Ninety years of BBC radio – listening back through time

On 14 November 1922, the first ever BBC radio broadcast went out. At troubled time for the corporation, remind yourself of all the great things it has done in the last 90 years.

It’s easy to forget that there was once a time when there was no BBC. But 90 years ago today, the British Broadcasting Company (it became the Corporation in 1927) made its very first radio broadcast, from the 2LO station based at Marconi House on the Strand.

The very first words uttered on air were “This is 2LO calling, the London station of the British Broadcasting Company calling. This is 2LO calling”. Listen here:

It’s beautiful, isn’t it? It’s the very epitome of what we think of when we think about the BBC in the early twentieth century, right down to the clipped tones of that oh-so-BBC accent.

In case you’re worried that the BBC is facing an unprecedented barrage of criticism, put your mind at ease. As this article from 1927 by G D H Cole, published in the New Statesman shows, the corporation has always been at the centre of the debate about “standards” – he wrote:

Whatever the British Broadcasting Corporation does is, of course, wrong. At least, it is bound to appear wrong to a body of listeners large enough to deserve consideration. For broadcasting has hitherto been conducted on the basis of a false and impossible assumption – the assumption of the standard or average listener. The BBC has tried to devise programmes suitable and pleasing to this standard listener, and naturally it has failed. For the standard listener does not in reality exist.

If that’s whetted your appetite for BBC talk radio nostalgia, there’s plenty more you can enjoy. BBC Radio 4 Extra has put together a series called 90 by 90, which is made up of 90 90-second programmes dropping in on a particular moment each year that BBC radio has been broadcasting. As producer Nick Baker has explained here, selecting which moments to pick was incredibly difficult – made even more so by the decision to limit each mini-programme itself to 90 seconds.

To kick off then, let’s have the first live outside broadcast – cellist Beatrice Harrison playing “Danny Boy” in a Surrey garden in 1924, accompanied by a chirruping nightingale.

Bip, bip, bip, bip, biiiiiiip. Five little sounds that can startle you out of a doze, shoo you out of the house if you’re running late, or taunt you if you’re willing time to pass.

You probably know where I’m going next - 1925, and the story behind the pips.

They’re so much part of the aural furniture of BBC radio that we barely think about them, yet we would feel like something was profoundly wrong if they suddenly disappeared or mysteriously multiplied.

On 18 April 1930, the BBC infamously announced that there was no news and then played some piano music instead:

In 1943 George Orwell resigned from his job as a talks producer at the World Service over his frustration at the censorship of his pieces – he said “I’m just an orange that’s being trodden on by a very dirty boot”.

You can’t survey Radio 4 without mentioning the Shipping Forecast. Whether you’ve listened to it in the customary state of slight bafflement as an insomniac desperate for sleep, when drunk having just crashed through the door, or on a small boat in the middle of the North Sea with no land in sight (I’ve done all three), it's a constant source of reassurance that everything will be just fine. Here, former coastguard Ian Stephen recalls how important it was for him:

In 1963, The Beatles were interviewed on BBC radio – they actually said “if we do as well as Cliff and The Shadows we’ll be doing ok”, by the way – and responded to Ted Heath’s recent disparagement of their Liverpudlian accents by attempting to “talk posh” like the BBC.

“I’m five feet six inches tall, and when he died I think I grew another five feet six inches.” In 1968, Nina Simone spoke and sang about the death of Martin Luther King. I challenge you not to want to cry during this one:

The Great Storm of 1987 plunged BBC radio into the dark. Sue MacGregor recalls trying to present the Today programme with only a torch, a typewriter and John Humphrys for company:

In 1990, the BBC World Service broadcast special messages of support for Terry Waite, who was being held hostage in Lebanon:

Finally, it’s worth hearing from Brian Roberts, the man who tried to futureproof BBC radio at the end of 1999 to make sure the Millenium Bug didn’t take it off air.

For me, this remark somehow encapsulates all that is best about the BBC:

“We were there, we were ready. It got to midnight, and nothing happened. So we looked at each other and we said ‘we’ll give it five minutes’.”

 

Two singers singing at a microphone during a recording session for a BBC radio programme in 1940. Photograph: Getty Images

Caroline Crampton is assistant editor of the New Statesman. She writes a weekly podcast column.

Getty
Show Hide image

The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era