Dominic West as Hector Madden, dozing in his police cell. It wasn't a good week for him. Photograph: BBC
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The Hour: series 2, episode 2

A morality tale featuring a delicious blend of vice, corruption, pornography and cooking.

WARNING: This blog is for people watching "The Hour" on Wednesday nights on BBC2. Don't read ahead if you haven't watched it yet - contains spoilers!

Catch up on last week's instalment here

This was a morality tale. In fact, because this is The Hour and nothing is ever straightforward, it was several morality tales at the same time. You could take your pick, really: fascists and free speech; pornography and corruption; innocence and loyalty - this episode had it all.

The main business of this episode was Hector’s spectacular fall after his drunken, lecherous pride. He ends up languishing in a cell after being (wrongfully) accused of beating up a Soho callgirl. The use of contrast here was superb – at the start, he’s the bumptious dinner party host, swilling down cocktails and rolling his eyes at his wife. Twenty minutes later, we see him in a police interview, hands shaking so much he can’t even put a cigarette between his lips.

The breakout performance of this episode was undoubtedly Oona Chaplin as Hector’s long-suffering wife, Marnie. Rather than dash straight down to the police station to try and exonerate him, she suddenly finds a spine and spends the night on her own at home before successfully auditioning for some producers to get her own cookery show. It’s a delicious bit of plotting – not only has Hector been humiliated by his arrest, he’s now not even the most popular television personality in his own house. When she does finally turn up to take him home, it’s a different Marnie wrapped in that expensive fur coat. No more will she put up and shut up with Hector’s antics – she’s going to drive the car if she wants to, while firmly telling him that theirs is now a marriage for appearances only. I look forward to Marnie discovering feminism next week, taking a lover who actually likes her, and finally giving Hector the boot.

Marnie: soon-to-be professional domestic goddess. Photograph: BBC

As I mentioned last week, The Hour has really struck lucky when it comes to its scheduling. The news agenda might have moved on now from the perpetual “BBC in crisis” stuff of ten days ago, but when Anna Chancellor’s Lix declares exasperatedly “Is this what we have to look forward to? Continuous controversy?” you can’t help feeling she’s on to something.

The controversy she refers to is Freddie’s determination to interview a fascist on The Hour. The debate the programme’s journalists have about it is strikingly similar to the arguments made when BNP leader Nick Griffin appeared on the BBC’s Question Time in 2009 – Bel and Hector feel its “playing into Mosley’s hands to let them join the debate”, while Freddie thinks they shouldn’t patronise their viewers, and rather “give him the rope to hang himself if he wants”. In an example of how The Hour rather neatly blends the personal drama with the political storylines, the fascist Freddie interviews just so happens to be the one that’s been terrorising his wife, and the “immigrant” who gives the other side of the story is Hour secretary Sissy’s boyfriend, and Freddie’s lodger. The latter, Sey Ola (whose struggle between love of freedom and hatred of his persecutors is portrayed brilliantly by Adetomiwa Edun) eventually delivers the standout speech of the episode – telling Freddie that it’s because the fascists have the freedom to say such hateful things about him that he knows British democracy is strong, and that it’s where he wants to make his home. Next time someone makes the “no platform” argument, I think they should be required to watch that clip and reconsider their position.

After a slightly whiney start last week, this was a good episode for Romola Garai’s Bel. She did some serious investigating of the Soho pornography scene, flirted extensively with her opposite number on ITV’s Uncovered (who turns out to be a widower who can be prevailed upon to bring her chips late at night), and makes friends with Freddie again – most of which she achieves while wearing a very clinging and extremely attractive emerald green cocktail dress. This excellent little snippet of dialogue gives me hope too that Abi Morgan has plans for the future of Bel and Freddie’s complicated relationship:

“Where have you been?”

“Buying pornography. You?

“Picking up fascists.”

“Marvellous.”

A slightly more disappointing aspect of this week's episode was the readiness with which the woman accusing Hector revealed her real motive - she was actually trying to punish her lover, the deputy commissioner of police, the stern-jawed Commander Stern. His corruption notwithstanding, I felt as if we should have had to guess at that for at least another episode, but perhaps it was important to reveal it now in order to facilitate greater plot machinations in the future. The jury's out on this one.

Commander Stern, looking stern. Photograph: BBC

Incidentally, my prayers for more of Ben Whishaw and less of his beard were answered this week. We even got to see him, clean-shaven, do the journalistic equivalent of shadow-boxing, practicing his presenting skills on invisible interviewees. Lovely stuff, although his French wife is starting to grate slightly. For the second time in two episodes she appeared mostly on screen wearing just her knickers and an over-large jumper. I think this is supposed to tell us that she is “bohemian”, compared to the English women who keep their stockings on at all times.

Another interesting revelation this week – Peter Capaldi can do sex appeal. His languid, drawled “You’re wearing a cocktail dress – have I missed the party?” and Bel’s blushing reaction perhaps sets up an intriguing new relationship, although I must admit I’d much rather see more of him arguing with Anna Chancellor.

