In the Critics this week
Adam Kirsch on stalking, Richard Mabey on urban nature, David Herman on TV nostalgia and much more.
In the Critics section of this week’s New Statesman, writer and former television producer David Herman takes aim at the cosy nostalgia of British TV drama. “British television is on a huge nostalgia binge,” Herman writes. Taking as his examples two enormous ratings successes, Call the Midwife and Downton Abbey, Herman bemoans the “smoothing out” of history that occurs in most of the dramas that make it on to our screens. What we get is “simpler world with the complexities of real history removed”. Series such as these compare unfavourably with the finest fruits of American and Scandinavian TV drama. “A central issue of many of these series,” Herman observes, “is the border between good and evil and the constant worry that the border will not hold.”
Our lead book reviewer this week is the American critic and poet Adam Kirsch, who writes about James Lasdun’s memoir of being stalked, Give Me Everything You Have. Lasdun’s stalker, a former creative writing student of his, traffics in the worst kind of anti-Semitic abuse. “Give Me Everything You Have,” Kirsch argues, “joins a short list of insightful books about Jewish experience and anxiety in the post-9/11 world, along with Howard Jacobson’s The Finkler Question and Philip Roth’s The Plot Against America.”
Also in Books: Richard Mabey reviews Field Notes from a Hidden City, an “urban nature diary” by Esther Woolfson (“Woolfson … isn’t of the school of ‘edgeland’ writers who view urban wildness as insurrectionary … Field Notes from a Hidden City … is genial, readable, warm-hearted and on nature’s side”); David Cesarani reviews Helga’s Diary: a Young Girl’s Account of Life in a Concentration Camp by Helga Weiss (“Helga’s diary resounds with a ferocious will to endure conditions of astonishing cruelty”); Bryan Appleyard reviews The God Argument: the Case Against Religion and for Humanism by A C Grayling (“Grayling, like the other [new atheist] horsemen, goes too far. He narrowly defines religion as a system of physical beliefs and then says such a system has nothing to offer the world”); Anita Sethi reviews Lucy Ellmann’s novel Mimi (“Ellmann’s work is characterised by a delightfully playful style”). PLUS: “The Revenant”, a poem by Fiona Sampson.
In the Books Interview, Jonathan Derbyshire talks to the historian Paul Kennedy about his book Engineers of Victory: the Problem Solvers Who Turned the Tide in the Second World War. “I’m tilting against a very popular strand of literature that says, ‘The decisive battle, the decisive intelligence breakthrough’,” Kennedy tells Derbyshire. “I’m saying that history is much more complicated than that.”
Elsewhere in the Critics: Rachel Cooke reviews two BBC2 documentaries about the railways; Ryan Gilbey reviews Terrence Malick’s To the Wonder and the screen adaptation of David Mitchell’s novel Cloud Atlas; Matt Trueman considers the popularity of banker bashing on the London stage; Kate Mossman reviews new albums by John Grant and Steve Earle; and Antonia Quirke’s listens to various radio programmes from her sick bed.
PLUS: Will Self’s Madness of Crowds.