Mark Kermode: The next generation of film critics will come from the internet

We sent Bim to Cuddle her Favourite Critic.

Do you know what fancy rich people like? Deep in the heart of discreet wealth, aka the lobby of The Savoy, I discovered the answer. You ready? It’s mirrors. Rich people love them - can’t get enough of ‘em. I suppose it makes all that opulence gleam a little brighter, all that reflection... But I digress. Because thrilling as drying my hands on an actual cotton hand towel was, I was not at the hotel to report from the frontline of Broken Britain. No, I was there because of an internet miracle, in which I got to meet and interview Mark Kermode, based on a single paragraph I wrote in last week’s column. Following the introduction of a new enterprise, Cuddle-A-Critic, I mentioned my long-time admiration for Mr Kermode (here’s a sample tweet from last December, so you know it’s real), his reviews and his hair.

Mere hours later, my phone pinged, informing me of a new reply on Twitter. It was Mark, and it read: “Glad the hair won through in the end. Nice article.

Days later, I was placing a Dictaphone on a table for a chat. The internet wins again. 

We spoke for half an hour and he was, as expected, so insightful and interesting and generous that I forgot to take any shorthand. Below is a mere slice of our conversation. And before you ask, the answer is yes: the quiff is even more magnificent in 3-D. 

On U-turns and ‘getting it wrong’

One of the questions you get asked as a critic is ‘do you get things wrong?” Of course you do. You change. As I’ve always said, criticism is in the end to do with an opinion. Factual stuff is factual and you do need to get that right. Contextualisation is contextualisation. Knowledge is knowledge. But opinion is your opinion.

And it is really strange going back and looking at something about which you were convinced. I mean, I walked out of Blue Velvet when I saw it. I stormed out and wrote a really angry review of it. Three years later I went back and saw it again and realised it was one of the greatest movies ever made. Part of getting it wrong was part of the learning process. What I discovered from Blue Velvet was, if a movie really gets under your skin, you can go either way with it. And whereas it’s possible to love great movies, and hate really bad movies, it’s the movies you love and hate at the same time that are really exceptional. 

When AI first came out, I didn’t like it at all. I remember I was really cruel about it. Years later, we did a Culture Show interview with Spielberg for his 60th birthday and I apologised to him. And he said: “Well, it’s interesting. You’re only the second critic to apologise to me. The first one was Vince Canby” - who apparently shitcanned Close Encounters. So it was a slightly different scale, but you know. 


On his process

I don’t make notes during the film. I do that afterwards, at the end of the day. One of the things we do on the blog are these immediate responses. But that’s not a review; it needs time to settle down. I mean my response to Killer Joe was very different after a few days of letting it settle. Firstly, you have to figure out what you think. Your opinion is your opinion.

One of the things I did in The Good, The Bad and the Multiplex was attempt to do a definition of what a good review is. And there were a number of different categories but the basic things were: to describe the film adequately. You have to know where the film comes from and contextualise it properly. You have to assess it on its own terms – if it’s a comedy, did you laugh? And then beyond that, there is your reaction to it, that which you cannot change or be anything other than honest about. The worst thing you can do is attempt to second guess the audience because: a) you’ll always get it wrong; and b) you’ll regret it. It’s much better to be honestly, completely wrong than to be dishonestly closer to being ‘right’. 

On bias

I get accused of being soft on Friedkin. I don’t think I have gone soft on him; there are times when I think he’s made very disappointing films. But it is undoubtedly the case that I will go into any Friedkin film with a sense of expectation. The same is true of Paul Thomas Anderson. Because like anybody else, they’re making a body of work and it’s mad to suggest that that doesn’t affect you. You can’t write yourself out of it. What you have to do is be upfront about it. 

And people can surprise you – Guy Ritchie, who I think has made some of the worst movies ever, then made the Sherlock Holmes films, where he’s referring to Hammer, and getting the characters right... You have to be open-minded.

On his favourite critics and the art of criticism

Absolutely Nigel Floyd. He’s my kind of mentor. He writes for Time Out and when I used to work in Manchester at City Life magazine, I used to edit Nigel’s copy, when it came to the regionals. You’d read it, and there’d just be nothing to cut. I tell you, it’s not until you’ve subbed somebody’s copy that you know what good copy looks like. And I met him when I came to London and he was really kind to me at Time Out and sort of took me under his wing. He’s now one of my closest friends but in terms of writing, I still just regularly read his stuff and go ‘bugger’, because I’d give my right arm to write like that. We disagree about loads of films but it doesn’t matter. The opinion is not the point. He’s pithy, too. That’s a real craft. 

Philip French writes with grace and wit and humour, and even when I don’t agree with what he says, it’s the way it’s expressed. He was recently recognised in the New Year's Honours list and I tweeted that he was recognised for consistently elevating the profession. I feel very passionate about film criticism as a craft, a profession. 

I think we live in a time in which criticism is not taken seriously, as an art form. I’m not saying for one minute I consider what I do to be art – it’s not. But there are people who are up there at the top of the tree: Roger Ebert, Dilys Powell, Pauline Kael, Anne Billson... They know what they’re doing. And they write in a way that is elegant and funny and witty. It’s a craft. 

