Reviews Round-up

The critics' verdicts on Jared Diamond, Lara Feigel and Marco Roth.

The Love Charm of Bombs by Lara Feigel

Lara Feigel’s reinvention of biographical writing breathes danger, excitement and passion into wartime London. Interweaving letters, diaries, fiction and civil defence records, The Love Charm of Bombs traces the restless, crossing paths of five writers – Graham Green, Rose Macaulay, Henry Yorke, Elizabeth Bowen and Hilde Spiel – as their proximity to death brings with it an aphrodisiacal consciousness of being alive.

Much like the shattering effects of the Blitz, Feigel’s work has divided critics. Nicholas Shakespeare’s review for the Telegraph praises The Love Charm of Bombs as “intelligently written, seamlessly presented and with something of the quality of a tapestry.” Yet he laments its wandering conclusion: “it might have packed more punch had it broken off with the all-clear siren and not followed her disparate group into the slow, grey post-war years.”

Craig Brown applauds the book’s ability to capture the “strange euphoria of war”. Like Shakespeare, however, he criticises its “bitty”, sprawling nature. Writing in the Daily Mail, Brown said that the five writers rarely come together and remain distanced from the public “almost as if they were members of a different race”. Feigel’s diligent provision of lengthy synopses are also “unnecessary to those who have read them and meaningless to those who have not.”

The New Statesman’s John Sutherland welcomes Feigel’s innovative remoulding of biography into “life writing”. The author, a lecturer in English and Medical Humanities at King’s College, London, “has written a wonderful book in a critical genre in which she is a pioneer.” Sutherland’s review focuses on the “metropolitan orgasm” in literary London and the way in which war stimulated culture, as seen among Feigel’s chosen writers. “Like slow bruises, great fiction emerged (love stories, most of them) in the postwar, post coital years.” Remarking on the dawn of “new biography” he adds: “Let’s hope they are as good as this one.”

 
The Scientists by Marco Roth

This memoir by Marco Roth details his adolescence, growing up in New York as the only child of members of the "liberal Jewish elite". But his father, a hematologist, had AIDS; the book charts Roth’s discovery of the real reason for the existence of his "microscopic sibling HIV". The Scientists will be reviewed in a forthcoming edition of the New Statesman.

Tim Adams, writing in the Observer, notes that “The Scientists seems an odd title for such a literary quest”; with connotations of order and process, this book “departs from any such rational scheme in favour of the more chaotic and obsessive, hopelessly self-absorbed stuff of his life”. The author’s prose, he says, is “effortlessly erudite and often startlingly precise. He writes beautifully.” However, this “compulsive memoir” is in Adams’s opinion also tinged with a hint of desperation; perhaps the pressure of success from his social standing, or the urgency with which Roth was “born, or doomed” to write this book.

Publisher’s Weekly also admires Marco Roth for documenting the “silence and shame” he grew up with, having such a socially respected father who suffered from AIDS. The sense of this memoir being a necessary eruption for the author is also captured in this review, with its description as “powerfully forlorn”, it is deemed “a ferocious literary exercise in rage, despair, and artistic self-invention.”

Jessica Winter’s review of The Scientists, in The New York Times, delves into the journey of self-discovery Roth endured whilst writing his memoir. Roth’s aunt, Anne Roiphe, had previously written a book which strongly suggested that Marco’s father has been homosexual, and that he may have contracted AIDS “in the more usual way”. “This quasi revelation," Winter writes, "required a recasting of his own identity - if his aunt’s assumption was correct, he writes, ‘then my own existence was like a prop, a decoy to throw off nosy people like Anne’”. It may be because of this that Winter finds the tone of the book “intensely private” in the sense that Roth does not venture into any of the social, political or cultural debates surrounding the topic of AIDS. Winter notes Roth’s “almost paralytic analysis . . . a compulsion to perform an autopsy on the smallest event, exchange or artefact”. But it might be this, she suggests, that gives The Scientists its peculiar power.


The World Until Yesterday by Jared Diamond

Variously described as a biogeographer, evolutionary biologist, psychologist, ornithologist and physiologist, Jared Diamond bridges the gulf between primitive society and modernity in The World Until Yesterday. Picking up from the theory of environmental determinism he introduced in Guns, Germs and Steel, the author argues that traditional societies still have something to teach us.

Soon to be reviewed by the New Statesman, the book has been both praised and condemned.

The Telegraph’s Tom Payne was “riveted by the thought-provoking study”, though remained unconvinced by the some of its central arguments. “I put this book down not completely convinced that I could incorporate many of its teachings into my life,” he said. “But it did leave me riveted, thinking hard and, I dare say, [commenting on the New Guinean’s child-rearing practices] a bit less begrudging of bed space if someone wakes up crying with a cold tonight.”

In an exhaustive review that surveys anthropological ideas, Wade Davis endorsed the spirit but not the execution and conclusion of The World Until Yesterday. Reviewing the book in the Guardian, Davis argues that Diamond’s narrow focus on environmental determinism overlooks the importance of ideas. The author’s observations are “original” and “wise”, but his conclusions are “uninspired and self-evident”: “One could be forgiven for concluding that traditional societies have little more to teach us save that we should embrace healthier diets, include grandparents in child rearing, learn a second language, seek reconciliation not retribution in divorce proceedings, and eat less salt.” Diamond is praised for his New Guinean studies. However, his “limited” experience and research elsewhere means that “a book of great promise reads as a compendium of the obvious, ethnology by anecdote.”

By contrast, Peter Forbes's review in The Independent praises Diamond’s recalibration of primitive history: “Jared Diamond is one of the few people who have changed the way we see human nature and our history.... he has formulated some very powerful ideas that counter our habitual arrogance.” Forbes, too, remarks Diamond’s bias towards New Guinea, “the region and the people he loves”.

17 August 1939: Members of the 3rd Women's Territorial Service, leaving Croydon station for their fortnight's training under canvas, kiss their husbands and boyfriends goodbye. (Getty Images)
Marjane Satrapi
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SRSLY #8: Graphic Teens

We talk Diary of a Teenage Girl, Marvel's Agent Carter, and Marjane Satrapi's Persepolis.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online. Listen to our new episode now:

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The Links

Find out more about Let's Talk Intersectionality here.

 

On Diary of a Teenage Girl:

Here is Barbara Speed's piece about the film and its approach to sexuality.

She has also written in more detail about the controversy surrounding its 18 certificate.

We really liked June Eric-Udorie's piece about the film for the Independent.

 

On Agent Carter:

You can find all the episodes and more info here.

Caroline has written about Agent Carter and female invisiblity here.

This is also quite a perceptive review of the series.

Make sure you read this excellent piece about the real-life Peggy Carters.

 

On Persepolis:

Get the book!

You can see the trailer for the film adaptation here:

Three great interviews with Marjane Satrapi.

 

For next week:

Caroline is watching The Falling. The trailer:

 

Your questions:

If you have thoughts you want to share on anything we've discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here.

 

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons.

See you next week!

PS If you missed #7, check it out here.

Caroline Crampton is web editor of the New Statesman.

Anna Leszkiewicz is the New Statesman's editorial assistant. She tweets at @annaleszkie.