Reviewed: Heading Out; Food, Glorious Food

The great British rip-off.

Heading Out; Food, Glorious Food
BBC2; ITV

Sue Perkins, the one with dark hair from The Great British Bake Off, has written a sitcom, in which she also stars. It’s called Heading Out (Tuesdays, 10pm), and it’s about a 40-yearold vet who is too scared to tell her nice middle- class parents – and you really don’t get nicer or more middle-class than Harriet Walter, who plays her mum – that she is a lesbian.

Are you convinced by this set-up? I’m not. I mean, a friend of mine came out when we were 18, in Sheffield, in 1987, at a school where you were basically a social outcast if you didn’t look and act like Shirley from Wham! Would a funny and assertive 40- year-old vet in the south of England in 2013 who isn’t married (I mean to a man), and doesn’t have children, really find it so terribly hard to say the words “I’m gay” to her loving, if somewhat conventional (and, er, possibly blind), parents? I don’t think she would, though do feel free to correct me if I’m wrong. It may be that I am just too damned liberal for my own good.

It’s a pity the set-up is so dodgy, because it’s quite funny otherwise. The flip side of my extreme liberality is an urgent desire to laugh at people who are overly sentimental about animals – I’m a real Jekyll and Hyde type, on the sly – so jokes about dead cats and pet crematoria are, alas, right up my street. Sara (Perkins) is a superbly hopeless vet: the kind who keeps a stiff moggy in her fridge – it’s a long story – and who can barely hide her derision when soppy owners from the Liz Jones school of feline husbandry start going on about arnica and Rescue Remedy.

The show has a nice supporting cast, too: Nicola Walker (Spooks) plays Justine, Sara’s friend on the netball team, and Joanna Scanlon (The Thick of It) is the batty life coach who is going to help her pluck up the courage to tell her parents that her new boyfriend is in fact a girlfriend. Maybe, then, it’ll settle down as it goes along; maybe it’ll become so hilariously funny I’ll be able to forget all about the 40-year-old closeted lesbian aspect of it. I hope so, because Perkins is a good sort.

Certainly, she seems a better sort than Carol Vorderman, the presenter of Food, Glorious Food (Wednesdays 8pm), ITV’s dimwitted and pathetic attempt to grab a slice of Bake Off’s audience. Oh, man, this show is bad. What, I wonder, do I most despise about it? Is it that the winner’s dish – any recipe will do, sweet or savoury, and the more ghastlysounding the better – will be developed and sold by Marks & Spencer at a time when our faith in ready meals has reached rock bottom? Or is it the fact that one of the “expert” judges, the charmless Anne Harrison of the WI, admitted in the first episode that she did not know what a Staffordshire oatcake was? Or maybe it’s the realisation that her colleague Tom Parker Bowles doesn’t seem embarrassed to be described as “food-writing royalty”?

It has no drama and no focus; the standard is so desperately low, it’s patently obvious who is going to win each round and, since anything goes, you have pheasant paprikash competing against Pimm’s jelly and Welsh cawl, which is just dumb. The producers seem to have chosen contestants mostly so we can laugh at them, Britain’s Got Talent style (Simon Cowell’s company makes this series). In the first episode, we had a mother and son who wear Victorian dress full-time and apparently without irony; a woman who makes fermented cabbage by crushing it beneath her bare feet; and a woman who thinks that Loyd Grossman, another of the judges, looks like Sean Connery. (And while we’re on the subject of Grossman, he appears to have insisted his OBE be added to his name on the credits, which isn’t very cool at all.)

As for Vorderman, though she has swapped her Galaxy dress for something a little more Cath Kidston, she appears to be about as interested in cooking as I am in who wins this shameless, muddled rip-off. Honestly, I would rather wear Anne Harrison’s giant purple body warmer to lunch at Claridge’s with Brad Pitt than watch this show again.

Sue Perkins in Heading Out. Photograph: BBC

Rachel Cooke trained as a reporter on The Sunday Times. She is now a writer at The Observer. In the 2006 British Press Awards, she was named Interviewer of the Year.

This article first appeared in the 04 March 2013 issue of the New Statesman, The fall of Pistorius

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Politicians and fashion? Why their approach can be telling

My week, from spying on the spies to Theresa May’s fashion charm offensive – and how Sadiq stole hearts.

About nine months ago I was asked if I wanted to spend a morning with Zac Goldsmith, as he appeared to be wakening from the slumber that had obviously taken hold of him when he decided to run for mayor of London. However, after about three minutes in his company (maybe less, actually) I realised that not even his campaign team – let alone voters in the Borough of Southwark – thought he had a hope in hell of winning.