On a new generation of critics

The next generation of critics will come from the internet. There’s a misconception about the internet, which is that blogging is changing and devaluing criticism. It hasn’t. At the beginning of any new way of dispersing information, there’s a kind of sense of anarchic freedom: you suddenly have a gaggle of voices. When Roger Ebert started doing his TV show with Siskel, people wrote essays about how it was the end of film criticism. What they didn’t realise is that it’s just another way of doing it. 

I still think of myself as a writer, but I’m primarily known for the radio show. I love radio, and I know there are people out there who look at me and say “This is what we have? THIS? Some guy blathering in a studio?” But it’s just all different ways of doing it. And blogging is clearly the future. It will settle down and the good will emerge and it will come down to the same basic rules: are you doing the job properly? Do you know what you’re talking about? Are contextualising? Are you writing wittily and entertainingly and engagingly? I have no doubt that right now out there, there is some smart 16-year-old woman or man, who’s writing powerful stuff that in ten years’ time will be held up.

Mark Kermode. Photo: Getty

Bim Adewunmi writes about race, feminism and popular culture. Her blog is and you can find her on Twitter as @bimadew.

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7 problems with the Snooper’s Charter, according to the experts

In short: it was written by people who "do not know how the internet works".

A group of representatives from the UK Internet Service Provider’s Association (ISPA) headed to the Home Office on Tuesday to point out a long list of problems they had with the proposed Investigatory Powers Bill (that’s Snooper’s Charter to you and me). Below are simplified summaries of their main points, taken from the written evidence submitted by Adrian Kennard, of Andrews and Arnold, a small ISP, to the department after the meeting. 

The crucial thing to note is that these people know what they're talking about - the run the providers which would need to completely change their practices to comply with the bill if it passed into law. And their objections aren't based on cost or fiddliness - they're about how unworkable many of the bill's stipulations actually are. 

1. The types of records the government wants collected aren’t that useful

The IP Bill places a lot of emphasis on “Internet Connection Records”; i.e. a list of domains you’ve visited, but not the specific pages visited or messages sent.

But in an age of apps and social media, where we view vast amounts of information through single domains like Twitter or Facebook, this information might not even help investigators much, as connections can last for days, or even months. Kennard gives the example of a missing girl, used as a hypothetical case by the security services to argue for greater powers:

 "If the mobile provider was even able to tell that she had used twitter at all (which is not as easy as it sounds), it would show that the phone had been connected to twitter 24 hours a day, and probably Facebook as well… this emotive example is seriously flawed”

And these connection records are only going to get less relevant over time - an increasing number of websites including Facebook and Google encrypt their website under "https", which would make finding the name of the website visited far more difficult.

2. …but they’re still a massive invasion of privacy

Even though these records may be useless when someone needs to be found or monitored, the retention of Internet Connection Records (IRCs) is still very invasive – and can actually yield more information than call records, which Theresa May has repeatedly claimed are the non-digital equivalent of ICRs. 

Kennard notes: “[These records] can be used to profile them and identify preferences, political views, sexual orientation, spending habits and much more. It is useful to criminals as it would easily confirm the bank used, and the time people leave the house, and so on”. 

This information might not help find a missing girl, but could build a profile of her which could be used by criminals, or for over-invasive state surveillance. 

3. "Internet Connection Records" aren’t actually a thing

The concept of a list of domain names visited by a user referred to in the bill is actually a new term, derived from “Call Data Record”. Compiling them is possible, but won't be an easy or automatic process.

Again, this strongly implies that those writing the bill are using their knowledge of telecommunications surveillance, not internet era-appropriate information. Kennard calls for the term to be removed, or at least its “vague and nondescript nature” made clear in the bill.

4. The surveillance won’t be consistent and could be easy to dodge

In its meeting with the ISPA, the Home Office implied that smaller Internet service providers won't be forced to collect these ICR records, as it would use up a lot of their resources. But this means those seeking to avoid surveillance could simply move over to a smaller provider.

5. Conservative spin is dictating the way we view the bill 

May and the Home Office are keen for us to see the surveillance in the bill as passive: internet service providers must simply log the domains we visit, which will be looked at in the event that we are the subject of an investigation. But as Kennard notes, “I am quite sure the same argument would not work if, for example, the law required a camera in every room in your house”. This is a vast new power the government is asking for – we shouldn’t allow it to play it down.

6. The bill would allow our devices to be bugged

Or, in the jargon, used in the draft bill, subjected to “equipment interference”. This could include surveillance of everything on a phone or laptop, or even turning on its camera or webcam to watch someone. The bill actually calls for “bulk equipment interference” – when surely, as Kennard notes, “this power…should only be targeted at the most serious of criminal suspects" at most.

7. The ability to bug devices would make them less secure

Devices can only be subject to “equipment interference” if they have existing vulnerabilities, which could also be exploited by criminals and hackers. If security services know about these vulnerabilities, they should tell the manufacturer about them. As Kennard writes, allowing equipment interference "encourages the intelligence services to keep vulnerabilities secret” so they don't lose surveillance methods. Meanwhile, though, they're laying the population open to hacks from cyber criminals. 


So there you have it  – a compelling soup of misused and made up terms, and ethically concerning new powers. Great stuff. 

Barbara Speed is a technology and digital culture writer at the New Statesman and a staff writer at CityMetric.