Yes, Peter Capaldi can do brooding sex appeal. I was surprised too. Photograph: Getty Images

Chancellor remains, for me, the best actor in this thing, and she also delivered the line that neatly wrapped all the morality tales together:

“Heroes or villains, we’re all somewhere in between. The good do bad things and the bad are sometimes kind to their mothers.”

Meanwhile, a newly-liberated Hector returns to his favourite Soho haunt and demands a table “at the front – I've got nothing to hide.”

So, the moral of the story? Nobody ever learns their lesson.

I'll be blogging "The Hour" each week - check back next Thursday morning for the next installment, or bookmark this page

Caroline Crampton is web editor of the New Statesman.

JAMIE KINGHAM/MILLENNIUM
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Snakebites and body parts

The city at the edge of an apocalypse: a love letter to Los Angeles.

I was emailing with Kenneth Anger, the film-maker, when the coyotes across the street in Griffith Park started howling.

That’s partially true.

I was emailing him to ask if he’d direct a music video for me. Maybe Lucifer Rising 2.0. Or anything.

Just him in the kitchen making tea, as recorded on his iPhone.

Kenneth Anger is alive and well in Santa Monica, so why not ask him to direct a video for me? Hopefully, he’ll respond. We’ve never met, so I sent an email to him, not with him. That’s the partial truth.

But the coyotes did start howling.

It’s the single best sound in Los Angeles, or any city. Is there another city where you can email an 89-year-old devotee of Aleister Crowley while listening to a few dozen coyotes screaming and howling and ripping the night into little pieces?

No. Just here. This oddness by the sea and an inch from a billion acres of Arrakis.

I never thought I’d end up living in Los Angeles, but I’ve ended up living in Los Angeles. This dirtiest, strangest paradise.

Yesterday I went hiking in a two-million-acre state park that’s 30 minutes from my house. A state park bigger than all of New York City. And it’s 30 minutes away. With no people. Just bears and pumas and coyotes and snakes.

And other things. Abandoned bridges. An observatory where Albert Einstein used to go to watch space.

What a strange city.

A perfect city. Perfect for humans at the edge of this strangely unfolding apocalypse. A gentle apocalypse with trade winds and Santa Ana winds and the biannual vicious storm that rips eucalyptus trees up by their roots.

What a strange city. And it’s my home.

Today I hiked to the back of the Hollywood sign. This was before Kenneth Anger and the coyotes.

The tourists were dropping like flies on the long, hot mountain trail, not aware that this isn’t a city with the safe European ­infrastructure that keeps them happy
and/or alive.

Every now and then, a tourist dies in the hills, bitten by a snake or lost at night. The emergency rooms are full of tourists with snakebites and heatstroke.

Where are the European safeguards?

Fuck us if we need safeguards. Go live in a place like this gentle wasteland where you’re not at the top of the food chain. If you’re not in danger of being eaten at some point in the day, you’re probably not breathing right.

I hope Kenneth Anger writes back.

 

22 May

I drove some friends around my neighbourhood. They want to live here. Why wouldn’t they? Pee-wee Herman and Thom Yorke live up the street.

David Fincher lives a block away. It’s blocks and blocks of jasmine-scented name-
dropping.

It’s warm in the winter and it’s weird all year round.

And there’s a Frank Lloyd Wright that looks like a lunatic Mayan spaceship.

And there go the coyotes again, howling like adorable delegates of death.

They’re so smart, I wish they would make me their king.

You hate Los Angeles? Who cares? You made a mistake, you judged it like you’d judge a city. Where’s the centre?

There’s no centre. You want a centre? The centre cannot hold. Slouching towards Bethlehem. Things fall apart.

Amazing how many titles can come from one poem. What’s a gyre?

Yeats and Kenneth Anger and Aleister Crowley. All these patterns.

Then we had brunch in my art deco pine-tree-themed restaurant, which used to sell cars and now sells organic white tea and things.

The centre cannot hold. I still have no idea what a gyre is.

Maybe something Irish or Celtic.

It’s nice that they asked me to write this journal.

Things fall apart.

So you hate Los Angeles? Ha. It still loves you, like the sandy golden retriever it is. Tell me again how you hate the city loved by David Lynch and where David Bowie made his best album? Listen to LA Woman by the Doors and watch Lynch’s Lost Highway and read some Joan Didion – and maybe for fun watch Nightcrawler – and tell me again how you hate LA.

I fucking love this sprawling inchoate pile of everything.

Even at its worst, it’s hiding something baffling or remarkable.

Ironic that the city of the notoriously ­vapid is the city of deceiving appearance.

After brunch, we went hiking.

Am I a cliché? Yes. I hike. I do yoga. I’m a vegan. I even meditate. As far as clichés go, I prefer this to the hungover, cynical, ruined, sad, grey cliché I was a decade ago.