There was only ever going to be one winner, and the enthusiasm with which Sadiq Khan has been greeted by London has been heartwarming. He won the politician award at GQ’s Men of the Year Awards a few weeks ago, and I’d never heard such a roar as he leapt up on stage to collect it. Well, I’ve heard such roars for the likes of Michael Caine, Elton John and Amy Schumer, but rarely for a politician. In fact, the last time there was such fulsome applause for a politician at the GQ awards was when we gave one to a pre-Sextator David Blunkett. Perhaps I shouldn’t be surprised: the last time Noel Gallagher graced us with his presence, he asked: “Is this what a Conservative party conference looks like?”

 

On the dole

The recent past is being hauled over so repeatedly that soon there are going to be ­retrospectives of events that happened only last week. Or next week. On paper, the new exhibition at the V&A in London, entitled “You Say You Want a Revolution? Records and Rebels 1966-1970”, seemed slightly behind the curve, but the reality is very different – as it’s probably the best exhibition you’ll see in London this year.

This is all down to the curation, which was handled by Geoffrey Marsh and Victoria Broackes, the wizards behind “David Bowie Is”, the most successful show in the V&A’s history. It’s a terrific exhibition, although being reminded of the cultural and political insurrection of the Sixties also reminds you of the period’s seemingly innate optimism as a new London was mushrooming into life. Winston Churchill was dead, abortion was about to be made legal and the rise in happiness seemed exponential. Britain was experiencing almost full employment (though the government wobbled slightly in the spring of 1966 when it was announced that the jobless total had gone up to half a million). It never occurred to anyone that there might not be a job
waiting for them when they left school or their red-brick university.

 

Priced out

There certainly won’t be a house waiting for them, not if they intend to live in London. The marketing bods behind the new development at Battersea Power Station came in to make a presentation at Vogue House a few weeks ago, showing us lots of slides and videos about their fabulous ­development. There’s a Frank Gehry this and a Frank Gehry that, a swimming pool, a private members’ club and lots of artisanal independent retailers selling organic rhubarb and fancy beer, blah blah blah.

Their roll-call of “good things” included the ominous words “affordable housing”, but this appears to be anything but. After the presentation, I promptly stuck my hand up and asked them what they actually meant by affordable housing. The answer I got wasn’t satisfactory, so I asked again: “What does your entry-level accommodation cost?” And the very charming man with the lapel-mike coughed apologetically and almost whispered, “£350,000.” At which point I made my excuses and left.

The idea that my daughters can one day get on the property ladder in London is pure fantasy, and they certainly won’t be living in Battersea, or indeed anywhere near it.

 

Back in fashion

Last Thursday, Theresa May hosted her first reception at Downing Street for the British fashion industry, an event that usually takes place twice a year, and which is attended by fashion designers, industry figures, newspaper and magazine editors and the like. ­Samantha Cameron was always a significant supporter of the sector (which contributes more to the country’s GDP than the car industry), as was Sarah Brown before her, and it is instructive that May has decided to follow in their footsteps.

It’s also telling that Mrs Cameron was not only invited to the event at No 10 but turned up, which says a lot about both women. Theresa May is a fundamentally shy person, yet she not only made a pitch-perfect speech in front of a Brexit-sensitive (and quite possibly suspicious) crowd, but chose to embrace the opportunity to espouse the growing importance of an industry that was so closely associated with the wife of her predecessor. There is such a lot of noise at the moment surrounding the PM’s apparent lack of interest in remaining on good terms with David Cameron, so one wonders what, if anything, is going on here. Taken at face value, May’s move at the reception was extremely classy.

 

The spying game

The following day I found myself in Cheltenham for a five-hour briefing on counterterrorism, cyber-defence, drug smuggling and child kidnapping at GCHQ.

I had expected the place to be like the Foreign Office, but it’s actually more like Google, Apple or Nike, and feels as though it could easily be a campus on America’s “Left Coast”.

There is an incredible sense of purpose at GCHQ, a feeling that they are all working for the common good, and frankly I found it infectious. While the denizens of Silicon Valley might be very adept at pushing the frontiers of consumerism, designing training shoes, telephones and algorithms, it felt far more appropriate to be spending time with men and women obsessed with making the world safer.

Dylan Jones is the editor-in-chief of GQ and a trustee of the Hay Festival

This article first appeared in the 22 September 2016 issue of the New Statesman, The New Times