Asia in the movies

The 2013 Pan-Asia Film Festival.

The Pan-Asia Film Festival, now in its fifth year, starts this Wednesday (6 March). The festival seeks to showcase Asia’s most exciting new cinematic productions, spanning countries from Japan to Iran. 

There are 12 films competing for the Inaugural Best Film Award. From satires and horror films, shorts to animation, festival director Sumantro Ghose, along with guest judges Nikki Bedi and Hardeep Singh Kohli, will have a challenging decision on their hands.

Some highlights

Taiwanese director Yang Ya-Che takes the all too familiar love triangle in a new direction in his 105 minute film GF*BF(2012). Set in Taiwan, and focusing on the democracy movement of the 1980s and 1990s - a period of immense social and political transformation - protagonists Mabel, Aaron and Liam’s shifting emotional loyalties form the basis of a complex and ambitious plot. GF*BF transports us to selected chunks of this decade in an attempt to convey the entanglement of political transformation and personal development. GF*BF  has been chosen for the opening night gala held at Cineworld Haymarket in London (Wednesday 6 March, 6.30pm).  

From Iran comes Nahid Ghobadi and Bijan Zamanpira’s satirical debut feature 111 Girls (2012) which describes the journey of an Iranian diplomat to Kurdistan after receiving a letter threatening the suicide of 111 young women in protest at conditions in their village which have rendered them spinsters. With their fathers and brothers having either died or disappeared, and suitable men hard to come by, these women address the president with a four-day ultimatum stating they will jump to their death unless provided with an eligible suitor. The eccentric premise of this film is inspired by Kurdistan’s present situation. It is characterised by notably powerful visual imagery, shifting from dreamlike sequences to Beckett-esque dark humour. 111 Girls will premiere at Cine Lumiere in London on Wednesday 13 March at 8.30pm.

Thailand’s  Pen-ek Ratnaruang has devised a unique fusion of spirituality and film noir thriller in his film Headshot (2011). Based on the story of an honest policeman turned angel of vengeance, the film follows his quest to balance society’s moral compass. An accident during an altercation leaves the protagonist literally seeing the world upside down. The unique camera positioning used to elucidate the result of the accident is an effective vehicle for combining Buddhist themes of karma, rebirth and redemption with stylistic film noir tropes of spatial disorientation and a stark contrast between light and shadow.  Headshot is showing at  the ICA in London on Tuesday 12 March at 8.30pm.

A selection of short films from Hong Kong’s Fresh Wave Film Festival – a centre for cutting-edge film production – will also be shown for the first time on London’s screens under the title Fresh Wave Shorts. Fresh Wave Shorts will be screened at the ICA on Thursday14  March at 6.30pm.

Taiwanese director Yang Ya-Che (Photo: Getty Images)
Val Doone/Getty Images
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“The Hole-Up”: a poem by Matthew Sweeney

“You could taste the raw / seagull you’d killed and plucked, / the mussels you’d dug from sand, / the jellyfish that wobbled in your / hands as you slobbered it.”

Lying on your mouth and nose
on the hot sand, you recall
a trip in a boat to the island –
the fat rats that skittered about
after god-knows-what dinner,
the chubby seals staring up,
the sudden realisation that a man
on the run had wintered there
while the soldiers scoured
the entire shoreline to no avail –
you knew now you had been him
out there. You could taste the raw
seagull you’d killed and plucked,
the mussels you’d dug from sand,
the jellyfish that wobbled in your
hands as you slobbered it.
You saw again that first flame
those rubbed stones woke in
the driftwood pile, and that rat
you grilled on a spar and found
delicious. Yes, you’d been that man,
and you had to admit now you
missed that time, that life,
though you were very glad you
had no memory of how it ended.


Matthew Sweeney’s Black Moon was shortlisted for the 2007 T S Eliot Prize. His latest collection is Inquisition Lane (Bloodaxe).

This article first appeared in the 21 July 2016 issue of the New Statesman, The English Revolt