Friday Arts Diary

Our cultural picks for the week ahead.

Cinema

18th London Turkish Film Festival. 21st February - 3rd March. Odeon West End, ICA, Rio Cinema and Cine Lumiere.

The festival begins with the Open Night Gala, the climax of which is the UK Premiere of Yılmaz Erdoğan’s ‘The Butterfly’s Dream’, starring Kıvanç Tatlıtuğ, Belçim Bilgin and Mert Fırat. Five films are competing for the Golden Wings Digiturk Digital Distribution Award, one of which is the new film from Reha Erdem, ‘Jin’, which screened for the first time just a few days ago at the Berlin Film Festival. Beside a wealth of new and exciting cinema, there will also be events with features, documentary programmes, a selection of outstanding short films, Q&A’s and a Workshop with Reha Erdem.

Art

Becoming Picasso: Paris 1901. 14thFebruary - 26th May. Courtauld Gallery

The Courtauld is presenting the opportunity to re-live the exhibition which launched Picasso as an artist. At only nineteen Picasso collected these rapidly produced, in many ways derivative works in Paris. The works demonstrate Picasso’s emerging aesthetic beneath the influences of Gauguin and Van Gogh. The exhibition includes pieces of remarkable assurance, such as ‘Child With A Dove’, and raw youthfulness, such as ‘Spanish Dancer’. The Courtauld allows us to witness the germination of the twentieth century’s most important artist, which the Telegraph has called ‘a tight, compelling, and beautifully installed exhibition’, and the Independent “a real stunner”.

Ballet

Aeternum. February 22nd – March 14th. Royal Opera House.

Christopher Wheeldon, who at 39 has already made over sixty ballets, is choreographing the world premiere of his Aeternum at the Royal Opera House, in a programme which includes Apollo and 24 Preludes. Wheeldon is using Benjamin Britten’s ‘Sinfonia da Requiem’, and directing Royal Ballet principal Marianela Nunez. He has put this performance together in little over a month, and it promises to be a vibrant treat for fans of his abstract, contemporary classic style.

Opera

Medea. 15th February - 16th March. English National Opera.

David McVicar’s production of Charpentier’s opera of sorcery and vengeance, starring Sarah Connolly, has garnered superb reviews. Baroque and bloodthirsty, it is the tale of the scorned lover of Jason of the Argonauts, who murders their two children when she learns that he will marry another. It is an opera teeming with violence and the supernatural, and Connolly, its mezzo-soprano, gives a highly-praised performance. Medea is conducted by period specialist Christian Curnyn.

If you fear that by the interval you and your company may require a relaxant (a distinct possibility) the ENO offers the opportunity to order champagne along with your tickets.

Comic Books

SuperLab. 20Th and 27th February. Bedroom Bar, 62-68 Rivington Street, Shoreditch.

Now for something different. A group of science Phd students and post-doctoral researchers from UCL and Goldsmiths are hoping to demonstrate to a willing public how comic books can enlighten our real-world experiences. An interactive event called ‘Crime’ on Wednesday 27th will discuss how science can explain artistic ability and whether illegal drugs can bolster creativity. Moreover, stalls will be set up to determine your own superpower (lie-detector cheating and the like). It might also be prudent to note that the event is free, and held in a bar. Golly gee whillikers Batman!

Pablo Picasso (RALPH GATTI/AFP/Getty Images)
Photo: Hunter Skipworth / Moment
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Cones and cocaine: the ice cream van's links with organised crime

A cold war is brewing to the tinkling of "Greensleeves".

Anyone who has spent a summer in this country will be familiar with the Pavlovian thrill the first tinny notes of “Greensleeves” stir within the stolid British breast.

The arrival of the ice cream van – usually at least two decades older than any other vehicle on the road, often painted with crude approximations of long-forgotten cartoon characters and always, without fail, exhorting fellow motorists to “Mind that child!” – still feels like a simple pleasure of the most innocent kind.

The mobile ice cream trade, though, has historical links with organised crime.

Not only have the best routes been the subject of many, often violent turf wars, but more than once lollies have served as cover for goods of a more illicit nature, most notoriously during the Glasgow “Ice Cream Wars” of the early 1980s, in which vans were used as a front for fencing stolen goods and dealing drugs, culminating in an arson attack that left six people dead.

Although the task force set up to tackle the problem was jokingly nicknamed the “Serious Chimes Squad” by the press, the reality was somewhat less amusing. According to Thomas “T C” Campbell, who served almost 20 years for the 1984 murders before having his conviction overturned in 2004, “A lot of my friends were killed . . . I’ve been caught with axes, I’ve been caught with swords, open razors, every conceivable weapon . . . meat cleavers . . . and it was all for nothing, no gain, nothing to it, just absolute madness.”

Tales of vans being robbed at gunpoint and smashed up with rocks abounded in the local media of the time and continue to pop up – a search for “ice cream van” on Google News throws up the story of a Limerick man convicted last month of supplying “wholesale quantities” of cocaine along with ice cream. There are also reports of the Mob shifting more than 40,000 oxycodone pills through a Lickety Split ice cream van on Staten Island between 2009 and 2010.

Even for those pushing nothing more sinister than a Strawberry Split, the ice cream business isn’t always light-hearted. BBC Radio 4 devoted an entire programme last year to the battle for supremacy between a local man who had been selling ice creams in Newbiggin-by-the-Sea since 1969 and an immigrant couple – variously described in the tabloids as Polish and Iraqi but who turned out to be Greek – who outbid him when the council put the contract out to tender. The word “outsiders” cropped up more than once.

This being Britain, the hostilities in Northumberland centred around some rather passive-aggressive parking – unlike in Salem, Oregon, where the rivalry from 2009 between an established local business and a new arrival from Mexico ended in a highish-speed chase (for an ice cream van) and a showdown in a car park next to a children’s playground. (“There’s no room for hate in ice cream,” one of the protagonists claimed after the event.) A Hollywood production company has since picked up the rights to the story – which, aptly, will be co-produced by the man behind American Sniper.

Thanks to competition from supermarkets (which effortlessly undercut Mister Softee and friends), stricter emission laws in big cities that have hit the UK’s ageing fleet particularly hard, and tighter regulations aimed at combating childhood obesity, the trade isn’t what it used to be. With margins under pressure and a customer base in decline, could this summer mark the start of a new cold war?

Felicity Cloake is the New Statesman’s food columnist. Her latest book is The A-Z of Eating: a Flavour Map for Adventurous Cooks.

This article first appeared in the 22 June 2017 issue of the New Statesman, The zombie PM

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