Fraggle Rock was as good as I remembered, but Count Duckula was much, much worse

CITV's Old Skool Weekend pricked the bubble of childhood nostalgia for Bim Adewunmi.

What's your earliest memory? I have trouble remembering which of my memories are mine and which I've heard so many times as family folklore that I've reassigned them to my personal memory bank. What I have no trouble remembering is childhood television. The flickering box in the corner of the room was very much on while I was growing up, and changes in location – from east London to downtown Lagos – meant nothing in the grand scheme of my watching habits. So I remember Rainbow quite clearly (and being very distressed whenever somebody zipped up Zippy), and I have fond memories of singing along to the Jimbo and the Jet Set and Muppet Babies. I laughed at Dangermouse and The Trap Door and I watched the repeats of Vision On and Hartbeat. So when CITV announced their 'Old Skool Weekend' to mark their 30th anniversary, I was somewhat pathetically excited. This was my first error. As anyone who's ever met their hero will tell you: don't do it - they'll only let you down.

I settled in on Saturday morning, expecting to be hit by a wave of potent nostalgia and got… nothing. I've always resisted the charge that children's television has got dumber over time (honourable mention: Fairly Odd Parents), that the Golden Age of children's television was largely behind us by the time we hit the 90s. But perhaps the atrophying had begun even earlier. I started with T-Bag, and was shocked by how average it was. What had enchanted before merely delivered the basic goods. I shrugged it off and went to make a cup of tea. 'Count Duckula's coming soon,' I thought. 'And that was ace.'

An hour later, I found out the miserable truth about the Count: he was rubbish, wasn't he? How did he so successfully hypnotise us into believing his greatness? I sat, stony-faced and angry with myself for remaining seated. Such was its badness, it failed to elicit even a smirk from me, and I am a known smirker: I will laugh at the silliest of things. Carrie Bradshaw-style, I couldn't help but wonder: was I being overly harsh? Had the joy and innocence of childhood been so successfully leached from my heart, leaving only the tiny lump of coal that is a prerequisite for an embittered TV column? Short answer: no. Because Sooty and his friends were as charming as ever, their high-pitched squeaks a soothing balm to my disappointed soul.

Thank God also for Fun House: Pat Sharpe's limpid eyes, Melanie and Martina, a studio full of overexcited children, plus a briefly disconcerting bit when Pat asks a young contestant who likes dancing to "show me your booty, get on the floor!" (she does an adorable side running man). Knightmare carried on hitting high notes. This was nostalgia! Bad (but quite exciting at the time) graphics? Check. Children from the Home Counties (Simon, Derek and Daniel – names very much at home in the early 90s) helping Barry get through the course? Check. Hackneyed dialogue delivered by actors emoting far too much for the show in question ("nothing can save you except knowledge")? Check!

Straight after, Fraggle Rock came on. I had been obsessed with this show, going as far as writing up exciting fanfic for the Doozers, a move which, with hindsight, makes me view my younger self ever more favourably. Thankfully, the Henson magic was undiminished, and in a marvellous half-hour I was utterly entranced by the antics of some felt and fleece muppets. Incidentally, it was my favourite ever episode, one featuring Convincing John and his harmonising acolytes, which made it even more special. Here was a programme that truly spoke to the adult as well as the child – the mark of a great children's programme, yes? Now, I could see the evangelical fervour of John's performance, his 'hypnotic' powers had that sheen normally associated with the charismatic cult leader's, his jazz hands – and moustache – the pure theatre of Little Richard's rock n' roll. Watching it and getting all of this as an adult was an unexpected and welcome surprise, and only served to enhance my enjoyment of the show. Fraggle Rock gets it, Dangermouse gets it, Hey Arnold gets it. And in twenty years, Horrible Histories will get it.

Clearly, my discontent was not echoed by the vast majority of viewers: the Old Skool Weekend drew CITV's biggest ever audience. Nostalgia sells. It's part of the reason why Heinz continues to do so well. The thing is, brand heritage takes us only halfway – Heinz ketchup still manages to come out on top in blind taste tests, too. In the taste tests of television, the shows that get it, the ones where re-watching does not erode the legacy, are the ones we need more of. That way we get rewarded twice: now when it counts, and or the future, when we're basking in the glow of warm nostalgia.

