Review: David Attenborough's Africa

David Attenborough's latest series shows we're not so different from the beasts.

The BBC have impeccable timing; just as the nation prepares for the onset of a case of January Blues, national treasure David Attenborough arrives on our screens, bringing with him a glorious display of animals and nature both industrious and wild.

Africa is a six-part series exploring the wildlife of the rich continent housing vast rainforest, savannah and desert. As well as being educational, last night’s series opener captured some amusing comparisons between us and our wilder counterparts. We share the same instincts of survival and the quest for love, as well as some remarkably similar social reactions.

Belligerent alpha male giraffes sparring in a Western-style showdown made for gripping viewing, with the upper hand changing unpredictably; an unnerving reflection of our society where two testosterone-fuelled youngsters might lock horns over a lady rather than a watering hole.

The featured Golden Wheel Spider epitomises most humans’ natural instinct in times of danger. After numerous attacks (by a wasp of all things) the arachnid cuts his losses and does what any self-respecting being would do: he curls up in a ball and cartwheels down the sand dune to safety.

The interplay between the Black Rhinos was at first extraordinarily intimate, using the latest photographic technology to capture never-before seen night-time interactions. This, however, quickly descends into something comical. We witness one Lothario trying his luck with an unsuspecting female, who at first seems open to the idea of cavorting in the dark - but upon her suitor’s below average performance, she pretends to be asleep. As David Attenborough points out, 'a girl can only put up with so much'.

It is unsurprising that this masterpiece took more than four years to shoot, so intricate are sequences like the Pompilid Wasp foraging for water in the expanse of the Kalahari Desert. As ever, Attenborough’s familiar, soothing and gently enriching narration aids Africa's intrigue. Menial, routine activities such as stalking prey and caring for young become fascinating and frequently amusing. The understanding of nature he has after 60 years is unrivalled, and his passion is endlessly apparent.

Majestic and enlightening, with quirky editing and some astounding shots, the series brings to light new creatures and explores new sides to those which are so familiar. David Attenborough told the New Statesman in 2011, “If you remove the licence fee, it would be gone in a decade”. As long as programs like Africa continue to be made, the fee is worth every penny.

Read the New Statesman's latest interview with David Attenborough here.

Black Rhinos. Photograph: Getty Images
Ellie Foreman-Peck for New Statesman
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How Rome's new mayor Virginia Raggi is leading a normality revolution

The first female Roman mayor has promised an end to posturing public figures.

The Ottavia area of Rome, on the northern periphery of the Italian capital, is a part of the city that tourists rarely visit. In a sense, this is the real Rome, with problems that are typical of the rot that most residents have to put up with every day. It is a jumble of decaying concrete eyesores from the 1950s and 1960s – the legacy of rapid economic development and Mafia corruption – surrounded by parks where drug deals go down, and piles of refuse that sit uncollected for days.

It was here that the young mother of a newborn baby – who after her marriage had resettled in the area from the middle-class Roman neighbourhood where she was raised – started to become interested in politics. Seven years later, Virginia Raggi has been elected as Rome’s first female mayor and, having just turned 38, its youngest mayor ever. She is a symbol of change in Italy after two years of rule by Prime Minister Matteo Renzi, another young leader, which have left millions of Italians disenchanted. Her rise is a sign that the anti-establishment Five Star Movement, led by the comedian Beppe Grillo, may be coming of age after years as a protest vehicle.

Raggi not only won the run-off on 19 June but did so by the biggest margin in the history of Roman mayoral elections, trouncing the candidate whom Renzi supported by a ratio of 67:33.

Her story begins far from the glamour of the Capitoline Hill, on the dreary streets of Ottavia, where she pushed her baby boy, Matteo, in his pram and was forced to weave in and out of traffic, walk along “non-existent” footpaths where cars were double- or triple-parked, and negotiate the perils of abandoned municipal parks. “Rage at seeing my splendid city reduced to an undignified state” is what pushed her into politics, she writes on her website. It was a path that led to her unlikely victory as mayor of Rome (a post equal in importance in Italy to the mayor of London in the UK and a launchpad for campaigns to become prime minister).

Raggi, who was a lawyer before she became a politician, grew up largely indifferent to politics. When she became a parent, she joined neighbourhood committees and volunteer groups and started to press for sustainable organic farming and decent public transport. In 2011, disillusioned by the centre left after years of voting for Renzi’s Democratic Party (she comes from a family of progressive intellectuals), Raggi joined the Five Star Movement, having been dragged to its meetings by her husband, a radio technician.

Her rise was rapid. She ran in 2013 as a Five Star candidate for Rome’s 48-member city council and picked up one of the movement’s three seats (she received 1,525 votes; her husband also ran but failed to make it on to the council, with only 132 votes). When the former Rome mayor Ignazio Marino, an ally of Renzi, resigned after an expenses scandal, Raggi – already the Five Star Movement’s spokesperson for Rome – stepped forward as a candidate in the party’s primaries.

She defeated four rivals in the online balloting in February. It is a startling tale in an age of unlikely political narratives, reflecting a global pandemic of dissatisfaction with mainstream politics. Italy’s Panorama magazine described her election, perhaps with a touch of hyperbole, as “a cultural revolution without precedent”.

There is a paradox at the heart of the upheaval that Raggi has caused. In Italy’s sordid and grimly entertaining political landscape – with its tales of the former premier Silvio Berlusconi’s “bunga bunga” parties, as well as Grillo’s clownish antics – the most surprising thing about the new mayor is that she seems normal. Raggi calls her campaign the “revolution of normality” – refreshing, perhaps, for Italians tired of posturing public figures. Inevitably the subject of Italian chatter for her fetching looks, Raggi comes across, above all, as serious, low-key, articulate and compassionate. She is selling policy over persona.

There have been shadows over her ascent. Her Rome law firm has past associations with Berlusconi’s long-time right-hand man Cesare Previti – a convicted criminal – and Raggi launched her legal career as an apprentice in Previti’s office. She has vehemently denounced whispers that she may be a double agent for Berlusconi’s centre-right party, Forza Italia.

Graver doubts arise from concerns that she may turn out to be a pawn of her anti-establishment party’s own establishment, in the form of Grillo. And because of the city’s Gordian knot of vested interests, being the mayor of Rome is in many ways a tougher job than being the prime minister of Italy. It has been a poisoned chalice for many an ambitious leader.

Yet the truth is that, even for Italians, Raggi remains a mystery – and that opens up intriguing possibilities. She may turn out to be a blank canvas on to which Romans, of both the left and the right, can project their hopes and frustrations. If she succeeds in steering her own course, however, she could position herself as a viable alternative to Renzi. Recent opinion polls indicate that the Five Star Movement may have edged past his Democrats and become Italy’s most popular party, with about 28 per cent of the nation’s support.

It is worth considering that Renzi rose to national prominence as the mayor of Florence – a city whose political significance pales in comparison with that of Rome – and went on to become prime minister. Could Raggi do the same?

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue