The Friday Arts Diary

Our cultural picks for the week ahead.

Art

George Catlin: American Indian Portraits. National Portrait Gallery, London WC2, 7-23 March

The National Portrait Gallery’s latest exhibition is a collection of over 50 portraits by Pennsylvanian-born artist George Catlin (1796-1872). His portraits were intended to document the Native American peoples and their way of life. They are regarded as an important and evocative record of America’s indigenous peoples. This will be the first time that they have been shown together outside America since they were returned in the 1850s. 

Opera

Written on Skin. Royal Opera House, Covent Garden, London WC2, 8 -22 March

Award-winning director Katie Mitchell brings new light to a tale of deception and guile by author Martin Crimp and composer George Benjamin. Written on Skin draws on a 12th-century Occitan legend about a rich lord, Guillaume de Cabestanh, who commissions a book of  illuminations by an artist. The lord hopes the book will immortalise his political power, as well as documenting a sense of domestic order embodied by his obedient wife Agnes. The process of creating the book is the catalyst for his wife's rebellion. After a first successful attempt at seduction, Agnes uses her new found intimacy with the illuminator to modify the content of the book, forcing the husband, in a final act of provocation, to see her as she really is. Themes of passion, violence and love are given a lick of contemporary paint as the drama unfolds under the gaze of angels who watch over the stage. 

Film

Kinoteka, 11th Polish Film Festival. Various Locations (London, Liverpool, Belfast, Edinburgh) 7- 17 March

This week sees the 11th edition of Polish film festival, Kinoteka taking place in a number of locations in the UK. This year, along with a mix of films by fresh and established directors, Kinoteka will be hosting free film workshops for participants of all ages. These workshops include sessions for writers and directors, and animation workshops for children aged between 10 and 14. A brand new short film competition, held in conjunction with the festival, seeks entries from UK filmmakers inspired by Roman Polanski. 

Theatre

This House. National Theatre, London SE1, until 11 May 

“This country is being kept alive on aspirin, when what it needs is electric bloody shock therapy”

The year is 1974. The location, the House of Commons. The UK faces an economic crisis and a hung parliament. In parliament there reigns a culture hostile to co-operation, where party votes are won or lost by the slenderest margins and fist fights in the Commons bars are a regular occurrence. James Graham’s This House pares down politics to the realities of behind-the-scenes horsetrading.  This House examines some of the main issues facing the Wilson and Callaghan governments up to the vote of no confidence in March 1979. 

Native Americans are the subject of the George Catlin exhibition at the NPG
Still from Being 17
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A guide to the top ten London Film Festival screenings you should go and see

Some of the most-celebrated films on at the 60th year of the BFI London Film Festival are sold out. Here are the ones that are still available – and worth seeing.

Feeling panicked because you haven’t booked any tickets yet for the 60th BFI London Film Festival, which is now less than two weeks away? Confused because you don’t know your Chi-Raq from your Paterson? Fed up that the movies you have heard good things about (La La Land, Toni Erdmann) are all sold out? Sick to the back teeth of being asked rhetorical questions which presume to know your state of mind?

Fear not. Below is a handy, whistle-stop guide to ten promising festival screenings for which, at the time of writing, there are still plentiful tickets to be had.

Being 17

Veteran director André Téchiné delivers what is rumoured to be one of his best films: a tantalising and exuberant tale of two teenage boys engaged in a mysterious mutual antagonism.

Elle

All hail the return of master provocateur Paul Verhoeven with this highly-regarded psychological thriller starring Isabelle Huppert as a woman whose response to being attacked is unorthodox and full-blooded.

Frantz

The mischievous writer-director Francois Ozon is always a good bet. I’ve heard two things from friends and colleagues about his new film, a wartime drama. First, that it’s brilliant. And second, that it is best watched without knowing anything about it beforehand—not even the name of the play on which it is loosely based. So I’m passing on those tidbits to you.

Heal the Living

Love Like Poison was a subtle and deeply affecting coming-of-age story set in rural France. Now that film’s director, Katell Quillévéré, returns with a drama about the emotional complications arising from organ donation.

King Cobra

A real-life murder case was the inspiration for this seamy but sensitive journey into the world of gay porn, in which a deadly tug-of-war ensues over a hot new teenage star. The cast includes James Franco, Christian Slater and Alicia Silverstone.

Mindhorn

Anyone who saw Mighty Boosh star Julian Barratt in Will Sharpe’s brilliant Channel 4 show Flowers earlier this year will know that he has developed new muscles as an actor. That bodes well for this comedy, which he also co-wrote, and in which he plays a washed-up actor recreating his best role – a detective with a robotic eye.

Moonlight

The acclaim from the Toronto Film Festival for this story of an African-American boy growing up gay in 1980s Miami has been deafening.

Personal Shopper

Kristen Stewart gave a revelatory performance as personal assistant to a lofty actor (Juliette Binoche) in Olivier Assayas’s Clouds of Sils Maria. Now she’s sticking with Assayas and keeping it personal by playing a shopper to the stars, with a supernatural element thrown in – she’s a medium hoping to make contact with her dead twin brother.

Raw

Universal Pictures has snapped up this bizarre-sounding French-Belgian drama about a teenage veterinary student turned cannibal.

The Reunion

I’ve heard only good things about this tender love story set in Madrid, with one colleague even describing it as a Spanish Before Sunrise. Praise doesn’t come much higher.

The BFI London Film Festival runs from 5-16 October.

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.