The critics' verdicts on Charles Moore, David Sedaris and Damian Barr.
Margaret Thatcher: The Authorized Biography, Volume One: Not For Turning by Charles Moore
Charles Moore’s biography has been 16 years in the making and is based on unrestricted access to all Margaret Thatcher's papers, as well as on interviews with her and all her major colleagues.
For Anne Applebaum, writing in the Telegraph, Moore’s work is the "definitive account" of Thatcher’s life. She celebrates Moore’s ability to "‘make Thatcher’s story fresh again" and to create a "multi-faceted picture of a compelling and unusual life".
Similarly, Jane Merrick of the Independent claims that Moore’s exhaustive work provides us with "enough new material (including previously unpublished correspondence with her sister, Muriel) to offer a fresh, even vulnerable person behind the mythology". That said, Merrick is wary of the "Establishment-backed and largely uncritical" version of events presented by Moore.
The Guardian’s Andy Beckett is more reserved in his praise. Whilst admiring the book's flashes of "dry wit" and acknowledging the "thoroughness and skill" involved in writing such a large tome, Beckett argues that the writing tends towards hagiography - Moore’s telling of her Grantham upbringing is "reverent" and "sepia tinged". Moreover, Beckett echoes Merrick’s assertion that the biography is lacking in honest criticism - "a sense of the British establishment granting favours to one of its own hangs over this book, and is never quite dispelled".
Let's Explore Diabetes with Owls by David Sedaris
David Sedaris presents his new collection of essays from his journeys around the world. Occasionally, David Shariatmadari of the Guardian writes, Sedaris’s writing can appear "contemptuous" and hard "to like". Nevertheless Let’s Explore Diabetes with Owls "also sings about how brilliantly clever, inventive and funny he is, a poet for everyone who wouldn't live the ordinary life if you paid them".
Whilst Max Liu of the Independent praises Sedaris’s humour, he is critical of his forays into fiction, describing them as "clumsy". When writing about his life, Liu argues, Sedaris is "poignant and amusing, but it's hard to recommend a slim volume of autobiography padded with forgettable stories".
This view is shared by Tom Cox, writing in the Daily Express. Cox argues that Let’s Explore Diabetes… gives unfortunate credence to the notion that Sedaris was at his best when writing about the menial jobs he did in his twenties and thirties, and now must resort to wringing comic episodes from his life as a rich author, catching aeroplanes between his multiple residences and spoken word shows. To fans of Sedaris, Cox claims, this may feel "flimsy", but to those new to Sedaris the book will provide "some of your biggest laughs of the decade so far".
Maggie and Me by Damian Barr
Maggie and Me is Damian Barr’s blackly comic memoir about growing up gay during the Thatcher years. Although critical of the "brassy finale" in which Barr "squanders the subtlety that went before it" by giving in to a "forced Thatcherism", the Observer's Adam Mars-Jones praises Barr’s "shrewdly constructed" memoir. It is, he writes, imbued with a "winning dry humour" and manages a "very sharp control of irony".
In a similarly laudatory review, Andrew Holgate in the Sunday Times praises Maggie and Me as "full to the brim with poignancy, humour, brutality and energetic and sometimes shimmering prose, the book confounds one’s assumptions about those years and drenches the whole era in an emotionally charged comic grandeur. It is hugely affecting."
This view is also shared by Olivia Cole of GQ: "[F]or all the pain, Maggie and Me is a tremendous, surprising read". She is also quick to praise the "honesty" and "difficulty" of Barr’s record of his experiences, praising the author as an "exemplary figure".