Reviewed: British Writers and MI5 Surveillance, 1930-60 by James Smit

Nosy parkers.

British Writers and MI5 Surveillance, 1930-60
James Smith
Cambridge University Press, 226pp, £55

The most hated person in Britain, George Orwell believed, is the nosy parker. MI5 is the state-appointed nosy parker. Some of the agency’s less radioactive files have been opened up grudgingly and James Smith is one of the first literary critics to investigate them. What has been released is partial, “redacted” and tangled. Working through the files must have been like opening oysters with your fingers (a third of the book is dense end-annotation – lots of shells, a few pearls).

Smith focuses on central figures most of whom, in the flush of youth and idealism, were “premature anti-fascists”: principally the “Auden circle” (Christopher Isherwood, Cecil Day-Lewis, Stephen Spender and others), the folk singer Ewan MacColl, the dramaturge Joan Littlewood and two outriders, Orwell and Arthur Koestler. Many, as history moved on and their blood cooled, shifted ideologically. Some were politically bipolar over the course of their lives. Others, among them Orwell, wobbled incomprehensibly. Some, including Koestler, pirouetted as their interests dictated, running rings around the (misnamed, in his case) “intelligence” agencies.

The overwhelming impression is one of officious bumbledom. As Smith neatly observes, the spooks could have garnered more relevant information from the local public library by studying the revisions to Auden’s poems or else attending performances of suspect plays in Stratford. Philistinism seems to have been one of the main qualifications for recruitment. That and a convenient vacancy where common sense should have been.

Spender was under “surveillance” for many years of his life; specially briefed customs officers rummaged through his luggage whenever he returned from abroad. His socks, as friends observed, were well-known for their “potatoes”. This was surely noted. An MI5 report on Orwell (he was then working at the BBC and being watched round the clock) said: “This man has advanced communist views . . . He dresses in a bohemian fashion both at his office and in his leisure hours.” Case closed.

It was PC Plod and Inspector Clouseau all the way – and there was a disinclination to “join up” what was known. Some of the writers were receiving payment from one branch of MI5 while being “surveilled” by another branch.

The magazine Encounter, which was funded covertly by the CIA, was solemnly investigated on suspicion of being run by a communist cell. Meanwhile, in other echelons of the secret service, operatives such as Malcolm Muggeridge were keeping lines open with Langley.

On the evidence presented here, the whole structure of MI5 was fuelled by low-level paranoia – but relatively harmlessly so, compared to the hysterical levels in the US that fuelled McCarthyism. Harmless, that is, except that MI5 did not do the one job it should have done: to monitor and catch the Cambridge spies who did substantial damage to their country.

Paranoia is infectious and it has, I think, infected the core of Smith’s book. He is a little too ready to be suspicious. The book begins and ends with lofty quotations from Spender on the freedom of the writer. One of the main thrusts of the book is to suggest that Spender (the most discussed figure here) was, despite such lofty proclamations, “complicit”.

There had always been the suspicion that he was not what he seemed. Cyril Connolly, who co-edited Horizon with him, discerned that there were two Spenders: “Stephen I”, who was “an inspired simpleton, a great big silly goose, a holy Russian idiot”, and “Stephen II”, who was “shrewd, ambitious, aggressive and ruthless”. Frank Kermode, another co-editor (on Encounter), wryly quipped that his colleague never seemed to know where he was going in London but always knew the quickest way to get there.

Smith tracks Spender’s career from gaytimes Weimar Berlin to his late-life role as public intellectual and world ambassador for British culture, noting his many interactions with various branches of the intelligence services along the way. Pivotal to the author’s verdict is Spender’s 14-year connection with Encounter (1953-67), the longest job he ever held.

Some background, missing from Smith’s account, is necessary. The CIA, much cleverer (on the evidence in this book) than its British counterpart, set out in the early 1950s to reclaim the intellectual-ideological high ground occupied by card-carrying Marxists such as Jean-Paul Sartre. Encounter was one of its most successful operations. The agency deviated its “black” (officially unrecorded) funds through a soi-disant American philanthropist, Julius Fleischmann, who had the convenient “Farfield Foundation”. Thus laundered, the money was passed on to the “independent” Congress for Cultural Freedom, directed by Michael Josselson, a man of high culture and flexible principles resident in Paris and Switzerland.

Irritatingly, Smith calls Spender “the editor of Encounter”. He wasn’t. An American always held that post (latterly Melvin Lasky, Josselson’s “favourite son” and a CIA “agent in place”). Spender owned the back half – he was the magazine’s literary editor. He was no more influential on the political front half of Encounter than, I suspect, the literary editor of this magazine is on the New Statesman’s front half.

Looking at Spender in the round, Smith finds his claims of ignorance as to who funded Encounter and paid his salary “implausible”. He knew, we are to understand. The book ends with a melodramatically “raised eyebrow” at such protes tations. It would have helped before hoisting that eyebrow to look at the many letters in the Spender archive (not hard to access). When, for example, the balloon went up on Encounter in summer 1967, with impeccably sourced articles in the New York Times, Spender wrote, furiously, to Fleischmann for a clear statement. He received a written reply asserting that “as far as Farfield is concerned we have never accepted any funds from any government agency”. Josselson wrote, in response to the same inquiry: “The only outside donor to Encounter has always been the Congress.”

The idea that Spender, Fleischmann and Josselson would have embarked on some charade à trois with letters of blunt inquiry and mendacious denial is, to use Smith’s term, implausible. You could argue that Spender should have known but all the evidence (there is a lot of it) is that he was lied to and duped – as were Encounter’s readers.

