoverers”. “The white man is very clever,” Achebe writes. “He came quietly and peaceably with his religion. We were amused at his foolishness and allowed him to stay. Now he has won our brothers, and our clan can no longer act like one. He has put a knife on the things that held us together and we have fallen apart.”

Like everyone else I know, I remember the first time I read Things Fall Apart. I could not have been more than ten when I read an older sibling’s copy. I was struck even then by the simplicity and beauty of the prose, and how the village it described seemed very much like mine. It captivated me and opened up for me a world of expansive possibilities. In it, I – who had been fed on the stories of Enid Blyton, and instructed at school on the history of post-colonial Nigeria – found a space where I could exist, one in which my forefathers existed as people worthy of respect. They were not pagans, running around wildly in the dark, cursed by God for not being Christians, as a pamphlet I had discovered around the same period asserted.

That revelation was a liberating and refreshing experience. Nelson Mandela has been quoted as saying that Achebe was the one writer in whose company his prison walls came down. For me, it was in his company that my world opened. And it would be many years before I would describe it as “coming home”.

Achebe became my idol and I sought him out diligently. I read him carefully, savouring his wisdom. His later works continued the interrogation of the tension between old and new, but also became increasingly critical of the Nigerian government. His last book, There Was a Country: a Personal History of Biafra (2012), traces the trajectory of the country’s leadership problems and offers an honest and biting criticism of contemporary Nigeria.

No matter what his subject, Achebe wrote with an unflinching honesty and with elegance. From Things Fall Apart to There Was a Country, he has reminded me of the importance of not only owning my own story, but also articulating it, transcribing it, and, more importantly, of finding my voice. That is his enduring legacy, for which I – and many others – are immensely grateful. Achebe is gone, yet he lives not only in his works, but in those of generations of writers all over the world for whom he continues to be an influence.

Chika Unigwe won the 2012 Nigeria Prize for Literature for “On Black Sisters’ Street” (Vintage, £8.99)

Chinua Achebe and Nelson Mandela in 2002. Photo: Getty Images.

This article first appeared in the 01 April 2013 issue of the New Statesman, Easter Special Issue

Photo: Channel 4
Show Hide image

Who will win Great British Bake Off 2017 based on the contestants’ Twitters

An extremely serious and damning investigation. 

It was morning but the sky was as dark as the night – and the night was as dark as a quite dark rat. He walked in. A real smooth gent with legs for seconds. His pins were draped in the finest boot-cut jeans money could buy, and bad news was written all over his face. “I’m Paul,” he said. “I know”. My hooch ran dry that night – but the conversation never did. By nightfall, it was clear as a see-through rat.   

Some might say that going amateur detective to figure out which contestants win and lose in this year’s Great British Bake Off is spoiling the fun faster than a Baked Alaska left out of the freezer. To those people I’d say: yes. The following article is not fun. It is a serious and intense week-by-week breakdown of who will leave GBBO in 2017. How? Using the contestants’ Twitter and Instagram accounts, of course.

The clues are simple but manifold, like a rat with cousins. They include:

  • The date a contestant signed up for social media (was it during, or after, the competition?)
  • Whether a contestant follows any of the others (indicating they had a chance to bond)
  • A contestant’s personal blog and headshots (has the contestant already snaffled a PR?)
  • Pictures of the contestant's baking.
  • Whether a baker refers to themselves as a “baker” or “contestant” (I still haven’t figured this one out but FOR GOD’S SAKE WATSON, THERE’S SOMETHING IN IT)

Using these and other damning, damning, damning clues, I have broken down the contestants into early leavers, mid-season departures, and finalists. I apologise for what I have done.

Early leavers

Kate

Kate appears not to have a Twitter – or at least not one that the other contestants fancy following. This means she likely doesn’t have a book deal on the way, as she’d need to start building her social media presence now. Plus, look at how she’s holding that fork. That’s not how you hold a fork, Kate.

Estimated departure: Week 1

Julia

This year’s Bake Off began filming on 30 April and each series has ten episodes, meaning filming ran until at least 9 July. Julia first tweeted on 8 May – a Monday, presumably after a Sunday of filming. Her Instagram shows she baked throughout June and then – aha! – went on holiday. What does this mean? What does anything mean?

Estimated departure: Week 2

James

James has a swish blog that could indicate a PR pal (and a marketing agency recently followed him on Twitter). That said, after an April and May hiatus, James began tweeting regularly in June – DID HE PERHAPS HAVE A SUDDEN INFLUX OF FREE TIME? No one can say. Except me. I can and I am.

Estimated departure: Week 3

Tom

Token-hottie Tom is a real trickster, as a social media-savvy youngster. That said, he tweeted about being distracted at work today, indicating he is still in his old job as opposed to working on his latest range of wooden spoons. His Instagram is suspiciously private and his Twitter sparked into activity in June. What secrets lurk behind that mysteriously hot face? What is he trying to tell me, and only me, at this time?

Estimated departure: Week 4

Peter

Peter’s blog is EXCEPTIONALLY swish, but he does work in IT, meaning this isn’t a huge clue about any potential managers. Although Peter’s bakes look as beautiful as the moon itself, he joined Twitter in May and started blogging then too, suggesting he had a wee bit of spare time on his hands. What’s more, his blog says he likes to incorporate coconut as an ingredient in “everything” he bakes, and there is absolutely no bread-baking way Paul Hollywood will stand for that.

Estimated departure: Week 5

Mid-season departures

Stacey

Stacey’s buns ain’t got it going on. The mum of three only started tweeting today – and this was simply to retweet GBBO’s official announcements. That said, Stacey appears to have cooked a courgette cake on 9 June, indicating she stays in the competition until at least free-from week (or she’s just a massive sadist).

Estimated departure: Week 6

Chris

Chris is a tricky one, as he’s already verified on Twitter and was already solidly social media famous before GBBO. The one stinker of a clue he did leave, however, was tweeting about baking a cake without sugar on 5 June. As he was in London on 18 June (a Sunday, and therefore a GBBO filming day) and between the free-from week and this date he tweeted about bread and biscuits (which are traditionally filmed before free-from week in Bake Off history) I suspect he left just before, or slap bang on, Week 7. ARE YOU PROUD NOW, MOTHER?

Estimated departure: Week 7

Flo

Flo’s personal motto is “Flo leaves no clues”, or at least I assume it is because truly, the lady doesn’t. She’s the oldest Bake Off contestant ever, meaning we can forgive her for not logging onto the WWWs. I am certain she’ll join Twitter once she realises how many people love her, a bit like Val of seasons past. See you soon, Flo. See you soon.

Estimated departure: Week 8

Liam

Liam either left in Week 1 or Week 9 – with 0 percent chance it was any of the weeks in between. The boy is an enigma – a cupcake conundrum, a macaron mystery. His bagel-eyed Twitter profile picture could realistically either be a professional shot OR taken by an A-Level mate with his dad’s camera. He tweeted calling his other contestants “family”, but he also only follows ONE of them on the site. Oh, oh, oh, mysterious boy, I want to get close to you. Move your baking next to mine.

Estimated departure: Week 9

Finalists

Steven

Twitter bios are laden with hidden meanings and Steven Carter-Bailey’s doesn’t disappoint. His bio tells people to tune in “every” (every!) Tuesday and he has started his own hashtag, #StevenGBBO. As he only started tweeting 4 August (indicating he was a busy lil baker before this point) AND his cakes look exceptionally lovely, this boy stinks of finalist.  

(That said, he has never tweeted about bread, meaning he potentially got chucked out on week three, Paul Hollywood’s reckoning.)

Sophie

Sophie’s Twitter trail is the most revealing of the lot, as the bike-loving baker recently followed a talent agency on the site. This agency represents one of last year’s GBBO bakers who left just before the finale. It’s clear Sophie’s rising faster than some saffron-infused sourdough left overnight in Mary’s proving drawer. Either that or she's bolder than Candice's lipstick. 

Chuen-Yan

Since joining Twitter in April 2017, Yan has been remarkably silent. Does this indicate an early departure? Yes, probably. Despite this, I’m going to put her as a finalist. She looks really nice. 

Amelia Tait is a technology and digital culture writer at the New Statesman.