Reviews Round-up

The critics' verdicts on Charles Moore, David Sedaris and Damian Barr.

Margaret Thatcher: The Authorized Biography, Volume One: Not For Turning by Charles Moore 

Charles Moore’s biography has been 16 years in the making and is based on unrestricted access to all Margaret Thatcher's papers, as well as on  interviews with her and all her major colleagues.

For Anne Applebaum, writing in the Telegraph, Moore’s work is the "definitive account" of Thatcher’s life. She celebrates Moore’s ability to "‘make Thatcher’s story fresh again" and to create a "multi-faceted picture of a compelling and unusual life".

Similarly, Jane Merrick of the Independent claims that Moore’s exhaustive work provides us with "enough new material (including previously unpublished correspondence with her sister, Muriel) to offer a fresh, even vulnerable person behind the mythology". That said, Merrick is wary of the "Establishment-backed and largely uncritical" version of events presented by Moore.

The Guardian’s Andy Beckett is more reserved in his praise. Whilst admiring the book's flashes of "dry wit" and acknowledging the "thoroughness and skill" involved in writing such a large tome, Beckett argues that the writing tends towards hagiography - Moore’s telling of her Grantham upbringing is "reverent" and "sepia tinged". Moreover, Beckett echoes Merrick’s assertion that the biography is lacking in honest criticism - "a sense of the British establishment granting favours to one of its own hangs over this book, and is never quite dispelled".

Let's Explore Diabetes with Owls by David Sedaris

David Sedaris presents his new collection of essays from his journeys around the world. Occasionally, David Shariatmadari of the Guardian writes, Sedaris’s writing can appear "contemptuous" and hard "to like". Nevertheless Let’s Explore Diabetes with Owls "also sings about how brilliantly clever, inventive and funny he is, a poet for everyone who wouldn't live the ordinary life if you paid them".

Whilst Max Liu of the Independent praises Sedaris’s humour, he is critical of his forays into fiction, describing them as "clumsy". When writing about his life, Liu argues, Sedaris is "poignant and amusing, but it's hard to recommend a slim volume of autobiography padded with forgettable stories".

This view is shared by Tom Cox, writing in the Daily Express. Cox argues that Let’s Explore Diabetes… gives unfortunate credence to the notion that Sedaris was at his best when writing about the menial jobs he did in his twenties and thirties, and now must resort to wringing comic episodes from his life as a rich author, catching aeroplanes between his multiple residences and spoken word shows. To fans of Sedaris, Cox claims, this may feel "flimsy", but to those new to Sedaris the book will provide "some of your biggest laughs of the decade so far".  

Maggie and Me by Damian Barr

Maggie and Me is Damian Barr’s blackly comic memoir about growing up gay during the Thatcher years. Although critical of the "brassy finale" in which Barr "squanders the subtlety that went before it" by giving in to a "forced Thatcherism", the Observer's Adam Mars-Jones praises Barr’s "shrewdly constructed" memoir. It is, he writes, imbued with a "winning dry humour" and manages a "very sharp control of irony".

In a similarly laudatory review, Andrew Holgate in the Sunday Times praises Maggie and Me as "full to the brim with poignancy, humour, brutality and energetic and sometimes shimmering prose, the book confounds one’s assumptions about those years and drenches the whole era in an emotionally charged comic grandeur. It is hugely affecting."

This view is also shared by Olivia Cole of GQ: "[F]or all the pain, Maggie and Me is a tremendous, surprising read". She is also quick to praise the "honesty" and "difficulty" of Barr’s record of his experiences, praising the author as an "exemplary figure".

Margaret Thatcher on election day in June 1987 (Photo: Getty Images)
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SRSLY #20: Friends, Lovers, Divers

On the pop culture podcast this week, we talk albums from Joanna Newsom, Bjork and Grimes, Todd Haynes film Carol, and comedy web series Ex-Best.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen to our new episode now:

...or subscribe in iTunes. We’re also on Stitcher, RSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s web editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we'd love you to leave a review on iTunes - this helps other people come across it.

The Links

Joanna Newsom, Bjork and Grimes

Joanna Newsom’s Divers doesn't seem to be on Spotify, but you can get it on iTunes here. Listen to Grimes’ Art Angels here and Bjork's Vulnicura here.

This is a good piece about Joanna Newsom.

This piece makes the comparison with Elena Ferrante that we talk about on the podcast.

Here's Grimes's own post about Bjork.

Tavi Gevinson's interview with Joanna Newsom (where she talks about liking Grimes).



Ryan Gilbey's review of Carol, which he calls “as tantalising as hearing a tender ballad on a tinpot transistor”.

Anna's piece about the photographers that influenced the visual style of the film.

An interesting Q & A with director Todd Haynes.



The full series is available to watch for free here.

Meghan Murphy on friendship break-ups.


Your questions:

We love reading out your emails. If you have thoughts you want to share on anything we've discussed, or questions you want to ask us, please email us on srslypod[at], or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.


Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 


See you next week!

PS If you missed #19, check it out here.

Caroline Crampton is web editor of the New Statesman.

Anna Leszkiewicz is a pop culture writer at the New Statesman.