Easter Arts Diary

Our cultural picks for the holiday ahead.


Easter Weekend at Aldeburgh Music, Suffolk IP17 1SP. 29-31 March

The Alderburgh is marking Benjamin Britten’s veneration of Purcell with a weekend of concerts. Providing a snapshot of a powerful musical bond, the concerts will variously delve into musical history, bringing it up-to-date with a present generation of performers and composers.

There are two concert performances of Purcell’s powerful opera, Dido and Aenas, set in Orford Church, while La Nuova Musica connects Purcell with his predecessor, John Blow. Featuring ensembles closely bound to the Aldeburgh, including a leading role for the young artist programme, the weekend is described as “a celebration of the patron saint of music and musicians whose feast day is Britten’s own birthday”.



Sutra, Sadler’s Wells. London, EC1R 4TN. 3-6 April

After touring the globe, showing to audiences as far-flung as New Zealand and Singapore, Sutra returns to Sadler’s Wells on Wednesday for its fifth anniversary. The collaboration between choreographer Sidi Larbi Cherkaoui, Turner Prize-winning sculptor Antony Gormley and 17 Buddhist monks from the Shaolin Temple in China has been described as "outstanding".

Polish composer Szymon Brzóska was specially commissioned to write the score, while Gormley’s set of 21 wooden boxes provides a striking backdrop for a unique artistic production which explores the philosophy and faith behind the Shaolin tradition.



Nástio Mosquito: Nastia Answers Gabi. IKON gallery, Birmingham B1 2HS. Now-21 April

Following his appearance at the Tate Modern last November, artist, videographer, poet and provocateur Nástio Mosquito’s latest exhibition reflects on the nature of our globalised world, with particular reference to representations of Africa and post-colonial clichés.

A notoriously irreverent artist, his videos are knowingly politically-incorrect. He picks apart the philosophical language familiar to the art world in order to convey his philosophical scepticism about contemporary society. Including videos in which he talks to his female equivalent Nástia, as well as a short scene in which he answers questions from renowned curator Gabi Ngcobo, Mosquito uses humour to explore post-colonial clichés and expresses an urgent desire to engage with reality on all levels.



Untold Stories. The Duchess Theatre, London WC2B 5LA. 22 March onwards

The National Theatre’s critically-acclaimed double bill, featuring two auto-biographical recollections by Alan Bennett, is now showing at the Duchess Theatre for a 12-week run.

Hymn, the first of the two plays, is a memoir of music and childhood, directed by Nadia Fall to music by George Fenton. A nostalgic piece, it brings together Bennett’s memories of concerts at Leeds Hall with stories of his father teaching him the violin.

Cocktail Sticks is directed by Nicholas Hytner and was first performed at the National Theatre last year. Described as "tender, touching and sad”, it is inspired by themes and conversations from Bennett’s memoir A Life Like Other People’s. Alex Jennings play Alan Bennett in both pieces.


The Life and Sort of Death of Eric Argyle. Soho Theatre. London. 3-20 April.

Nominated for ‘Best New Play’ at the Irish Theatre Awards and off the back of a hugely successful Edinburgh and Dublin run, The Life and Sort of Death of Eric Argyle will be showing at the Soho Theatre throughout April. A play about a man who has barely lived enough to have regrets, critics have described it as “high accomplished” and a “marvellous production”. Written by Dublin-based playwright Ross Dungan and performed by eight Irish actors, this exciting new play is story-telling at its best.


Chinese shaolin monk performs in 'Sutra', a ballet by Sidi Larbi Cherkaoui, on July 8, 2008 in Avignon, southeastern France, as part of the 62nd Avignon international festival. Photo: Anne-Christine Poujoulat/Getty Images
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The new Gilmore Girls trailer is dated, weird, nostalgic and utterly brilliant

Except, of course, for the presence of Logan. I hate you, Logan.

When the date announcement trailer for Gilmore Girls came out, an alarm bell started ringing in my ears – it seemed like it was trying a little too hard to be fresh and modern, rather than the strange, outdated show we loved in the first place.

But in the lastest trailer, the references are dated and obscure and everything is great again. In the first five seconds we get nods to 1998 thriller Baby Moniter: Sound of Fear and 1996 TV movie Co-ed Call Girl. The up to date ones feel a little more… Gilmore: Ben Affleck, KonMari, the Tori Spelling suing Benihana scandal.

As in the last trailer, the nostalgia is palpable – a tour of Stars Hollow in snow, misty-eyed straplines, and in jokes with the audience about Kirk’s strange omnipotent character. It seems to avoid the saccharine though – with Rory and Lorelai balking at Emily’s enormous oil painting of her late husband.

What does it tell us about the plot of the new series? Luke and Lorelai are still together (for now), Rory has moved on from Stars Hollow, and Emily is grappling with the death of her husband (a necessary plot turn after the sad death of actor Edward Herrmann). In fact, Emily, Lorelai and Rory are all feeling a bit “lost”: Emily as she is trying to cope with her new life as a widow, Lorelai as she is questioning her “happy” settled life in Stars Hollow, and Rory because her life is in total flux.

We learn that Rory is unemployed and living a “rootless” or “vagabond” existence (translation: living between New York and London – we see skylines of both cities). But the fact that she can afford this jetset lifestyle while out of work, plus one plotline’s previous associations with London, points worryingly to one suggestion: Rory and Logan are endgame. (Kill me.) This seems even more likely considering Logan is the also the only Rory ex we see in a domestic setting, rather than in a neutral Stars Hollow location.

As for the other characters? Jess is inexplicably sat in a newsroom (is he working at the Stars Hollow Gazette?), Lane is still playing the drums (we know a Hep Alien reunion is on its way), Sookie is still cooking at the inn (and Melissa McCarthy’s comedy roles seem to have influenced the character’s appearance in the trailer’s only slapstick moment), Paris is potentially teaching at Chilton, Dean is STILL in Doose’s Market, Michelle is eternally rolling his eyes (but now with a shiny Macbook), Babette and Miss Patty are still running the town’s impressive amateur theatre scene, and Kirk is… well, Kirk.

The budget, context and some of the camerawork has evolved (the show’s style of filming barely changed excepting the experimental season seven), but much remains the same. For me, it’s the perfect combination of fan service, nostalgia, and modernisation (except, of course, for Logan. I hate you, Logan) – and seems to remain true to the spirit of the original show. Bring on 25 November!

Anna Leszkiewicz is a pop culture writer at the New Statesman.