Friday Arts Diary

Our cultural picks for the week ahead.

Cinema

Made in Britain: Warp Films at 10, British Film Institute, London, 19-30 April
April features a BFI celebration of 10 years of contemporary British cinema from a company behind several iconic stories. Continuing an annual exploration of British Cinema, last year centered on female directors, this time the focus is on the productions of Warp Films. Founded in 2001 the company has produced among others This is England and Dead Man’s Shoes. There will also be a Film Masterclass available for the aspiring cinematographers.

 

Concert

Petrenko conducts in Warwick, Warwick Arts Centre, Coventry CV4 7AL, 24 April
Conductor Vasily Petrenko and Nikolai Lugansky on piano present an all-Russian evening with Tchaikovsky's First, Liadov’s Enchanted Lake and Prokofiev’s Fifth. Among the most respected piano concertos these pieces have been described as virtuoso Cossack-rides and fairytales of reality escape. Petrenko is the Chief Conductor of the Royal Liverpool Philharmonic Orchestra and Lugansky won the 2011 BBC Music Magazine Awards in the Chamber Music category.

 

Theatre

The day I swapped my dad for two goldfish, Beacon Arts Centre, Greenock PA15 1HJ, 25 – 27 April
Neil Gaiman and Dave McKean have had another picture book turned theatre with The Day I Swapped My Dad For Two Goldfish. Following the success of The Wolves in the Walls in 2006 the play explores what happens when a spur of the moment decision turns bad and snowsballs out of control. Appropriate for anyone aged 6 or up. Created and directed by Lu Kemp and Abigail Docherty and written by Oliver Emanuel.
 

Television

The Wright Way, BBC1, Starts 23 April
A new sitcom by Ben Elton, The Wright Way stars David Haig as Gerald Wright from Baselricky Council Health & Safety Department. He tries in vain to manage his hopeless team and avoid causing the catastrophes they are meant to prevent. A biting look on bureaucracy and office incompetence from the man responsible for the Blackadder series and The Young Ones. Also starring Mina Anwar, Kacey Ainsworth, Joanne Matthews, and Robert Daws.

 

Exhibition

The Dairy Art Centre, London WC1N 1PG, opens 24 April
Former-milk-depot-turned-art-gallery The Dairy will host its inaugural exhibition of avant-garde pop culture mix from Swiss artist John Armleder. His art is described as “a celebration of reality in its everyday and most commonplace manifestations.” Not-for-profit and free for all the 12,500 sq ft centre will feature the projects chosen by collectors Frank Cohen and Nicolai Frahm. Having worked together for over 15 years the couple and collaborated and collected with many of the most prolific artists, they have called the dairy a “kunsthalle”, a space where the artworld and the public can come together.
A new play based on one of Neil Gaiman's books will premiere in Scotland. Photo: Darryl James/Getty Images
Harry Styles. Photo: Getty
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How podcasts are reviving the excitement of listening to the pop charts

Unbreak My Chart and Song Exploder are two music programmes that provide nostalgia and innovation in equal measure.

“The world as we know it is over. The apo­calypse is nigh, and he is risen.” Although these words came through my headphones over the Easter weekend, they had very little to do with Jesus Christ. Fraser McAlpine, who with Laura Snapes hosts the new pop music podcast Unbreak My Chart, was talking about a very different kind of messiah: Harry Styles, formerly of the boy band One Direction, who has arrived with his debut solo single just in time to save the British charts from becoming an eternal playlist of Ed Sheeran’s back-catalogue.

Unbreak My Chart is based on a somewhat nostalgic premise. It claims to be “the podcast that tapes the Top Ten and then talks about it at school the next day”. For those of us who used to do just that, this show takes us straight back to Sunday afternoons, squatting on the floor with a cassette player, finger hovering over the Record button as that tell-tale jingle teased the announcement of a new number one.

As pop critics, Snapes and McAlpine have plenty of background information and anecdotes to augment their rundown of the week’s chart. If only all playground debates about music had been so well informed. They also move the show beyond a mere list, debating the merits of including figures for music streamed online as well as physical and digital sales in the chart (this innovation is partly responsible for what they call “the Sheeran singularity” of recent weeks). The hosts also discuss charts from other countries such as Australia and Brazil.

Podcasts are injecting much-needed innovation into music broadcasting. Away from the scheduled airwaves of old-style radio, new formats are emerging. In the US, for instance, Song Exploder, which has just passed its hundredth episode, invites artists to “explode” a single piece of their own music, taking apart the layers of vocal soundtrack, instrumentation and beats to show the creative process behind it all. The calm tones of the show’s host, Hrishikesh Hirway, and its high production values help to make it a very intimate listening experience. For a few minutes, it is possible to believe that the guests – Solange, Norah Jones, U2, Iggy Pop, Carly Rae Jepsen et al – are talking and singing only for you. 

Caroline Crampton is assistant editor of the New Statesman. She writes a weekly podcast column.

This article first appeared in the 20 April 2017 issue of the New Statesman, May's gamble

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