Spender has attracted more than his share of sneers during his lifetime and after. This book (more politely than most) adds to them. Does a dead poet’s reputation matter? I think it does. Among the admirable scholarship in this book, there is, I think, an injustice.

John Sutherland is the editor, with Lara Feigel, of Stephen Spender’s “New Selected Journals, 1939-55” (Faber & Faber, £45)

Cecil Day-Lewis, a member of the so-called "Auden circle". Photograph: Getty Images

This article first appeared in the 11 March 2013 issue of the New Statesman, The audacity of popes

All photos: BBC
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“You’re a big corporate man” The Apprentice 2015 blog: series 11, episode 8

The candidates upset some children.

WARNING: This blog is for people watching The Apprentice. Contains spoilers!

Read up on episode 7 here.

“I don’t have children and I don’t like them,” warns Selina.

An apt starting pistol for the candidates – usually so shielded from the spontaneity, joy and hope of youth by their childproof polyester uniforms – to organise children’s parties. Apparently that’s a thing now. Getting strangers in suits to organise your child’s birthday party. Outsourcing love. G4S Laser Quest. Abellio go-carting. Serco wendy houses.

Gary the supermarket stooge is project manager of team Versatile again, and Selina the child hater takes charge of team Connexus. They are each made to speak to an unhappy-looking child about the compromised fun they will be able to supply for an extortionate fee on their special days.

“So are you into like hair products and make-up?” Selina spouts at her client, who isn’t.

“Yeah, fantastic,” is Gary’s rather enthusiastic response to the mother of his client’s warning that she has a severe nut allergy.

Little Jamal is taken with his friends on an outdoor activity day by Gary’s team. This consists of wearing harnesses, standing in a line, and listening to a perpetual health and safety drill from fun young David. “Slow down, please, don’t move anywhere,” he cries, like a sad elf attempting to direct a fire drill. “Some people do call me Gary the Giraffe,” adds Gary, in a gloomy tone of voice that suggests the next half of his sentence will be, “because my tongue is black with decay”.

Selina’s team has more trouble organising Nicole’s party because they forgot to ask for her contact details. “Were we supposed to get her number or something?” asks Selina.

“Do you have the Yellow Pages?” replies Vana. Which is The Apprentice answer for everything. Smartphones are only to be used to put on loudspeaker and shout down in a frenzy.

Eventually, they get in touch, and take Nicole and pals to a sports centre in east London. I know! Sporty! And female! Bloody hell, someone organise a quaint afternoon tea for her and shower her with glitter to make her normal. Quick! Selina actually does this, cutting to a clip of Vana and Richard resentfully erecting macaroons. Selina also insists on glitter to decorate party bags full of the most gendered, pointless tat seed capital can buy.

“You’re breaking my heart,” whines Richard the Austerity Chancellor when he’s told each party bag will cost £10. “What are we putting in there – diamond rings?” Just a warning to all you ladies out there – if Richard proposes, don’t say yes.

They bundle Nicole and friends into a pink bus, for the section of her party themed around the Labour party’s failed general election campaign, and Brett valiantly screeches Hit Me Baby One More Time down the microphone to keep them entertained.

Meanwhile on the other team, Gary is quietly demonstrating glowsticks to some bored 11-year-old boys. “David, we need to get the atmosphere going,” he warns. “Ermmmmm,” says David, before misquoting the Hokey Cokey out of sheer stress.

Charleine is organising a birthday cake for Jamal. “May contain nuts,” she smiles, proudly. “Well done, Charleine, good job,” says Joseph. Not even sarcastically.

Jamal’s mother is isolated from the party and sits on a faraway bench, observing her beloved son’s birthday celebrations from a safe distance, while the team attempts to work out if there are nuts in the birthday cake.

Richard has his own culinary woes at Nicole’s party, managing both to burn and undercook burgers for the stingy barbecue he’s insisted on overriding the afternoon tea. Vana runs around helping him and picking up the pieces like a junior chef with an incompetent Gordon Ramsay. “Vana is his slave,” comments Claude, who clearly remains unsure of how to insult the candidates and must draw on his dangerously rose-tinted view of the history of oppression.

Versatile – the team that laid on some glowstick banter and a melted inky mess of iron-on photo transfers on t-shirts for Jamal and his bored friends – unsurprisingly loses. This leads to some vintage Apprentice-isms in The Bridge café, His Lordship's official caterer to losing candidates. “I don’t want to dance around a bush,” says one. “A lot of people are going to point the finger at myself,” says another’s self.

In an UNPRECEDENTED move, Lord Sugar decides to keep all four losing team members in the boardroom. He runs through how rubbish they all are. “Joseph, I do believe there has been some responsibility for you on this task.” And “David, I do believe that today you’ve got a lot to answer to.”

Lord Sugar, I do believe you’re dancing around a bush here. Who’s for the chop? It’s wee David, of course, the only nice one left.

But this doesn’t stop Sugar voicing his concern about the project manager. “I’m worried about you, Gary,” he says. “You’re a big corporate man.” Because if there’s any demographic in society for whom we should be worried, it’s them.

Candidates to watch:


Hanging on in there by his whiskers.


Far less verbose when he’s doing enforced karaoke.


She’ll ruin your party.

I'll be blogging The Apprentice each week. Click here for the previous episode blog. The Apprentice airs weekly at 9pm, Wednesday night on BBC One.

Anoosh Chakelian is deputy web editor at the New Statesman.