Friday Arts Diary

Our cultural picks for the week ahead.

Film and discussion

Made in Birmingham, The Barber Institute of Fine Arts, Birmingham, 12 May

A special screening of Made in Birmingham: Reggae, Punk, Bhangra followed by a discussion. Professor Roger Shannon, of dge Hill University, will introduce a Q&A session with the film’s director Deborah Aston and executive producer Jez Collins. Famous names from influential Birmingham bands, such as UB40, Musical Youth and many more, talk about their distinctive musical styles in this fascinating documentary.

 

Theatre

The Seagull by Anton Chekhov, Northern Stage, Newcastle, from 14 May

This new production of the Chekhov classic is a collaboration between Headlong, “the country’s most exciting touring company” (Daily Telegraph), renowned for their innovative, accessible re-imaginings of classic texts, and the Nuffield Theatre, Southampton. Directed by Blanche McIntyre, this production has been widely praised for its innovative staging.

 

Exhibition

Houghton Revisited, Houghton Hall, Norfolk, opens 17 May

The art collection of Britain’s first Prime Minister, Sir Robert Walpole, sold to Catherine the Great to adorn the Hermitage in St Petersburg, will be reassembled in its spectacular original setting of Houghton Hall for the first time in over 200 years. "Houghton Revisited" runs from 17 May-29 September and is a unique opportunity to view one of the most celebrated art collections assembled in 18th-century Europe. The display will include paintings from the English, French, Italian, Flemish and Spanish schools, with masterpieces by Van Dyck, Poussin, Albani, Rubens, Rembrandt, Velazquez and Murillo.

 

Concert

A SCREAM AND AN OUTRAGE 1: Oceanic Verses, Barbican Centre, London, 10 May

The "A Scream and an Outrage" weekend kicks off with two world premieres of specially-commissioned new pieces by Nico Muhly and Pulitzer Prize-winning composer David Lang. The BBC Singers open the evening with Muhly’s latest composition, An Outrage; followed by Lang’s new percussion concerto entitled Man Made, performed by the BBC Symphony Orchestra, with Brooklyn-based innovators So Percussion. The second half features the European premiere concert performance of Italian-American composer Paola Prestini’s new multimedia opera, Oceanic Verses - in a new version for the Barbican stage. It is a multi media opera, a collage of found folk music reworked into a single, contemporary classical music score by the prolific American composer Paola Prestini.
 

Festival

Scratch festival, Battersea Arts Centre, from 17 May

The Scratch festival provides the opportunity to invent the future of theatre, placing the artist and audience in a creative dialogue to develop new ideas. Audiences will be invited to work-in-progress showings from Adrian Howells, Made In China, RashDash and Sleepwalk Collective and others. Past shows to have emerged from this method include Jerry Springer the Opera and The Paper Cinema’s Odyssey.

Bands such as UB40 feature in the documentary Made in Birmingham (Photo: Getty Images)
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Politicians and fashion? Why their approach can be telling

My week, from spying on the spies to Theresa May’s fashion charm offensive – and how Sadiq stole hearts.

About nine months ago I was asked if I wanted to spend a morning with Zac Goldsmith, as he appeared to be wakening from the slumber that had obviously taken hold of him when he decided to run for mayor of London. However, after about three minutes in his company (maybe less, actually) I realised that not even his campaign team – let alone voters in the Borough of Southwark – thought he had a hope in hell of winning.

There was only ever going to be one winner, and the enthusiasm with which Sadiq Khan has been greeted by London has been heartwarming. He won the politician award at GQ’s Men of the Year Awards a few weeks ago, and I’d never heard such a roar as he leapt up on stage to collect it. Well, I’ve heard such roars for the likes of Michael Caine, Elton John and Amy Schumer, but rarely for a politician. In fact, the last time there was such fulsome applause for a politician at the GQ awards was when we gave one to a pre-Sextator David Blunkett. Perhaps I shouldn’t be surprised: the last time Noel Gallagher graced us with his presence, he asked: “Is this what a Conservative party conference looks like?”

