Friday Arts Diary

Our cultural picks for the week ahead.

Opera

Eugene Onegin, The Royal Opera House, Covent Garden, and selected cinemas. 20 February.

Tchaikovsky adapted Pushkin’s great novel in verse into what he described as ‘lyrical scenes’, in which a young girl is rejected by Onegin, and eventually chooses honour over true love. The opera has an intimacy rare in the Russian tradition, and explores themes of maturity and sexual awakening. This production is directed by first-timer Kasper Holten and stars Simon Keenlyside, and is part of The Royal Opera House’s cinema initiative, in which performances are streamed live to a rage of Vue cinemas. Opening is Wednesay 20. The Royal Opera House reminds fans that screenings are updated and added on a daily basis, so they ought to check back regularly to see at which cinema’s this production is showing.

 

Exhibition

Poster Art 150: London Underground's Greatest Designs, London Transport Museums, Covent Garden Piazza. From 15 February 2013 to 1 October 2013

London Underground has developed a reputation, since a graphic poster competition in 1908, for commissioning exciting poster art. This exhibition, in commemoration of the tube’s anniversary, collates 150 of the most remarkable. There are posters by renowned artists and photographer such as Man Ray, alongside work from lesser known artists. This exhibition presents a vibrant pictorial history of the underground and the art works which have animated the world’s oldest subway system.

 

Film

Montgomery Clift Season, BFI Southbank. 19 - 28 February

As Trevor Johnstone of the BFI writes, “when he burst on the scene in the late 1940s, Montgomery Clift brought a new kind of masculinity to the screen. Listening, caring, intelligent, but no wilting flower either – behind everything lay a stony determination”. “Wrongly, he’s often lumped in with those icons of the Method, Brando and Dean, but while their performances were often founded on expressive self-revelation, Monty did his utmost to disappear inside his characters”. This retrospective overviews key films, such as Wild River, directed by Elia Kazan, and The Misfits with Marilyn Monroe.

 

Theatre

Our Country’s Good, St James Theatre, running until 23 March

This acclaimed play is based on the true story of a cast of convicts who put on a play under the enthusiasm of a young marine officer. Both behind the scenes and onstage their positions break down and intermingle, opening up a compendium of self-discovery in Australia. The play achieved many awards in Britain and American during its first run, and this production represents a welcome re-invention of a classic. Max Stafford-Clark, who recently revived Top Girls to 5 star acclaim, returns to Our Country’s Good after directing the play 25 years ago.

 

Comedy

Alan Davies: Life is Pain, Hammersmith Apollo, 18 - 19 February

The star of QI returns to stand-up after a ten year vacation with this jovially cynical set. Davies looks back to the 80s in this at times autobiographical routine, comparing his behavior then with the middle-aged outlook with which he now wrestles. Ripples of seriousness (the death of his motehr whenhe was six) remain ripples, as Davies focuses much more intently on his mild worries about the end of the world.

 

Montgomery Clift in A Place in The Sun (Photo by Keystone-France/Gamma-Keystone via Getty Images)
GETTY
Show Hide image

Recess confidential: Labour's liquid party

Sniffing out the best stories from Westminster, including Showsec, soames, and Smith-side splits.

If you are celebrating in a brewery, don’t ask Labour to provide the drinks. Because of the party’s continuing failure to secure a security contractor for its Liverpool conference, it is still uncertain whether the gathering will take place at all. Since boycotting G4S, the usual supplier, over its links with Israeli prisons, Labour has struggled to find an alternative. Of the five firms approached, only one – Showsec – offered its services. But the company’s non-union-recognition policy is inhibiting an agreement. The GMB, the firm’s antagonist, has threatened to picket the conference if Showsec is awarded the contract. In lieu of a breakthrough, sources suggest two alternatives: the police (at a cost of £59.65 per constable per hour), or the suspension of the G4S boycott. “We’ll soon find out which the Corbynites dislike the least,” an MP jested. Another feared that the Tories’ attack lines will write themselves: “How can Labour be trusted with national security if it can’t organise its own?”

Farewell, then, to Respect. The left-wing party founded in 2004 and joined by George Galloway after his expulsion from Labour has officially deregistered itself.

“We support Corbyn’s Labour Party,” the former MP explained, urging his 522,000 Facebook followers to sign up. “The Labour Party does not belong to one man,” replied Jess Phillips MP, who also pointed out in the same tweet that Respect had “massively failed”. Galloway, who won 1.4 per cent of the vote in this year’s London mayoral election, insists that he is not seeking to return to Labour. But he would surely be welcomed by Jeremy Corbyn’s director of communications, Seumas Milne, whom he once described as his “closest friend”. “We have spoken almost daily for 30 years,” Galloway boasted.

After Young Labour’s national committee voted to endorse Corbyn, its members were aggrieved to learn that they would not be permitted to promote his candidacy unless Owen Smith was given equal treatment. The leader’s supporters curse more “dirty tricks” from the Smith-sympathetic party machine.

Word reaches your mole of a Smith-side split between the ex-shadow cabinet ministers Lisa Nandy and Lucy Powell. The former is said to be encouraging the challenger’s left-wing platform, while the latter believes that he should make a more centrist pitch. If, as expected, Smith is beaten by Corbyn, it’s not only the divisions between the leader and his opponents that will be worth watching.

Nicholas Soames, the Tory grandee, has been slimming down – so much so, that he was congratulated by Tom Watson, Labour’s deputy leader, on his weight loss. “Soon I’ll be able to give you my old suits!” Soames told the similarly rotund Watson. 

Kevin Maguire is away

I'm a mole, innit.

This article first appeared in the 25 August 2016 issue of the New Statesman, Cameron: the legacy of a loser