Friday Arts Diary

Our cultural picks for the week ahead.

Cinema

Made in Britain: Warp Films at 10, British Film Institute, London, 19-30 April
April features a BFI celebration of 10 years of contemporary British cinema from a company behind several iconic stories. Continuing an annual exploration of British Cinema, last year centered on female directors, this time the focus is on the productions of Warp Films. Founded in 2001 the company has produced among others This is England and Dead Man’s Shoes. There will also be a Film Masterclass available for the aspiring cinematographers.

 

Concert

Petrenko conducts in Warwick, Warwick Arts Centre, Coventry CV4 7AL, 24 April
Conductor Vasily Petrenko and Nikolai Lugansky on piano present an all-Russian evening with Tchaikovsky's First, Liadov’s Enchanted Lake and Prokofiev’s Fifth. Among the most respected piano concertos these pieces have been described as virtuoso Cossack-rides and fairytales of reality escape. Petrenko is the Chief Conductor of the Royal Liverpool Philharmonic Orchestra and Lugansky won the 2011 BBC Music Magazine Awards in the Chamber Music category.

 

Theatre

The day I swapped my dad for two goldfish, Beacon Arts Centre, Greenock PA15 1HJ, 25 – 27 April
Neil Gaiman and Dave McKean have had another picture book turned theatre with The Day I Swapped My Dad For Two Goldfish. Following the success of The Wolves in the Walls in 2006 the play explores what happens when a spur of the moment decision turns bad and snowsballs out of control. Appropriate for anyone aged 6 or up. Created and directed by Lu Kemp and Abigail Docherty and written by Oliver Emanuel.
 

Television

The Wright Way, BBC1, Starts 23 April
A new sitcom by Ben Elton, The Wright Way stars David Haig as Gerald Wright from Baselricky Council Health & Safety Department. He tries in vain to manage his hopeless team and avoid causing the catastrophes they are meant to prevent. A biting look on bureaucracy and office incompetence from the man responsible for the Blackadder series and The Young Ones. Also starring Mina Anwar, Kacey Ainsworth, Joanne Matthews, and Robert Daws.

 

Exhibition

The Dairy Art Centre, London WC1N 1PG, opens 24 April
Former-milk-depot-turned-art-gallery The Dairy will host its inaugural exhibition of avant-garde pop culture mix from Swiss artist John Armleder. His art is described as “a celebration of reality in its everyday and most commonplace manifestations.” Not-for-profit and free for all the 12,500 sq ft centre will feature the projects chosen by collectors Frank Cohen and Nicolai Frahm. Having worked together for over 15 years the couple and collaborated and collected with many of the most prolific artists, they have called the dairy a “kunsthalle”, a space where the artworld and the public can come together.
A new play based on one of Neil Gaiman's books will premiere in Scotland. Photo: Darryl James/Getty Images
Home Alone 2: Lost in New York
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The best film soundtracks to help you pretend you live in a magical Christmas world

It’s December. You no longer have an excuse.

It’s December, which means it’s officially time to crack out the Christmas music. But while Mariah Carey and Slade have their everlasting charms, I find the best way to slip into the seasonal spirit is to use a film score to soundtrack your boring daily activities: sitting at your desk at work, doing some Christmas shopping, getting the tube. So here are the best soundtracks and scores to get you feeling festive this month.

A Charlie Brown Christmas (1965)

Although this is a children’s film, it’s the most grown-up soundtrack on the list. Think smooth jazz with a Christmas twist, the kind of tunes Ryan Gosling is playing at the fancy restaurant in La La Land, plus the occasional choir of precocious kids. Imagine yourself sat in a cocktail chair. You’re drinking an elaborate cocktail. Perhaps there is a cocktail sausage involved also. Either way, you’re dressed head-to-toe in silk and half-heartedly unwrapping Christmas presents as though you’ve already received every gift under the sun. You are so luxurious you are bored to tears of luxury – until a tiny voice comes along and reminds you of the true meaning of Christmas. This is the kind of life the A Charlie Brown Christmas soundtrack can give you. Take it with both hands.