 

On the dole

The recent past is being hauled over so repeatedly that soon there are going to be ­retrospectives of events that happened only last week. Or next week. On paper, the new exhibition at the V&A in London, entitled “You Say You Want a Revolution? Records and Rebels 1966-1970”, seemed slightly behind the curve, but the reality is very different – as it’s probably the best exhibition you’ll see in London this year.

This is all down to the curation, which was handled by Geoffrey Marsh and Victoria Broackes, the wizards behind “David Bowie Is”, the most successful show in the V&A’s history. It’s a terrific exhibition, although being reminded of the cultural and political insurrection of the Sixties also reminds you of the period’s seemingly innate optimism as a new London was mushrooming into life. Winston Churchill was dead, abortion was about to be made legal and the rise in happiness seemed exponential. Britain was experiencing almost full employment (though the government wobbled slightly in the spring of 1966 when it was announced that the jobless total had gone up to half a million). It never occurred to anyone that there might not be a job
waiting for them when they left school or their red-brick university.

 

Priced out

There certainly won’t be a house waiting for them, not if they intend to live in London. The marketing bods behind the new development at Battersea Power Station came in to make a presentation at Vogue House a few weeks ago, showing us lots of slides and videos about their fabulous ­development. There’s a Frank Gehry this and a Frank Gehry that, a swimming pool, a private members’ club and lots of artisanal independent retailers selling organic rhubarb and fancy beer, blah blah blah.

Their roll-call of “good things” included the ominous words “affordable housing”, but this appears to be anything but. After the presentation, I promptly stuck my hand up and asked them what they actually meant by affordable housing. The answer I got wasn’t satisfactory, so I asked again: “What does your entry-level accommodation cost?” And the very charming man with the lapel-mike coughed apologetically and almost whispered, “£350,000.” At which point I made my excuses and left.

The idea that my daughters can one day get on the property ladder in London is pure fantasy, and they certainly won’t be living in Battersea, or indeed anywhere near it.

 

Back in fashion

Last Thursday, Theresa May hosted her first reception at Downing Street for the British fashion industry, an event that usually takes place twice a year, and which is attended by fashion designers, industry figures, newspaper and magazine editors and the like. ­Samantha Cameron was always a significant supporter of the sector (which contributes more to the country’s GDP than the car industry), as was Sarah Brown before her, and it is instructive that May has decided to follow in their footsteps.

It’s also telling that Mrs Cameron was not only invited to the event at No 10 but turned up, which says a lot about both women. Theresa May is a fundamentally shy person, yet she not only made a pitch-perfect speech in front of a Brexit-sensitive (and quite possibly suspicious) crowd, but chose to embrace the opportunity to espouse the growing importance of an industry that was so closely associated with the wife of her predecessor. There is such a lot of noise at the moment surrounding the PM’s apparent lack of interest in remaining on good terms with David Cameron, so one wonders what, if anything, is going on here. Taken at face value, May’s move at the reception was extremely classy.

 

The spying game

The following day I found myself in Cheltenham for a five-hour briefing on counterterrorism, cyber-defence, drug smuggling and child kidnapping at GCHQ.

I had expected the place to be like the Foreign Office, but it’s actually more like Google, Apple or Nike, and feels as though it could easily be a campus on America’s “Left Coast”.

There is an incredible sense of purpose at GCHQ, a feeling that they are all working for the common good, and frankly I found it infectious. While the denizens of Silicon Valley might be very adept at pushing the frontiers of consumerism, designing training shoes, telephones and algorithms, it felt far more appropriate to be spending time with men and women obsessed with making the world safer.

Dylan Jones is the editor-in-chief of GQ and a trustee of the Hay Festival

This article first appeared in the 22 September 2016 issue of the New Statesman, The New Times