Should feminists lay off Rihanna?

The pop star gets criticised for her hypersexual persona - and for returning to the man who abused her. But before you attack her choices, work out what you'd do if someone you actually knew was making the same mistakes.

I've got some advice for Rihanna. However, in a stunning reversal of columnist mores (not so stunning that I won't still say things like "stunning reversal", mind), I'm going to advise myself first: don't tell celebrities what they should or shouldn't do. However much they seem like a paradigm for all society, however much you fear that their role model status means their actions will be imprinted on our gosling-like young, however much you think that what they're doing is simply a straight-up terrible idea – just shush.

In Rihanna's case, keeping your counsel gets especially hard because she ticks all three of those boxes so hard that the boxes are just raggedy Biro-stained rips in a disintegrating piece of paper. If you want someone who embodies the eerie duality of female power and powerlessness, there's Rihanna – giving off every sign of hypersexual self-possession, while also being a carefully packaged entertainment industry product, singing words written by other people. If you want a role model, Rihanna's River Island clothing collection shows she's the kind of girl other girls follow.

And if you want terrible ideas . . . oh Rihanna. Since March 2009, when details were released of her assault by then-boyfriend (subsequently ex-boyfriend, now current boyfriend) Chris Brown, there's been an awkward tussle within the feminist camp over what Rihanna means. At first it looked like she might be a celebrity survivor, but she never embraced that role. After that, there were moves to hold her up as just a girl doing her own damn thing. But then came the hard-to-stomach reconciliation with Brown.

Some accused her of contributing to violence against women: when a famous woman sticks with an abusive partner, the argument goes, that tells non-famous women that they too should endure the beatings in the name of love. Meanwhile, Camille Paglia anointed her Diana 2.0, and mused on RiRi's archetypal victimhood in a long, thinky and basically revolting essay. Scandal-sheet matter aside, Rihanna incites all this interest because she's a brilliant pop star. She's beautiful, of course. She gets the best material pop has to offer, too, masterfully shaped by the greatest producers around.

But there are a lot of pretty girls with great songs and crack production teams: Rihanna has something more, a tug or a strain in her voice that survives the brutal smoothing of the autotune process. There's something disarmingly intimate in her singing: you always know it's her when you hear her on a record. If you haven't had a tiny raw-throated sob while singing along to We Found Love's abject declaration of affection, or felt your hips twitch obscenely to S&M, then pop music's probably wasted on you. I like Rihanna a lot. I don't listen to her records very much now, though, because I've got a six-year-old daughter, and I'm very keen to avoid the RiRification of my offspring.

This isn't because I've got very advanced standards of decency: owing to a particularly poor patch of parenting, my daughter knows all the words on Nicki Minaj's Pink Friday, and does a cracking version of Roman's Revenge when she really wants to mortify me. I don't expect Rihanna to be a role model, either. For one thing, if anyone's messing that job up, it's me (see above); for another, she's spent her whole adult life being ragingly famous and professionally hot, and nobody under that kind of bizarre duress can ever be asked to show other people how to act.

But what Rihanna is criticised for most is probably the most ordinary thing about her: people often do return to abusive relationships, and there's no reason why being famous should make you better able to escape. In interviews, Rihanna is adamant that Brown has changed, and Christ knows I hope she's right. But the unpleasant details that slip out – Brown telling a nightclub audience how to show your "bad bitch" that you "own that pussy", or Rihanna saying that Brown is her "best friend" in an interview for Elle – feel depressingly rote.

Violence, possessiveness, isolation: these are common themes of intimate partner abuse. Observing Rihanna's career feels a little like being the photojournalist on the extraordinary Time magazine domestic violence article, except I am definitely, definitely not doing anything to help.

So this is my advice to myself, and anyone else tempted to chip in, however good your intentions: stop gawping, start understanding how agonisingly complex abusive relationships are. And before you tell some far-off 25-year-old what to do, work out what you'd do if someone you actually knew was making the same mistakes.

Chris Brown and Rihanna. Photo: Getty

Sarah Ditum is a journalist who writes regularly for the Guardian, New Statesman and others. Her website is here.

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Rarely has it mattered so little if Manchester United won; rarely has it been so special they did

Team's Europa League victory offers chance for sorely needed celebration of a city's spirit.

Carlo Ancelotti, the Bayern Munich manager, memorably once said that football is “the most important of the least important things”, but he was only partly right. While it is absolutely the case that a bunch of people chasing around a field is insignificant, a bunch of people chasing around a field is not really what football is about.

At a football match can you set aside the strictures that govern real life and freely scream, shout and cuddle strangers. Football tracks life with such unfailing omnipresence, garnishing the mundane with regular doses of drama and suspense; football is amazing, and even when it isn’t there’s always the possibility that it’s about to be.

Football bestows primal paroxysms of intense, transcendent ecstasy, shared both with people who mean everything and people who mean nothing. Football carves out time for people it's important to see and delivers people it becomes important to see. Football is a structure with folklore, mythology, language and symbols; being part of football is being part of something big, special, and eternal. Football is the best thing in the world when things go well, and still the best thing in the world when they don’t. There is nothing remotely like it. Nothing.

Football is about community and identity, friends and family; football is about expression and abandon, laughter and song; football is about love and pride. Football is about all the beauty in the world.

And the world is a beautiful place, even though it doesn’t always seem that way – now especially. But in the horror of terror we’ve seen amazing kindness, uplifting unity and awesome dignity which is the absolute point of everything.

In Stockholm last night, 50,000 or so people gathered for a football match, trying to find a way of celebrating all of these things. Around town before the game the atmosphere was not as boisterous as usual, but in the ground the old conviction gradually returned. The PA played Bob Marley’s Three Little Birds, an Ajax staple with lyrics not entirely appropriate: there is plenty about which to worry, and for some every little thing is never going to be alright.

But somehow the sentiment felt right and the Mancunian contingent joined in with gusto, following it up with “We’ll never die,” – a song of defiance born from the ashes of the Munich air disaster and generally aired at the end of games, often when defeat is imminent. Last night it was needed from the outset, though this time its final line – “we’ll keep the red flag flying high, coz Man United will never die" – was not about a football team but a city, a spirit, and a way of life. 

Over the course of the night, every burst of song and even the minute's silence chorused with that theme: “Manchester, Manchester, Manchester”; “Manchester la la la”; “Oh Manchester is wonderful”. Sparse and simple words, layered and complex meanings.

The match itself was a curious affair. Rarely has it mattered so little whether or not United won; rarely has it been so special that they did. Manchester United do not represent or appeal to everyone in Manchester but they epitomise a similar brilliance to Manchester, brilliance which they take to the world. Brilliance like youthfulness, toughness, swagger and zest; brilliance which has been to the fore these last three days, despite it all.

Last night they drew upon their most prosaic aspects, outfighting and outrunning a willing but callow opponent to win the only trophy to have eluded them. They did not make things better, but they did bring happiness and positivity at a time when happiness and positivity needed to be brought; football is not “the most important of the least important things,” it is the least important of the most important things.

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