In the Critics this week

John Gray on capitalism's future, Ryan Gilbery on Stoker, Leo Robson on Coetzee and Crace, and much more.

In the Critics section of this week’s New Statesman, our lead book reviewer John Gray reviews The Locust and the Bee: Predators and Creators in Capitalism’s Future by Geoff Mulgan. “The assumption underlying Mulgan’s analysis,” Gray writes, “is that … capitalism is the only game in town”. The problem with Mulgan’s thesis, Gray continues, is that his definition of capitalism detaches it from “any particular mode of production”. And we know from recent history that “an elastic understanding of capitalism allows governments to condemn the market’s excesses while continuing to entrench market forces in every corner of society”. Mulgan, argues Gray, has not eluded the logic of market-based thinking. “Where [his] argument is problematic is in accepting that all human relations can be understood as forms of exchange and that we can enjoy the market’s benefits without any of its hazards”.

Also in Books:

Novelist and critic Philippa Stockley reviews Amanda Mackenzie Stuart’s biography of former American Vogue editor Diana Vreeland (“Vreeland lived out her fantasies and for decades encouraged others to invent and imagine theirs”); David Shariatmadari reviews Revolutionary Iran: a History of the Islamic Republic by Michael Axworthy (“Axworthy has confirmed his position as one of the most lucid and humane western interpreters of Iran writing at the moment”); Leo Robson reviews new novels by J M Coetzee and Jim Crace (“The Childhood of Jesus, Coetzee’s most freewheeling work so far, might be seen as a homage to Beckett … The most seductive and enthralling of Crace’s novels, Harvest is also likely to be his last … Ending is its theme – or if not ending, then the destructiveness inherent in change”); Olivia Laing reviews The Gentrification of the Mind by Sarah Schulman (“[T]he true message of the Aids years should have been that a small group of people at the very margins of society succeeded in forcing their nation to change its treatment of them”); and Rachle Bowlby reviews Jane Dunn’s biography of Daphne du Maurier and her sisters (“Daphne du Maurier was one of three sisters but the Brontes they weren’t, however much this book tries to present a picture of collective creative achievement”).

Elsewhere in the Critics:

Ryan Gilbey reviews Park Chan-wook’s new film, Stoker (“This [film] left me stoked”); Rachel Cooke watches Sue Perkins’s comedy Heading Out and ITV’s Glorious Food, hosted by Carol Vorderman (“Vorderman … appears to be about as interested in cooking as I am in who wins this shameless, muddled rip-off”); Antonia Quirke bemoans the quality of football phone-ins (“programmes such as … Radio 5 Live’s 606 are increasingly hard to listen to”); Jason Cowley reviews Jamie Lloyd’s production of Macbeth, with James McAvoy in the title role (“Jamie Lloyd’s production is as visceral and boisterous as any I have seen”); Alexandra Coghlan hears Maxim Vengerov and Itamar Golan at the Barbican and Nicholas Daniel and friends at the Wigmore Hall (“The quality of [Vengerov’s] playing … is a rather mixed bag”).


Meeting Peter Porter a Year After His Death, a poem by Tim Liardet, and Will Self’s Real Meals.

Nicole Kidman at the London premiere of Stoker (2013, Getty Images)
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SRSLY #20: Friends, Lovers, Divers

On the pop culture podcast this week, we talk albums from Joanna Newsom, Bjork and Grimes, Todd Haynes film Carol, and comedy web series Ex-Best.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen to our new episode now:

...or subscribe in iTunes. We’re also on Stitcher, RSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s web editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we'd love you to leave a review on iTunes - this helps other people come across it.

The Links

Joanna Newsom, Bjork and Grimes

Joanna Newsom’s Divers doesn't seem to be on Spotify, but you can get it on iTunes here. Listen to Grimes’ Art Angels here and Bjork's Vulnicura here.

This is a good piece about Joanna Newsom.

This piece makes the comparison with Elena Ferrante that we talk about on the podcast.

Here's Grimes's own post about Bjork.

Tavi Gevinson's interview with Joanna Newsom (where she talks about liking Grimes).



Ryan Gilbey's review of Carol, which he calls “as tantalising as hearing a tender ballad on a tinpot transistor”.

Anna's piece about the photographers that influenced the visual style of the film.

An interesting Q & A with director Todd Haynes.



The full series is available to watch for free here.

Meghan Murphy on friendship break-ups.


Your questions:

We love reading out your emails. If you have thoughts you want to share on anything we've discussed, or questions you want to ask us, please email us on srslypod[at], or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.


Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 


See you next week!

PS If you missed #19, check it out here.

Caroline Crampton is web editor of the New Statesman.

Anna Leszkiewicz is a pop culture writer at the New Statesman.