Elf (2003)

There is a moment in Elf when Buddy pours maple syrup over his spaghetti, washing it all down with a bottle of Coca Cola. “We elves like to stick to the four main food groups,” he explains, “candy, candy canes, candy corns and syrup.” This soundtrack is the audio equivalent – sickly sweet, sugary to an almost cloying degree, as it comes peppered with cute little flutes, squeaky elf voices and sleigh bells. The album Elf: Music from the Motion Picture offers a more durable selection of classics used in the movie, including some of the greatest 1950s Christmas songs – from Louis Prima’s 1957 recording of “Pennies from Heaven”, two versions of “Sleigh Ride”, Eddy Arnold’s “Santa Claus is Coming to Town” and Eartha Kitt’s 1953 “Santa Baby”. But if a sweet orchestral score is more your thing, the Elf OST of course finishes things off with the track “Spaghetti and Syrup”. Just watch out for the sugar-rush headache.

Harry Potter (2001-2011)

There are some Christmas-specific songs hidden in each of the iconic Harry Potter scores, from “Christmas at Hogwarts” to “The Whomping Willow and The Snowball Fight” to “The Kiss” (“Mistletoe!” “Probably full of knargles”), but all the magical tinkling music from these films has a Christmassy vibe. Specifically concentrate on the first three films, when John Williams was still on board and things were still mostly wonderful and mystical for Harry, Ron and Hermione. Perfect listening for that moment just before the snow starts to fall, and you can pretend you’re as magical as the Hogwarts enchanted ceiling (or Ron, that one time).

Carol (2015)

Perhaps you’re just a little too sophisticated for the commercial terror of Christmas, but, like Cate Blanchett, you still want to feel gorgeously seasonal when buying that perfect wooden train set. Then the subtly festive leanings of the Carol soundtrack is for you. Let your eyes meet a stranger’s across the department store floor, or stare longingly out of the window as your lover buys the perfect Christmas tree from the side of the road. Just do it while listening to this score, which is pleasingly interspersed with songs of longing like “Smoke Rings” and “No Other Love”.

Holiday Inn (1942)

There’s more to this soundtrack than just “White Christmas”, from Bing Crosby singing “Let’s Start The New Year Off Right” to Fred Astaire’s “You’re Easy To Dance With” to the pair’s duet on “I’ll Capture Your Heart”. The score is perfect frosty walk music, too: nostalgic, dreamy, unapologetically merry all at once.

The Tailor of Gloucester (1993)

Okay, I’m being a little self-indulgent here, but bear with me. “The Tailor of Gloucester”, adapted from the Beatrix Potter story, was an episode of the BBC series The World of Peter Rabbit and Friends and aired in 1993. A Christmastime story set in Gloucester, the place I was born, was always going to be right up my street, and our tatty VHS came out at least once a year throughout my childhood. But the music from this is something special: songs “The Tailor of Gloucester”, “Songs From Gloucester” and “Silent Falls the Winter Snow” are melancholy and very strange, and feature the singing voices of drunk rats, smug mice and a very bitter cat. It also showcases what is in my view one of the best Christmas carols, “Sussex Carol.” If you’re the kind of person who likes traditional wreaths and period dramas, and plans to watch Victorian Baking at Christmas when it airs this December 25th, this is the soundtrack for you.

Home Alone (1990-1992)

The greatest, the original, the godfather of all Christmas film soundtracks is, of course, John William’s Home Alone score. This is for everyone who likes or even merely tolerates Christmas, no exceptions. It’s simply not Christmas until you’ve listened to “Somewhere in My Memory” 80,000 times whilst staring enviously into the perfect Christmassy homes of strangers or sung “White Christmas” to the mirror. I’m sorry, I don’t make the rules. Go listen to it now—and don't forget Home Alone 2: Lost in New York, which is as good as the first.

Anna Leszkiewicz is a pop culture writer at the New Statesman.