A scene from Count Duckula.

Bim Adewunmi writes about race, feminism and popular culture. Her blog is  yorubagirldancing.com and you can find her on Twitter as @bimadew.

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Everyone's forgotten the one issue that united the Labour party

There was a time when Ed Miliband spoke at Momentum rallies.

To label the row over the EU at Thursday’s Labour leadership hustings "fireworks" would be to endow it with more beauty than it deserves. Owen Smith’s dogged condemnation of John McDonnell’s absence from a Remain rally – only for Corbyn to point out that his absence was for medical reasons – ought to go down as a cringing new low point in the campaign. 

Not so long ago, we were all friends. In the course of the EU referendum, almost all of the protagonists in the current debacle spoke alongside each other and praised one another’s efforts. At a local level, party activists of all stripes joined forces. Two days before polling day, Momentum activists helped organise an impromptu rally. Ed Miliband was the headline speaker, and was cheered on. 

If you take the simple version of the debate, Labour’s schism on the EU appears as an aberration of the usual dynamics of left and right in the party. Labour's left is supposedly cheering a position which avoids advocating what it believes in (Remain), because it would lose votes. Meanwhile, the right claims to be dying in a ditch for its principles - no matter what the consequences for Labour’s support in Leave-voting heartlands.

Smith wants to oppose Brexit, even after the vote, on the basis of using every available procedural mechanism. He would whip MPs against the invocation of Article 50, refuse to implement it in government, and run on a manifesto of staying in the EU. For the die-hard Europhiles on the left – and I count myself among these, having run the Another Europe is Possible campaign during the referendum – there ought to be no contest as to who to support. On a result that is so damaging to people’s lives and so rooted in prejudice, how could we ever accept that there is such a thing as a "final word"? 

And yet, on the basic principles that lie behind a progressive version of EU membership, such as freedom of movement, Smith seems to contradict himself. Right at the outset of the Labour leadership, Smith took to Newsnight to express his view – typical of many politicians moulded in the era of New Labour – that Labour needed to “listen” to the views Leave voters by simply adopting them, regardless of whether or not they were right. There were, he said, “too many” immigrants in some parts of the country. 

Unlike Smith, Corbyn has not made his post-Brexit policy a headline feature of the campaign, and it is less widely understood. But it is clear, via the five "red lines" outlined by John McDonnell at the end of June:

  1. full access to the single market
  2. membership of the European investment bank
  3. access to trading rights for financial services sector
  4. full residency rights for all EU nationals in the UK and all UK nationals in the EU, and
  5. the enshrinement of EU protections for workers. 

Without these five conditions being met, Labour would presumably not support the invocation of Article 50. So if, as seems likely, a Conservative government would never meet these five conditions, would there be any real difference in how a Corbyn leadership would handle the situation? 

The fight over the legacy of the referendum is theatrical at times. The mutual mistrust last week played out on the stage in front of a mass televised audience. Some Corbyn supporters jeered Smith as he made the case for another referendum. Smith accused Corbyn of not even voting for Remain, and wouldn’t let it go. But, deep down, the division is really about a difference of emphasis. 

It speaks to a deeper truth about the future of Britain in Europe. During the referendum, the establishment case for Remain floundered because it refused to make the case that unemployment and declining public services were the result of austerity, not immigrants. Being spearheaded by Conservatives, it couldn’t. It fell to the left to offer the ideological counter attack that was needed – and we failed to reach enough people. 

As a result, what we got was a popular mandate for petty racism and a potentially long-term shift to the right in British politics, endangering a whole raft of workplace and legal protections along the way. Now that it has happened, anyone who really hopes to overcome either Brexit, or the meaning of Brexit, has to address the core attitudes and debates at their root. Then as now, it is only clear left-wing ideas – free from any attempt to triangulate towards anti-migrant sentiment– that can have any hope of success. 

The real dividing lines in Labour are not about the EU. If they were, the Eurosceptic Frank Field would not be backing Smith. For all that it may be convenient to deny it, Europe was once, briefly, the issue that united the Labour Party. One day, the issues at stake in the referendum may do so again – but only if Labour consolidates itself around a strategy for convincing people of ideas, rather than simply reaching for procedural levers.