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Reviews Round-up

The critics' verdicts on Richard Davenport-Hines, Mark Binelli and George Saunders.

New Statesman
Detroit River during a race, the Detroit skyline in the background. (Getty Images)

The Tenth of December by George Saunders

Acclaimed short-story writer George Saunders darkly satirises modern life in his fourth anthology, The Tenth of December..Through the eyes and minds of ten characters, it envisages the gulf between dreams and reality in suburban America.

For Joel Lovell, of the New York Times, it is the “best book you’ll read this year”. Other critics’ praise is more reserved.

David Wolf, writing in The Observer, applauds the author’s skillful storytelling and “the exhilirating explosion of slang, neologisms and fake product names”. Saunders’ writing is at once comparable to Kurt Vonnegut’s “deadpan absurdism” and The Simpsons with his mix of “crude and sophisticated satire” and warm optimism. Nevertheless, Wolf criticises the inability of the MacArthur Genius Award winner to develop his writing style: “Saunders’ first collection for six years delivers all we expect but nothing new.” He added: “It seems like he’s stuck.”

In a review that charts Saunders’ backlash against his former idol and arch-rationalist Ayn Rand, Ludovic Hunter-Tilney welcomes the “sustained attack on the ideology of individualism.” For the Financial Times writer, it “overturns the belief that altruism is evil and instead suggests that helping others is the core component of our being”. The “blackly comic” book is only criticised for the tendency of the ten stories to seem formulaic because of Saunders’ distinctive style.

Alice Charles’ review for the Huffington Post UK, while commending The Tenth of December for its insight into characters’ minds, similarly criticises its repetitiveness. The habit of revisiting characters, themes and ideas “in a collection of just ten stories, feels like a bit of a cheat.”

 

The Last Days of Detroit by Mark Binelli

Mark Binelli’s Last days of Detroit, soon to be reviewed in the New Statesman, tells the story of the boom and bust of what was once America’s fourth largest city. A former Detroit-native himself, the critics are divided on the perspective this brings for Binelli’s telling book.

Andy Beckett writes for the Guardian, and points to the author’s “busy, knowing prose” as the cause for the frequently quick and flippant tone; highlighted on one occasion where Binelli heedlessly skims over three decades of history exclaiming that “nothing much interesting happened in Detroit for the next thirty or so years …". Beckett is more critical of the beginning of the book, where he claims it reads more like a book proposal than a book itself, “authoritative but self-conscious, switching restlessly between past and present”, however he praises Binelli on his subsequent coverage of Detroit’s decline.

Rose Jacobs of the Financial Times finds that Binelli provides a charming narrative, managing to associate with the reader through personal asides and footnotes that show him to be “playing the tongue-tied non-expert”. As amiable as this may be at times, asserts Jacobs, the “ingenue’s approach” was also occasionally irksome. She concludes that the success of the book waivers, completely relying upon the subjects interviewed in each chapter.

Mick Brown’s review for The Telegraph commends Mark Binelli, deeming him “an assiduous reporter” and credits him with avoiding making the book an epitaph of Detroit. He identifies Binelli’s optimism amongst the ‘devastation porn’ that was the decline, but does query the lack of photographs that would have been so fitting in what is “otherwise an excellent book”.

 

An English Affair by Richard Davenport Hines

Celebrating the 50th anniversary of the Profumo affair, Richard Davenport-Hines bawdily retells how the war minister romanced the reputed mistress of a Soviet spy, Christine Keeler. In the throes of Cold War fever, politicians and the media convulsed at the idea of high-risk “pillow talk” that, followed by lying in the commons, forced resignation and framing, purportedly sowed the seeds of Macmillan’s demise.

The English Affair: Sex Class and Power in the Age of Profumo has divided critics who draw different lessons from the 1963 event.

Susan Elkin, writing in The Independent, praises Davenport-Hines as a “sparkling and compelling writer” and meticulous researcher. She draws parallels with the present: “it is hard to read his book without reflecting that we are still agonising over press freedom and the extent to which private lives are relevant to public office.”

By contrast, Vernon Bogdanor craves more context in the “racy read”. An English Affair re-runs a widely-told old story; “It is not entirely clear what purpose is served by further exhumation.” The New Statesman writer speculates that the affair thwarted chances of a Conservative election victory in 1964 that may have forced Labour to modernise 30 years before Blair. “The consequences are far more important than the cultural implications that Davenport-Hines analyses.”

The Guardian’s Blake Morrison nonetheless welcomes An English Affair as “an antidote to the current nostalgia for the period”. It exposes the “double standards of the early 60s” in which the welfare state, far from banishing spivs, encouraged a new generation of merchant adventurers who “transformed the capital with brutal phallic modernity”.

“For anyone who imagines things were better in the age of ‘never had it so good’,” writes Morrisson, “this book should be compulsory reading.”