“You’re not going to live for ever.”

Of course not.

But why not have a few bouncy decades that otherwise would’ve been spent in a hospital or trailing an oxygen tank through a damp supermarket?

 

24 May

A friend said: “The last time I had sex, it was warm and sunny.”

Well, that’s helpful.

October? June? February?

No kidding, the coyotes are howling again. I still love them. Have you ever heard a pack of howling coyotes?

Imagine a gaggle of drunk college girls who also happened to be canine demons. Screaming with blood on their teeth.

It’s such a beautiful sound but it also kind of makes you want to hide in a closet.

No Kenneth Anger.

Maybe I’m spam.

Vegan spam.

Come on, Kenneth, just make a video for me, OK?

I’ll take anything.

Even three minutes of a plant on a radiator.

I just received the hardcover copy of my autobiography, Porcelain. And, like anyone, I skimmed the pictures. I’m so classy, eating an old sandwich in my underpants.

A friend’s dad had got an advance copy and was reading it. I had to issue the cautious caveat: “Well, I hope he’s not too freaked out by me dancing in my own semen while surrounded by a roomful of cross-dressing Stevie Nicks-es.”

If I ever have kids, I might have one simple rule. Or a few simple rules.

Dear future children of mine:

1) Don’t vote Republican.

2) Don’t get facial tattoos.

3) Don’t read my memoir.

I don’t need my currently unmade children to be reading about their dear dad during his brief foray into the world of professional dominatrixing, even if it was brief.

The first poem I loved was by Yeats: “When You Are Old”. I sent it to my high-school non-girlfriend. The girl I longed for, unrequitedly. I’m guessing I’m not the first person to have sent “When You Are Old” to an unrequited love.

Today the sky was so strangely clear. I mean, the sky is almost always clear. We live in a desert. But today it felt strangely clear, like something was missing. The sun felt magnified.

And then, at dusk, I noticed the gold light slanting through some oak trees and hitting the green sides of the mountains (they were green as we actually had rain over the winter). The wild flowers catch the slanting gold light and you wonder, this is a city? What the fuck is this baffling place?

I add the “fuck” for street cred. Or trail cred, as I’m probably hiking. As I’m a cliché.

You hike, or I hike, in the middle of a city of almost 20 million people and you’re alone. Just the crows and the spiralling hawks and the slanting gold light touching the oak trees and the soon-to-go-away
wild flowers.

The end of the world just feels closer here, but it’s nice, somehow. Maybe the actual end of the world won’t be so nice but the temporal proximity can be OK. In the slanting gold light. You have to see it, the canyons in shadow and the tops of the hills in one last soft glow.

What a strange non-city.

 

25 May

They asked for only four journal entries, so here’s the last one.

And why is # a “hashtag”?

Hash? Like weird meat or weird marijuana? Tag, like the game?

At least “blog” has an etymology, even if, as a word, it sounds like a fat clog in a drain.

A friend who works in an emergency room had a patient delivered to her who had a croquet ball in his lower intestine. I guess there’s a lesson there: always have friends who work in emergency rooms, as they have the best stories.

No coyotes tonight. But there’s a long, lonesome, faraway train whistle or horn. Where?

Where in LA would there be a long, lonesome, faraway train whistle or horn?

It’s such a faraway sound. Lonesome hoboes watching the desert from an empty train car. Going where?

I met a woman recently who found human body parts in some bags while she
was hiking.

Technically, her dogs found them.

Then she found the dogs.

And then the sky was full of helicopters, as even in LA it’s unusual to have human hands and things left in bags near a hiking trail a few hundred yards from Brad Pitt’s house.

What is this place?

When I used to visit LA, I marvelled at the simple things, like gas stations and guest bedrooms.

I was a New Yorker.

And the gas stations took credit cards. At. The. Pumps.

What was this magic?

And people had Donald Judd beds in their living rooms, just slightly too small for actual sleeping – but, still, there’s your Donald Judd bed. In your living room at the top of the hill somewhere, with an ocean a dozen miles away but so clear you can see Catalina.

They drained the reservoir and now don’t know what to do with it.

Good old LA, confused by things like empty reservoirs in the middle of the city.

Maybe that’s where the lonesome train lives. And it only comes out at night, to make the sound of a lonesome train whistle, echoing from the empty concrete reservoir that’s left the city nonplussed.

“We’ve never had an empty reservoir in the city before.”

So . . . Do something great with it. I know, it’s a burden being given a huge gift of ­empty real estate in the middle of the city.

Tomorrow I’m meeting some more friends who’ve moved here from New York.

“We have a guest bedroom!” they crow.

A century ago, the Griffith Park planners planted redwoods across the street. And now the moon is waning but shining, far away but soft, through the redwoods.

No coyotes, but a waning moon through some towering redwoods is still really OK. As it’s a city that isn’t a city, and it’s my home.

Goodnight.

Moby’s memoir, “Porcelain”, is published by Faber & Faber

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad